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Posts Tagged ‘nostalgia’

This is what it looks like when you put a house cat out in the snow for the first time in its life.

Coincidently this is also the face that was staring back at her after I peeled her out of my arms like a piece of velcro with really strong legs ..and then again off my head…and then again off of my boots.

We’re in a fight, but don’t feel bad for her, the weather is warming up and I think it’s time she gets acclimated to this wild place.

Yes, tomorrow it will be March and my longing for green grass, crocuses and creek beds overflowing with melted snow will summon me to pull on my muck boots and go exploring for the slightest change in scenery.

It will be March tomorrow, and I feel the chilled surrender that January brings start to break up and separate inside of me, even as I stand under a gray sky that blends into the horizon as if it weren’t a sky at all but a continuation of the snowy landscape…below us, above us…surrounding us.

Flakes fell from that sky yesterday afternoon, big and soft and gentle they drifted down to the icy earth and summoned me from behind my windows to come outside and stick out my tongue.

When the snow falls like this, not sideways or blowing or whipping at our faces, but peaceful and steady and quiet, it’s a small gift. I feel like I’m tucked into the mountains instead of exposed and vulnerable on the prairie. I feel like, even in the final days before March, that someone has shaken the snow globe just the right amount to calm me down and get me out of my head.

When the snow falls like this I go look for the horses. I want to see what those flakes look like as they settle on their warm backs, on their soft muzzles and furry ears. I trudge to the barnyard or to the fields and wait for them to spot me, watching as they move toward that figure in a knit cap and boots to her knees, an irregular dot on a landscape they know by heart.

I know what they want as they stick their noses in my pockets, sniff at my camera and fight for the first spot in line next to me. I know they want a scratch between their ears.

I know they want a bite of grain.

They know I can get it for them.

Our horses in the winter take on a completely different persona. The extra layer of fur they grow to protect them from the weather makes them appear less regal and more approachable.

Softer.

I like to take off my mitten and run my fingers through that wool, rubbing them down to the skin underneath where they keep the smell of clover and the warmth of the afternoon sun. I like to put my face up to their velvet noses and look into those eyes and wonder if they miss the green grass as much as I do.

On this snowy, gray, almost March afternoon the horses are my closest link to an inevitable summer that doesn’t seem so inevitable under this knit hat, under this colorless sky.

I lead them to the grain bin and open the door, shoveling out scoops of grain onto the frozen ground. They argue over whose pile is whose, nipping a bit and moving from spot to spot like a living carrousel. I talk to the them, “whoah boys, easy” and walk away from the herd with an extra scoop for the new bay, his head bobbing and snorting behind me.

In a month or so the ground will thaw and the fur on the back of these animals will let loose and shake off, revealing the slick and silky coat of chestnut, white, deep brown, gold and black underneath. We will brush them off, untangle their manes, check their feet and climb on their backs and those four legs will carry us over the hills and down in the draws and to the fields where we will watch for elk or deer or stray cattle as the sun sinks below the horizon.

I move my hand across the bay’s back, clearing away the snowflakes that have settled in his long hair and I rest my cheek there, breathing in the scent of hay and dust and warmer days.

He’s settled into chewing now, his head low and hovering above the pile of grain I placed before him. He’s calm and steady so I can linger there for a moment and wonder if he tastes summer in the grain the same way I smell it in his skin.

My farewell to winter is long, lingering and ceremonious.

But it has begun. At last, it has begun.

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I woke up this morning with a little krink in my neck, my back stiff and sore, my arms reminding me of muscles that hadn’t been used in a while. The sun was shining through my bedroom window, backlighting the lush green leaves that have come to our world to stay for a while. The cool breeze through the screen prompted me to pull the sheets up to my neck and scootch in closer to Husband.

It’s Monday morning and it seems like the workweek has come in with sparkle and style. I appreciate it.

But the weekend? Well, judging by the dirt hanging out under my fingernails and the size of the laundry pile it seems it was one of the good ones.

