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Posts Tagged ‘music’

To sing about it.

Well, I made it back to the ranch and have found myself a moment to kick my feet up in the chair and warm up near the stream of sunshine pouring through the windows of our house on this beautiful almost-March morning.

Last week was a doozy that started with a flight out of Boomtown to Vegas to help my momma pick out some pretty things for her store. I had a couple mini-heatattacks during the two days filled with nothing but shopping, but I came out O.K. despite my run-in with these beauties…

and an entire Vegas-Sized convention center filled with nothing but shoes.

I could have spent the week there trying on all of the Luccheses and Ariat and Corrals and working out a second mortgage to afford a few pairs, but I needed some money to get back to North Dakota for the concerts I had scheduled across the state.

Now let me tell you, there are few things that give me more joy than music and beautiful boots, so I was off to a great start as I stepped off that plane from Vegas. The cold air bit at my exposed fingers as I ran to my car, praying that it would start so I could get home in time to load up my guitar and head out the door again.

Because I booked February up pretty tight, playing music almost every weekend and trying to keep up with work and dinner in between. When I do this to myself a few little bobbles are inevitable–like locking my momma’s keys in her car and losing my debit card–but I have become pretty good at brushing them off and finding quick solutions (like calling Pops or Husband to rescue me), because I am a woman of very many mistakes.

But now that the whirlwind has settled for a bit and the pug has moved from the top of my unpacked suitcase…

to the couch beside me, I don’t know exactly where to start except to ask you this: Have you ever found yourself standing in a moment that has come together so sweetly, a moment so undeniably and perfectly comfortable, so surprisingly you, that you can do nothing but close your eyes and thank the stars above that you chose to step out that day instead of staying nestled under your covers safe and sound?

I hope you have.

I hope you’ve found yourself in one of those breaths where the things you’ve worked for have proven worth it.

I have been a singer my entire life. I’ve sat around campfires and on flatbed trailers in the middle of small town streets. I have climbed crow’s nests to belt the National Anthem out to bleachers and arenas full of cowboys and I have sat behind my guitar to serenade couples saying their vows and families saying goodbye. I have played to crowds from three and three hundred. I have played by heart and forgotten words. I’ve stomped my feet and swayed back and forth in smokey bars and competed with the latte machine in small coffeehouses. I sit alone in my bedroom on hot summer nights and cold, dark winter mornings and I sing.

I have never loved anything the way I love hearing the words I’ve strung together come out of my mouth and into the air, sometimes unexpectedly and sometimes just the way I meant.

And nothing has ever made me so nervous, so frustrated, so calm, so inspired and uninspired, so sleepless or relaxed, so conflicted or comfortable or scared or absolutely and utterly, undeniably happy.

That’s the thing about music, you just never know. And the choice to put it out there in the world makes it even more unpredictable, it leaves you wondering who is listening, who might understand, who might hate it, who might love it too and who might just want to sing along…

Last Thursday I loaded up  my guitar and headed to the big town to meet up with some musicians at the studio and practice for the CD release party I had scheduled at a theater the next evening. I brought along Pops and Adam and we were going to work out my tunes with a fiddle player, a steel guitar player and a drummer. I had never met the fiddle player or the drummer and the guitar player and I had been working out details over the phone and email for a few weeks. I didn’t know these men and I didn’t know what to expect, except that somehow we had one evening to get it together in time to play for the few ears I hoped were making plans to attend the next night.

In these unpredictable moments I wonder why I didn’t just pick a career that might have me home eating hot dish on a Thursday night.

But my worry melted away faster than it had creeped in on me as these men trickled into the studio, making small talk while unloading their instruments and arranging themselves in a circle.

The drummer counted off the beat to the first song, the bass line fell in easy as the fiddle sweetly moved in with the line of the steel, leading me in to the words of the first verse of a song these men had clearly listened to closely.

My songs were songs they knew.

And I knew then that it didn’t matter if the only people who walked through the doors of that theater the next night were the members of this little band we threw together, although I felt it would be a shame if there weren’t more ears there to listen to the sweet sounds of that fiddle.

Because just as these men took the task seriously it was clear we all shared a little something in common. It was clear that they weren’t sitting behind those instruments after a long day of work on a Thursday night with a woman they had never met because she was going to pay them good money to be there.

No.

They knew better. They know the business.

They were there with me because they love to play. And man, are they talented.

Man, was I lucky.

Man, did we have fun.

And man, did that theater fill up the next night.

I mean, to the brim! People were coming in from all walks of life to have a drink and listen to what we had up our sleeves. There were farmers and bankers and mothers and aspiring drummers, my best friends, people who knew my parents, people who were related to us, to our neighbors, to our neighbor’s neighbors.There were classmates and old roommates and my best friends’ mothers. There were people who I’ve never met, young girls with their own copy of the album who wanted to be singers some day, other musicians, dads dancing with their daughters and people who wanted to talk about the pug.

There’s always people who want to talk about the pug.

I was overwhelmed with gratitude that this group of people decided to spend their Friday night with me and the talented men playing their hearts out in the spaces that needed them in the songs.

There was so much joy in that room and on that stage, and because it is North Dakota, there were so many connections, so many stories that we could all relate to–the red dirt roads, the smell of clover on a hot summer morning, the warm glow of the yard light next to the barn and the unwavering respect for the place that grew us up and sent us out into the world as we looked back over our shoulders for the right time to return.

Music has given me so many gifts. It has taught me to stand up straight, to be honest, to work a little harder, to stay calm, to reach out, to be brave and, most importantly, to listen.

And I could have listened to the beat of that drum, the lonesome sound of that steel guitar, the steady thump of that bass, the sound of my father’s voice and that fiddle backing me long into the night and on until the sun came up. But I didn’t want to let those people sitting patiently in their seats, along the steps on the floor or standing along the back of the room by the door out into the night without knowing them and why they came.

I wanted to shake every one of their hands and give them hugs and thank them for coming. I wanted to invite them over for coffee this spring and to sit on my deck and drink margaritas this summer.

I wanted to tell them all how much it meant to me that they came.

And I wanted to hear their voices.

So I sang Red River Valley and they sang along and I will never forget the sound of our voices together in the middle of the prairie on a chilly winter night.

And the next night I sang those songs again, standing next to Pops and another talented guitar player as the wind whipped through the narrow streets of downtown Fargo and the crowd swayed and tapped their toes.

There are so many things in this life that I love: pretty boots and pretty horses, my family, crocuses on the hilltop in the spring and the way the sun rises and shines through the windows of a house my husband is building for us.

I know I would love these things even if I never sang another song about it, but to be able to sing it out loud to ears that want to hear, not just the beautiful things, but the things that scare us and make us braver, hoping that maybe someone out there might not feel so alone, that’s my life’s sweetest gift.

Thank you for coming to hear me play. Thank you for playing along. Thank you for reading. Thank you for telling me your stories.

Thank you for listening.

www.jessieveedermusic.com 
www.facebook.com/jessieveedermusic

Click here to watch a short KX News segment on the concert in Mandan.

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Singing for my supper

Jessie Bismarck Party

Well, I haven’t seen much of the ranch lately and am looking forward to a cup of coffee in my big chair watching the sunrise out my window on Monday morning when the dust finally settles on this week, but for now I’m having a blast planning, playing and performing in celebration of the release of “Nothing’s Forever.” 

A big thanks to Bismarck/Mandan and the ONE Theater for a wonderful turnout and beautiful crowd.  I was able to get together with some talented musicians and convince them to share the stage with me. Standing up there with them last night was one of the best music moments of my career.

Practice

Practicing at Makoche Studios

Now I’m heading a little further east to do it again in Fargo, tonight at 8 pm at Studio 222. The show is free, all ages and open to the public.

Click here to watch a video interview with the Fargo Forum about my music and inspiration. 

And I’ll see you in Fargo…

or back at the ranch!

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pixlr-2
I’m going to do something a little different here today and I hope you don’t mind. See I just returned from a trip to the mountains where I played in the snow during the day and listened to some of the world’s best musicians at night. It was a vacation full of refreshing things: mountain air, mandolins, whiskey drinks and my best friends in the world.

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And now I’m home at the ranch, catching up on a couple days of work and planning for some shows of my own in the coming days and thinking that isn’t it amazing how we all have stories in us, little quips of life that we get to share over dinner, shoulder to shoulder as we drive across Montana in a pickup heading toward a mountain or on stage to a crowd drinking beer and tapping their feet.