No, we didn’t have anything extravagant on our schedules, no vacation on the beach, no road trip to the mountains, no concert or festival, just a couple days spent inside a simple life that we’re working to create here. I wouldn’t even have much to mention about it really, except for somewhere between chasing the cows that got out into the fields with husband, planting Pops’ tomatoes, catfishing on the river with Little Sister and sitting on the porch with a vodka tonic and my mother as the sun began to set at the end of Sunday, I found myself wishing there was more time in my life for chores…and I think I might have realized why ranchers don’t take many vacations….

Because when the sun is shining on my back and the cool breeze moves through the sweaty tendrils of hair that have escaped from my ponytail, it’s hard to be too upset that the cows got out. In fact, sitting on top of a good horse watching so the cows and their babies don’t miss the gate as Husband moves back and forth behind them, gently pushing the pairs along, I find I’m glad for the work.

And glad that I got to push my horse to a full-out run as I raced to stop the lead cow from finding her way to the brush. Grateful I had that chance to cowgirl up, feel that wind in my hair and power of the horse beneath me.

Proud the two of us turned the herd around on our own and happy to be working alongside a man who loves this work as much as I do.

Summer weekends like this remind me of what it was like to grow up out here, a ranch kid with three months off and no driver’s license. Sure, I had the occasional coveted trip to town to swim in the public pool, but for the most part we were out here riding in the fencing pickup with Pops, chasing cows on sunny mornings trying to beat the mid-day scorching heat, mowing the lawn and eating summer sausage sandwiches for lunch. The work with Pops was never stressful or hurried, just constant and quiet and he was glad for the company…it didn’t matter if the ten-year-old and fifteen-year-old in the seat next to him were too uncoordinated to run the wire stretcher.

I remember the heat, the sweat, the horseflies and wood ticks we would find as we rode through the thorny brush on our way to find a stray cow. I remember the country station coming through the static and speakers of the old fencing pickup as Pops climbed out to fix a wire and I leaned my head on the sill of the window and watched the grasshoppers fling themselves to the sky. I remember taking my little sister to climb up the clay buttes while we waited for Pops to emerge from the mud underneath the stock-tank he was fixing.

I remember taking a break from the sun under the shade of the tree line and the way the cool grass felt under the pockets of my jeans.

I remember the smell of the wet dirt as Little Sister and I dug in the ground below our house on the hunt for worms…because the work was going to have to wait…Pops was going to take us catfishing.

When I think of early summer I think of these things. And this weekend it seemed I had an instinct to recreate and live life the way summers here were meant to be lived. So after the cows were rounded up on Saturday, the flowers were in their pots and Husband had enough tinkering with the plumbing on the new house, I called up my Little Sister who has just moved back to town and told her to bring her cooler.

We were going catfishing at the river.

The process is always the same: pack a bag full of sunflower seeds, bug spray, long sleeve shirts and something chocolate. Fill a cooler full of beer. Hunt unsuccessfully for all remaining pieces of the fishing supplies you haven’t seen together in one place for months. Patch together a mis-mash of fishing line, hooks, reels and poles and say it’s good enough. Search high and low for the missing camp chairs. Put on your short shorts and get in the pickup, roll down the windows and head south toward the Little Missouri where the water runs low and slow through the slick clay banks of the badlands.

Each year we debate about the location of our favorite fishing spot, wonder if we’ve missed the turn and discuss how the moisture from the previous winter has changed the trail. And we are reminded once we arrive of why we come here, the seclusion and quiet of the untouched banks makes us feel free and wild and capable of catching our own supper.

We kick off our shoes as they grow heavy with the mud of the banks. Little Sister and I cast lines that have been prepared for us.

We talk.

And then we’re quiet, our attention turned toward the calm flow of the river and the beaver who is working on tearing branches from a willow branch on the other side.

Then my line tips. We hold our breath. Someone says ‘reel’ and everyone stands up as husband runs toward the banks to ensure a safe arrival of this strange looking fish emerging from the muddy water of the river.

We laugh and celebrate. We brag. We take a picture and re-worm our hooks.

And wait.

Open another beer.

Change locations.

Sit on a rock.

Watch the clouds roll in.

Spit seeds on the banks.

Declare 8:00 pm to be the witching hour.

Wait for another tip to bend.