Trout Steak Revival. Big Sky Big Grass Festival

Trout Steak Revival. Big Sky Big Grass Festival

I’m thinking there’s so many ways to tell these stories and I have chosen a few, but my favorite has always been song writing. I love to sit down behind my guitar on a snowy evening or a quiet morning and work out a melody, pick out words to roll off my tongue, join together and send off into an empty room while my fingers search for the next chord and a soft place for the music to land.

To come to the end and know that it means what you meant, though you know nothing of where it came from is a quiet little satisfying mystery.

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I write songs to fill forgotten corners of my life. I write songs to see if I might be able to add to the beauty in the world. I write songs to tell you something that might otherwise go unsaid. I write songs for the love of writing. For the love of singing my own words out loud.

I write songs for no reason but to sing them to the walls and the dog at my feet, songs that never touch another’s ears.

I wrote a song today.

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After my coffee had cooled, my emails were answered and phone calls made, I sat down behind that guitar and listened for what might come from me.

Sometimes it’s nothing, sometimes I hear it in pieces and sometimes it unfolds like it’s been waiting for me to come knocking.

Always I tuck it away for another day, another show, another time that might be better.

Today I decided to share it with you. A song. Just born in my living room on my lunch break with my laundry in piles and the dishes in the sink and no plans for supper or anything really because I wanted to sing something new, so I made this.

Please listen and enjoy and keep writing, singing, creating and sharing your own stories.

I used to be
Jessie Veeder Living Room Session
Listen here:



I used to be a  summer storm
Rolling dark across the plains
I used to bend the trees down
I used to know the rain
I used to make the wind howl
A version of a hurricane
I used to make it pour
I used to be a storm

I used to be a whiskey drink
Burning strong against your lips
Heating through your veins
Softening your fingertips
I used to hold you tight there
I used to make you sing
I used to make you brave
I used to be your drink

I used to be a fast train
Loud and steady on my tracks
Heat and iron and muscle
No promises of looking back
A heavy hearted stranger
Gone before I came
Like smoke on the horizon
I used to be a train

But that’s before I loved you
Before I ever knew
That no matter where you are now
I want to be there too
So I think I’ll be a bird now
With silver coated wings
I want to be your song now
More than any of those things

I used to be a summer storm
Rolling dark across the plains
I used to bend the trees down
I used to know the rain
I used to make the wind howl
A version of a hurricane
I used to make it pour
I don’t do that anymore

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Upcoming Shows: 

February 14 & 15
Theodore’s Dining Room
Medora, ND
5:30 – 8:00 PM (MT)

February 22
O.N.E
Mandan, ND
7:00 PM

February 23
Studio 222
Fargo, ND
8:00 PM

More information at www.jessieveedermusic.com 

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Music Music Music

It’s a big day in America and I’d like to welcome you to it. As you make your way to the polls and anxiously await the anticipated announcement, I’d like to share an anticipated moment of my own.

My new album, “Nothing’s Forever,” is now available for your purchase and listening pleasure at these outlets

You’ve all been such loyal fans of my stories and photography, so I want to invite you to test out the music. It’s my first and most important passion, and the way I learned to express how I felt about my sense of place, love, life and moving on.

“Nothing’s Forever” is a compilation of 13 original songs, most written since I moved back to the ranch and started sharing what coming home feels like on this website. If you’re an avid follower, you might find familiar stories in this music.

I’m proud of this piece of work and the local musicians who helped me put it together. Listen and you will hear Pops’ voice and harmonica, the lonesome sound of of the steele guitar and dobro, and Adam’s bass backing stories about life in an oil town, the chill of winter, driving down red roads, love, and missing someone.

This is my third studio effort and one that has took a little growing, a little moving, and a soft and familiar place to land in order to create.

Thanks for listening.

I hope you love it.

I hope you share it with your friends.

Peace, love and music from the ranch.

Now, go VOTE!

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I’m getting ready for the release party for my new album “Nothing’s Forever” on Friday in my hometown of Watford City. It’s a project that’s been in the works for a while, most songs written in the time I’ve been living back at the ranch. I’m nervous and excited and happy to be playing songs I wrote with some of the best talent around.

If you’re in the area, I hope you can make it.

Friday, October 26th
7:00 pm
Outlaws Bar & Grill
Watford City, ND
Click here for more information

If you’re in New Zealand or Minnesota or Oregon or something, I understand if you can’t make the trip. Maybe I’ll find my way to you someday :)

Either way, until then, take a look at this NEW sneak peek video for one of my favorite songs on the album, “Home”

To preorder your copy, send an email to jessieveedermusic@gmail.com.