Leap up when Husband starts reeling. I jump and holler in excitement but do nothing to help ensure the fish makes it safely to shore. Husband moves toward the deep mud at the bank as the fish flops and struggles and the fisherman leaps to grab it…

But it’s too late…it’s escaped to the mucky water, a worm in its belly leaving two fishermen stranded in mud up past their knees.

I say I can’t believe it got away.

Little Sister laughs hysterically as she watches me snap photos of my dearly beloved sinking deeper and deeper by the second into the slick mud of the riverbank while he tries to hand me his pole so he can escape.

The sun sinks toward the horizon and the thunderheads move in, reflecting blue and gray on the surface of the murky river water.  We declare it time to reel up.

We let my catfish go, deciding it’s not enough fish worth the work of cleaning it. And besides, I have steaks waiting for us at home.

Muddy and tired and full of mosquito bites and bug spray, we head for the trail that leads us to the highway and then the pink gravel road that meets up with the ranch house. Husband fires up the grill. I pour something over ice.

We open the windows and we are us. Dirty and hungry and smelling of horse hair and sweat and fish.

It’s summer at the ranch and the tomatoes need to be planted. There is a house to finish, plumbing and wiring to be done, and corrals to be patched. The cows found an open spot in the fence and are heading down the road. We will know this tomorrow and we will saddle up to bring them home after coffee and bacon in the morning.

The sun will be shining, the breeze will be cool, the cows will be willing to move…

…and we won’t mind the work.

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Last week in the middle of a life that sent me down to the scary basement of this old house to search for things to throw away, I found something I didn’t know I had.

And that something might have turned into one of the most important pieces of my life.

See, among our snowshoes, highschool yearbooks, that old radio noone can throw away, games of Cranium and Catch Phrase, college text books and papers, canning jars and countless pairs of boots was a box I didn’t recognize.

And in this box filled with odds and ends that echoed the man who was outside trying to start our lawnmower– an old rope, a tarnished belt-buckle, a necklace made from deer antlers, a tupperwear dish full of shot-gun shells and two-dollar bills– were little pieces of paper, neatly folded and tucked away in a shiny cardboard package…

My 16-year-old handwriting telling our love story.

I would have missed it, the memories of a love that blossomed when we were much too young for things like love, if one of those neatly folded letters didn’t find its way out of the box and onto the dusty floor as I moved that box into the hallway in an effort to consolidate the neglected pieces of our lives. I tossed the box aside to retrieve the piece of paper that looked so familiarly intriguing. I squatted down on the floor and unfolded the page.

I recognized that handwriting.

I recognized the feelings.

But I didn’t recognize the words.

Up and down notebook pages, on typing paper and inside homemade cards were professions of my adoration toward a boy who used to meet me at my locker and walk with me to class. A boy who played football and had a yellow dog, whose hair was never right and neither were his parents. A boy who gave me my first kiss and drove a Thunderbird too fast on the highway to my house every Sunday to ride horses and teach my little sister to play chess…

A boy who received those notes, folded them back up, put them in his pocket only to tuck them away in a box to be saved and moved from place to place as he went off to college with the girl, drove her to Yellowstone National Park in the middle of July with no air conditioning, proposed to her under her favorite oak tree, married her there and proceeded to work on the happily ever after.

I didn’t know the boy kept the notes.

I didn’t know the man still had them.

I didn’t remember the girl who wrote them.

A quirky girl who made up stories about turtles stuck on fence posts in an attempt to make the boy laugh. A girl who unabashedly poured her feelings out on pages she hand delivered to the boy who would write her notes back with no notion that any other eyes would ever see…

I took those notes out one by one and on the floor of the grimy basement I was reminded of that girl with frizzy hair and a Ford LTD that guzzled oil and needed a jump start after school.

I was reminded of the boy who always had jumper cables waiting when the bell rang.

And as each page unfolded so did the memories of what it was like to be 16 and so in love.

We were all there once weren’t we? You can remember it can’t you? Your first car ride together. Your first kiss. Fight. Breakup.

Most people have gone through the process and then started it all over again with another first kiss, another first car ride, another first fight…a series of excitement and emotions that cycle through in different ways with different people until you find the one you choose to hang on tight to. And you may or may not have written love letters. And they may or may not be in someone’s basement, someone who is a stranger now, someone who remembers you with a scent of perfume or an old favorite song on the radio as they are driving down familiar roads.