“Nothing’s Forever” will also be available in local stores, iTunes and other online merchants in November!

I’ll keep you posted.

Read more about the music and the release party here at www.jessieveedermusic.com

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This is Adam.

Adam plays the bass for me.

Long, low notes ring out from his fingers, finding a rhythm in the melodies I created between the comfort of the walls of the old farm house. Adam’s bass is something I didn’t know my music needed until it was there.

And now I don’t know if I ever want to hear my songs without it.

Adam also plays the guitar.


And the harmonica and the banjo and probably a hundred other instruments.

Adam grew up between the sidewalks of our little hometown. While his limbs stretched toward the sky Adam was listening…to his mother’s singing voice and the beat of his big brother’s guitar, the way the waves of Lake Sakakawea sound when they hit the rocky shore and the buzz of his dad’s airplanes as they took off from the runway and into the sky above his home.

Adam is my little sister’s age, five years younger than me. I can’t help but look at him and think of him as a little boy, though I was just a little girl myself in some of those memories.

Adam doesn’t say much, so I’ll tell you what I know:

Adam plays the bass and the guitar and the harmonica and the banjo and probably a thousand other instruments. Adam sings songs about the North Dakota badlands and that big lake where he’s caught a thousand fish. Adam plays music about big trucks and dirt roads and whiskey with friends around campfires, on front porches, in bars and on stages, anywhere there are ears to listen.

Adam climbs mountains and rides the snow down. Adam balances on rope strung between trees. Adam brings his own beer to the party in a little blue cooler. He wears a green jacket and is waiting for me to bring him some garden tomatoes so he can make salsa.

Adam makes salsa and plays the bass guitar for me.

Sometimes I listen to those notes and I think the things Adam loves are too big for our little town.

Adam flies airplanes in the sky above his lake,

above his badlands

and above the oak groves of this ranch.

He buzzes over the landscape that grew him tall and lean.

And because Adam doesn’t say much I’ll tell you what I think:

I think if you asked him Adam would make you a jar of salsa.

I think if you wanted he would take you fishing and play you a song on his banjo.

He might even play the bass in your band.

And I think he would take you flying. If you asked, I think he would.

I think Adam likes the way his world looks up there.

Because  from up there, the things Adam loves are just the right size…

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When I was ten years old Pops gave me a hard covered journal that he pulled out of the basement of his parent’s house. He retrieved it from a bookshelf and  handed it to his middle daughter, the one who would scribble poems about dogs and horses and big prairie skies on notebook paper. He flipped through the blank pages of the journal, inspecting it for forgotten words, and then handed it to me. And told me to write.

I imagine the book was something my Pops picked up at a gift shop or got for Christmas from a family member, an object that could have been tossed or used for grocery lists, but instead sat stored away in that basement for years waiting for me.

I have a memory of when he handed that book over to me, one I’m not certain I didn’t make up in a dream or something. It’s a memory that is full of inspiration and imagination and possibilities.  It was as if my father had handed me potential–blank pages that smelled of must and mothballs waiting for someone to write something brilliant and touching and moving.

Waiting for me to be brilliant.

I had those pages filled before my twelfth birthday with poems about the creek behind my house, rodeos, horses, wildflowers and not wanting to grow up. My handwriting was neat and loopy, slanting diagonally across the unlined pages, sentences about the colors in rainbows and wishes trailing right out of my adolescent head and down the center of the pages.

I didn’t know it at the time but that book is where my music career started. Those words I wrote turned to melodies when I picked up a guitar for the first time, practicing other people’s music, but spending most of my time creating my own. I would play with my words, ramble with the lines and phrasing for nobody’s ears but my own. And because I was the only one listening, I could say what I meant or make no sense at all.

It didn’t matter.

It was for me.


As I got older my dad convinced me to perform that music in public. And so I strummed my green guitar alongside him, a dorky, gangly girl in a Garth Brooks inspired western shirt baring her soul.

Besides my little sister who was sleeping with her door half-open across the hallway from my bedroom, my dad’s ears were always the first to hear my music.