If there is one thing in my life that makes me wonder about fate and choices and understanding the human connection, it is this relationship I have had with this boy who is now my husband. The familiar road? I never strayed. That favorite song? It has not stopped playing.

That first car ride together? We’re still driving.

And sometimes I’ll admit that I wonder if I knew anything back then. That hair? Are you kidding? Those high-water pants? Kill me. The decision to buy two baby turtles and raise them under a heat lamp in an aquarium in my dorm room? Not the most logical.

I admit there have been times I have wondered if I missed out on something, if I shouldn’t have gotten so comfortable, if I should have had my heart broken a few more times…kissed more boys…

But I read those letters last week, the ones I scrawled during study hall and math class when I should have been paying attention. My words were never chosen carefully and mostly I said nothing at all except something about a test that and a note to him about luck at a football game or singing on the weekend.

Then I came across a note with a drawing of a house with a chimney in the crook of a hill. Beside it I drew a barn and below it a creek that wound through a fenced in pasture. In the pasture I drew two horses, one for him and one for me. I also drew a pig and a goat, a cow and boat in the dam I built with the creek on the edge of the paper. There were two vehicles in the driveway: A pickup for him. A car for me.

Now, I had been looking for love stories lately, hunting them down and reading them, watching them on television, asking people how they met, opening my eyes to see one walking down the street, at a table next to me in a restaurant or in the line at the grocery store.

Lately I’d been feeling like maybe our story wasn’t enough.

Then I opened another letter and read: “If we can say we loved each other for a lifetime I will have lived my dreams.”

Now I didn’t know anything then about life and how hard it can be to live out dreams and make things like this work.

I still don’t.

But I have to give that 16 year old credit. She may not have known what she wanted to be, how far she wanted to travel or how to properly boil an egg.

But  she knew what she was doing.

She knew what love was.

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When I was ten years old Pops gave me a hard covered journal that he pulled out of the basement of his parent’s house. He retrieved it from a bookshelf and  handed it to his middle daughter, the one who would scribble poems about dogs and horses and big prairie skies on notebook paper. He flipped through the blank pages of the journal, inspecting it for forgotten words, and then handed it to me. And told me to write.

I imagine the book was something my Pops picked up at a gift shop or got for Christmas from a family member, an object that could have been tossed or used for grocery lists, but instead sat stored away in that basement for years waiting for me.

I have a memory of when he handed that book over to me, one I’m not certain I didn’t make up in a dream or something. It’s a memory that is full of inspiration and imagination and possibilities.  It was as if my father had handed me potential–blank pages that smelled of must and mothballs waiting for someone to write something brilliant and touching and moving.

Waiting for me to be brilliant.

I had those pages filled before my twelfth birthday with poems about the creek behind my house, rodeos, horses, wildflowers and not wanting to grow up. My handwriting was neat and loopy, slanting diagonally across the unlined pages, sentences about the colors in rainbows and wishes trailing right out of my adolescent head and down the center of the pages.

I didn’t know it at the time but that book is where my music career started. Those words I wrote turned to melodies when I picked up a guitar for the first time, practicing other people’s music, but spending most of my time creating my own. I would play with my words, ramble with the lines and phrasing for nobody’s ears but my own. And because I was the only one listening, I could say what I meant or make no sense at all.

It didn’t matter.

It was for me.


As I got older my dad convinced me to perform that music in public. And so I strummed my green guitar alongside him, a dorky, gangly girl in a Garth Brooks inspired western shirt baring her soul.

Besides my little sister who was sleeping with her door half-open across the hallway from my bedroom, my dad’s ears were always the first to hear my music.


I’m  thinking about this today because I am in the middle of recording a new album.  It’s an album of music I’ve been writing since I moved back to the place I grew up…back to the place where that ten-year-old tomboy scraped her knees and caught frogs and wrote it all down. I’ve done this studio thing before and I’ll tell you, it isn’t easy to introduce music that you’ve written on lazy Sundays, in the middle of the night or pulled over sitting in your car on the side of the road to a room full of musicians you respect and admire. Performing songs for the first time that only the walls and dogs have heard have been some of the most intimidating and emotional experiences in my life.

Because I believe in it. I know what I’m trying to say.

Or at least I think I do.

And when I make the decision to share it, to record it, to perform it, to get in the studio at long last,  I second guess that decision about seventy to eighty times before I make the trip down the interstate with my Pops and our guitars.


See in a project like this you could work through logistics all day long. You could share ideas and swap stories and talk about music you like, your vision and who’s on board until the sun goes down.

But it comes down to one thing in the end.

The songs.

And the songs are mine. Soul-baringly mine. So eventually I’ve got to play them. It’s kinda the whole point.

So I start by plucking my guitar, closing my eyes tight and leaning in against the microphone, wondering if it’s possible to hold my breath and sing at the same time. The first note rings out and then the first verse and it’s just me exposed waiting for my father to pick up his guitar and add a rhythm, my dear and talented friend to lean over his dobro and fill in with a haunting lick, the bass to kick in a long lonesome note…the drums to find the heart beat.

And soon my song becomes their song and the room is filled with it. The guys I’ve trusted with the notes have given it a pulse and the music I wrote on my living room floor lends itself to a harmonica part, a guitar breath…a long pause.

And sometimes it happens that I’m in that studio, two days into laying down tracks about the landscape, my home, my love and maybe even a quirky song about a dog, and things are going well. I think I’ve almost made it through the hard part, if only I could skip through the song that scares me the most.

Because it’s the one that is so personal I am certain no one is going to understand. It’s the one that makes me cry big sobs before I reach the end.

The one that they are telling me to try. Just try it out.

It’s ok.

And so I take a deep breath and work to come down off a bouncy song I wrote about being happy and living in the moment.

I suppose living in the moment counts for hard stuff too, so I take my own advice…

play the notes on my guitar…and sing…

“I dreamed you on the prairie,
on mountain tops and oceans wide…”

I hear my voice waiver through my headphones but I’m ok. I decide I might get through it…until I hit the second breath and the sweet sound of my friend’s guitar part fills in the quiet spaces the exact way I have heard it in my head…if only I could play that way…

“I loved you before I met you…”

My voice cracks and it’s over before it started…but my band keeps playing, coming in with a low bass part and a quiet whisper of a drum.

So I keep singing and sniffling because the music’s just too beautiful to give in to an emotion I’ve pushed down so long that it became fed up.

I decide that if it’s time for this I might as well capture it. Isn’t this what music is about?

So the guitar lead pulls me into the chorus and I whimper the words behind the glass of my isolation booth. I wonder if the guys can see the  tears streaming down my face behind the shield of the microphone…

The sound coming out of their instruments makes me feel less alone though, which touches me so deeply that more tears roll and no words come out.

But the guys keep playing, taking me through the bridge of my song as I sing it like I’m collapsing in on myself.

I close my eyes and breathe in the rhythm they have found for me as I gather myself for the ending note, the note that I squeak out but they let hang subtly and quietly in the air of the studio.

I wipe my eyes and apologize as I put down my guitar to step out of the room only to find the two men who have been the background to my music my entire life: my father and the sweet talented dobro man, with eyes red and teary too.

Supporting me.

Feeling for me.

Playing my music like it is their own.

So I’ll tell you this today as I sit in the middle of this music project and reflect on the weekend I spent lost in the music. When I moved back to the ranch as a grown woman with plans to make plans I wasn’t prepared to run into my ten-year-old self again. I wasn’t prepared to fall in love like her, to get the same flush in my cheeks, to embrace loneliness, celebrate life and morn losses the way I used to when I was so young and vulnerable and completely honest.

I didn’t expect that she would grab my hand, take me on walks, sit with me on hilltops and quietly push me to fill up some blank pages again…and then sing those songs out loud to the prairie sky.

But she did. And I open her book today and find poetry and stories that are innocent and awful and embarrassing. But I’ll tell you if I had to save something in a fire it would be that book. It has sat on my nightstand next to my lamp for nearly twenty years, a reminder of the girl who chose to fill it up with the stories about her world and everything that was inside of her.