I’m  thinking about this today because I am in the middle of recording a new album.  It’s an album of music I’ve been writing since I moved back to the place I grew up…back to the place where that ten-year-old tomboy scraped her knees and caught frogs and wrote it all down. I’ve done this studio thing before and I’ll tell you, it isn’t easy to introduce music that you’ve written on lazy Sundays, in the middle of the night or pulled over sitting in your car on the side of the road to a room full of musicians you respect and admire. Performing songs for the first time that only the walls and dogs have heard have been some of the most intimidating and emotional experiences in my life.

Because I believe in it. I know what I’m trying to say.

Or at least I think I do.

And when I make the decision to share it, to record it, to perform it, to get in the studio at long last,  I second guess that decision about seventy to eighty times before I make the trip down the interstate with my Pops and our guitars.


See in a project like this you could work through logistics all day long. You could share ideas and swap stories and talk about music you like, your vision and who’s on board until the sun goes down.

But it comes down to one thing in the end.

The songs.

And the songs are mine. Soul-baringly mine. So eventually I’ve got to play them. It’s kinda the whole point.

So I start by plucking my guitar, closing my eyes tight and leaning in against the microphone, wondering if it’s possible to hold my breath and sing at the same time. The first note rings out and then the first verse and it’s just me exposed waiting for my father to pick up his guitar and add a rhythm, my dear and talented friend to lean over his dobro and fill in with a haunting lick, the bass to kick in a long lonesome note…the drums to find the heart beat.

And soon my song becomes their song and the room is filled with it. The guys I’ve trusted with the notes have given it a pulse and the music I wrote on my living room floor lends itself to a harmonica part, a guitar breath…a long pause.

And sometimes it happens that I’m in that studio, two days into laying down tracks about the landscape, my home, my love and maybe even a quirky song about a dog, and things are going well. I think I’ve almost made it through the hard part, if only I could skip through the song that scares me the most.

Because it’s the one that is so personal I am certain no one is going to understand. It’s the one that makes me cry big sobs before I reach the end.

The one that they are telling me to try. Just try it out.

It’s ok.

And so I take a deep breath and work to come down off a bouncy song I wrote about being happy and living in the moment.

I suppose living in the moment counts for hard stuff too, so I take my own advice…

play the notes on my guitar…and sing…

“I dreamed you on the prairie,
on mountain tops and oceans wide…”

I hear my voice waiver through my headphones but I’m ok. I decide I might get through it…until I hit the second breath and the sweet sound of my friend’s guitar part fills in the quiet spaces the exact way I have heard it in my head…if only I could play that way…

“I loved you before I met you…”

My voice cracks and it’s over before it started…but my band keeps playing, coming in with a low bass part and a quiet whisper of a drum.

So I keep singing and sniffling because the music’s just too beautiful to give in to an emotion I’ve pushed down so long that it became fed up.

I decide that if it’s time for this I might as well capture it. Isn’t this what music is about?

So the guitar lead pulls me into the chorus and I whimper the words behind the glass of my isolation booth. I wonder if the guys can see the  tears streaming down my face behind the shield of the microphone…

The sound coming out of their instruments makes me feel less alone though, which touches me so deeply that more tears roll and no words come out.

But the guys keep playing, taking me through the bridge of my song as I sing it like I’m collapsing in on myself.

I close my eyes and breathe in the rhythm they have found for me as I gather myself for the ending note, the note that I squeak out but they let hang subtly and quietly in the air of the studio.

I wipe my eyes and apologize as I put down my guitar to step out of the room only to find the two men who have been the background to my music my entire life: my father and the sweet talented dobro man, with eyes red and teary too.

Supporting me.

Feeling for me.

Playing my music like it is their own.

So I’ll tell you this today as I sit in the middle of this music project and reflect on the weekend I spent lost in the music. When I moved back to the ranch as a grown woman with plans to make plans I wasn’t prepared to run into my ten-year-old self again. I wasn’t prepared to fall in love like her, to get the same flush in my cheeks, to embrace loneliness, celebrate life and morn losses the way I used to when I was so young and vulnerable and completely honest.

I didn’t expect that she would grab my hand, take me on walks, sit with me on hilltops and quietly push me to fill up some blank pages again…and then sing those songs out loud to the prairie sky.

But she did. And I open her book today and find poetry and stories that are innocent and awful and embarrassing. But I’ll tell you if I had to save something in a fire it would be that book. It has sat on my nightstand next to my lamp for nearly twenty years, a reminder of the girl who chose to fill it up with the stories about her world and everything that was inside of her.

And the only way I can think to thank her is to keep doing what she has done…

Curious about the new music coming from the red dirt roads?
Listen to me  talk about life in oil country as I play my new song “Boomtown” live from my momma’s kitchen

Jessie Veeder’s Boomtown 

Follow the progress of my new album at www.jessieveedermusic.com 

Recording at Makoche Recording Company in downtown, Bismarck, ND

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I sit on the love seat in the back room of my parent’s house. It’s 9:30 on a Wednesday evening. I’ve finished my slice of pizza. My mother brought it home from town. I’ve had my glass of wine and we’ve had our visit about the weather and the traffic and the pizza and the fact that my little sister is back home tonight on her pursuit for a job here.

My little sister might be moving back home.

I close my eyes at the thought as her shoulder touches my shoulder. This love seat is small, so my other shoulder is not free either. It’s smashed up against my husband’s leg as he leans back, sprawled out on the arm of this overstuffed piece of furniture.

The three of us, we are a sandwich, and I am the lettuce, the cheese, the pickle, mayo and turkey. They are the bread and we are everything you need for a good bite.

We close our eyes and listen to Pops blow the air from his lungs through the harmonica he wears around his neck. We hear a lonesome sound, one that is familiar and sad and haunting and beautiful and home. We lean in closer…to one another. To him.

We taste his words…

I live back in the woods you see 
My woman and the kids and the dogs and me...

We don’t say it, but it seems those words might have been written for this man sitting in front of us, his hair more silver than it was yesterday, his fingers callused, his voice ringing with those pieces of gravel that dug their way in from years of playing songs like this in bar rooms.

I’ve got a shotgun a rifle 
and a four wheel drive…

It’s quiet tonight. The dogs are asleep and the trucks have taken a different route or maybe they finally called it quits for the day.

I know the stars are out.

And a country boy can survive 
Country folks can survive…

In the kitchen the warm scent of brownies my mother is frosting fresh from the oven drifts back to us smooshed together, the sandwich, on the love seat. I can’t see her from my position as the lettuce, the cheese, the pickle and mayo and turkey, but I know my mother is sipping wine and running her long fingers along the pages of a new magazine.

We grow good ole tomatoes and homemade wine…


Everything I ever knew for certain is filling my lungs and my ears, touching my shoulders and swaying along to all of the things I am on the inside.

And a country boy can survive


I am his lungs and heart and pieces of his gravely voice.

I am her fingers and worries and holidays.

I am his goodnights and kisses. His battles and wishes.

I am her blood, her memories…her shoulder.

Country folks can survive…

We breathe in the air of this house, the air Pops uses to push through the next verse, and I think that if I were not these things,  I might not exist at all…

*Lyrics from “A Country Boy Can Survive” by Hank Williams Jr. 

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I have been focusing quite a bit of my energy on my music these past few months, getting new songs ready to hit the studio to record another album. I’m pretty excited about the leap I decided to take after realizing, out of the blue it seemed, that I might have enough music, enough stories I’m proud of to get this done.

It’s been six years since my last studio endeavor.

So much has happened since then. Six years ago I was on the road in my Chevy Lumina, Map Questing my way around the country, finding where I was going on the road, from small town to the occasional big city, all the while wishing in between that I could Map Quest the path my life was going to take.

Well, I imagine there’s a reason you don’t get a chance to see your future, to look into the horizon of your life and know what’s over that hill. Because I wouldn’t have believed what I saw.

I wouldn’t have believed that moving back to the ranch, to my childhood home in the middle of nowhere, with my husband and two mis-fit dogs would have put me smack dab in the middle of a world that provided me with the same inspiration it did when I was a little girl walking the hills.

I wouldn’t have guessed that traveling all over the country alone with my guitar, living in the mountains with my new husband, struggling through life lessons and “responsible adulthood” wouldn’t have been enough to inspire me those years in between. Not one decently honest song made it out of me during those years of wandering.

And then I wandered home and suddenly my pages filled up. All of the sudden I had stories to tell and things to show you and people to write.

And I was reminded that the writing was the best part. The writing is the discovery of myself and of the people walking about, living their own lives around me, minding their own business, that I wouldn’t have noticed until they nod their heads at me in the lyrics I’ve  jotted down in my disheveled notebook late at night while my world is sleeping.

I wouldn’t have believed it then, at 21 out on the road looking for a break, a place to stand with my guitar in my arms, an honest ear to listen, that seven years later at home, at the ranch, in the middle of the wild-west, I would find myself at the center of my music…and at the center of my world again.

So this morning as I pack up my fancy boots, a dress or two and my favorite scarf, getting ready to head out to play music for the weekend, I want to take a moment to explain to you why telling these stories is so important to me.

And why telling yours, or hearing it from someone else’s pen, might become important to you too.

Because a few months ago I was reminded. A few months ago I had unwrapped one of my songs after I was asked to play a piece of music to help tell the story of our booming community for one of the local news stations. So I told my story, standing on a busy Main Street as the camera was pointed in my direction, answering questions about changes and traffic and waiting in lines and what it means to have oil pumping from the earth in your backyard.

And what it means to have so many new faces in town.

I answered. And then I played my new song.  A song that hadn’t previously made it out of my tiny house in the buttes. A song about those faces, what they have given up to be here, where they came from, and how they found their way here, to a strange place or, back in a familiar place, back home, with nothing but hope at a chance for a better life.

I told you about it here.

I played my song, the segment aired, I went about my business building my own life out here in the middle of nowhere…in the middle of everything.

And then one quiet Thursday afternoon while I was sitting at my desk writing something or paying a bill, the phone rang.

“Hello”

“Yes, hello,” said a man on the other line with a kind voice tucked into a thick southern drawl. “I’m looking for the girl who sings that song ‘Boomtown’”

“That’s me,” I replied. “I wrote that.”

“Well, alright then. My wife heard you singing on the T.V. the other day and she recorded it for me so I could watch it when I got home. She said I had to hear it. She said I think this girl wrote this song about you.”

“Really?” I laughed, unsure of where this was going.

“Yeah, so I listened to it. And well, my name’s Donny, I’ve got a truck, I just got married and I’m  from Arkansas…”

“Really?” I had no other words, because, those words he spoke were my words…and they were in my song…

“We listened to it over and over and finally my wife thought I should give you a call…because, well, I’m wondering, did you write this song about me?”

I laughed again in surprise as this man who I had never met waited on the other line for my answer. A man who no doubt had a story to tell me, a story that I was going to learn a little bit more about about after I came up with my reply.

“Well, no Donny, I just made that man up. I figured he was out there, and well, oh my goodness, he is! “

He laughed too as we talked more about the similarities he found to his life in the song, about how his company transferred him from Arkansas to North Dakota in the last year because that’s where the work is. We talked about his wife and his daughters and the struggle to find a place to live in this booming place.

We talked about how he likes it here.

I thanked him for his call.

I was so glad he called.

I was so glad I wrote his song, a song I will never again sing without hearing his voice on the other end of the line.

Listen to “Boomtown” and hear Donny’s story below.

I’ll be singing this song at the Fargo Theatre tomorrow as part of the Celebration of Women and their Music show. And I’ll keep you updated on the latest in my studio session and new music. I can’t wait for you to hear the new music, because, well, maybe my stories, Donny’s stories, our stories out here are pieces of your stories too.

Peace, Love and Music from the Ranch.

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Good Morning everyone. I come to you from my little sister’s apartment on the eastern part of the state where the land is a little flatter, the snow has stuck around, the bed head is massive and the pet cat is out of control.

I am here to do a little promotion for The Celebration of Women and their Music show here in Fargo next Saturday. It’s something I’m am excited to be a part of again because it’s a place where talented women from around the region come to showcase their music and raise money for scholarships for select high school music students.

To that I say, “Yay Girl Singers!”

If you’re in the area next Saturday be sure to check it out:
Celebration of Women and their Music
Saturday, February 18, 2012
6:30 PM
Historic Fargo Theatre in downtown Fargo, ND
Tickets:
Call 1- 800-514-3849
or visit Tickets330.com

If you have a minute today while you’re eating your noodle salad at lunch today,
catch me on the
Christopher Gabriel Program
12:35 Central
Listen here! www.wday.com/pages/AM970Radio 

And after that Little Sister and I will be doing what sisters do…eating lunch, having cocktails, shopping for shoes and purses, catching a movie, painting our toenails, taming her damn cat, redecorating her apartment, and, well, eating some more…

See ya out on the town!


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