And the only way I can think to thank her is to keep doing what she has done…

Curious about the new music coming from the red dirt roads?
Listen to me  talk about life in oil country as I play my new song “Boomtown” live from my momma’s kitchen

Jessie Veeder’s Boomtown 

Follow the progress of my new album at www.jessieveedermusic.com 

Recording at Makoche Recording Company in downtown, Bismarck, ND

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When I grow up I want to be the kind of woman who lets her hair grow long and wild and silver. When I’m grown I hope I remember to keep my flannel shirts draped over chairs, hanging in the entryway and sitting on the seat of the pickup where they are ready and waiting for me to pull them on and take off somewhere, the scent of horse hair on the well-worn sleeve.

When I grow up I want to remember every spring with the smell of the first buds blooming on the wild plum trees what this season means to me. When I grow up I pray I don’t forget to follow that smell down into the draws where the air falls cooler the closer you get to the creek, where the wind is calm.

When I grow up I hope I don’t find I have become offended by a bit of mud  tracked from my boots onto the kitchen floor. I hope I keep the windows open on the best summer evenings with no regard for the air conditioning or the dust…because a woman can only be so concerned with messes that can be cleaned another day, especially when she needs to get the crocuses in some water.

When I am older and my memory is filled to the brim, I hope that the smell of damp hay will still remind me of feeding cows with my father on the first warm day of spring when the sun had warmed the snow enough to cause small rivers to run on our once frozen trail. I hope it reminds me how alive I felt wading in that stream while my dad rolled out the bale and I tested the limits of the rubber on my boots.

And when my hair turns silver I hope I remember that my favorite colors are the colors of the seasons changing from brown to white to green to gold and back again. I pray I never curse the rain, that I don’t forget the rain is my favorite color of them all.

Yes, when I am an old woman and my knees don’t bend the way they need to bend to get me on the back of a horse, I hope I am still able to bury my face in her mane, to run my hands across her back and lean on her body while I remember the way my spirits lifted as she carried me and my worries away to the hilltops.

I hope I recall how the first ride of spring made my legs stiff, my back creak and my backside sore, even as a young woman with muscles and tall boots.

Yes, boots! When I am an old woman I hope I will wear my red wedding boots every once in a while and recall how I stood alone in them out in the cow pasture at 22-years-old waiting for the horse-drawn wagon to come over the hill and take me to the oak tree where my friends and family gathered and the man I loved was waiting to marry me.

My red boots will remind me, so in all of the shuffle and lost things that become our lives, I hope I remember to save them.

And as I watch the lines form on my husband’s face, little wrinkles around his eyes from work and worry and laughter, I hope I remember to say something funny, to tease him a bit, so I might be reminded again how he got the most important ones…the ones that run the deepest.

Yes, when I am old and my hair is silver and long and wild, I hope I feel it was all worth it.

But more than anything I hope that those things that made me– the dirt under my fingernails; mud on my boots; a good man’s laughter; the strong back of a horse; the rain that falls on the north buttes and the scent of summer rolled up in a hay bale at the end of a long winter–I hope they remain here on this place so that another spirit living along this pink road might one day find herself in flannel shirts and wild plum blossoms.

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Well happy September to you. It sure came in with a chill around here as a storm turned the air from hot and muggy to crisp and dry overnight with a powerful storm that knocked out the power right as I was finishing my last freezy pop and the end of a chick flick.

Let me know how “Easy A” ends will ya?

Anyway, enough with the weather because I tell you, the dog days of summer are moving on out and shit is happening around here.

See I am not what you call a patient woman. Not at all. When I get an idea in my head this girl wants to see its pretty little face…like NOW! Which is the very reason I find myself in situations where I am waist deep in rhubarb jelly with not one canning jar in sight. It seems I am not much of a fan of the preparation phase. Idea phase? I’ve got plenty experience in that. Planning phase? Oh, I have plans. Finished product? Yes please.

Preparation? Well, I guess that’s why I married this guy. I mean, he looks like he can handle it.

Anyway, I know this about myself because I’ve had practice. And as our new plans are coming to fruition, I was reminded that it was at this time last year that we were finishing up a major remodeling project in order to get the first house we’ve ever owned out on the market. I was also reminded that we haven’t been leaving much space between major life decisions in the past five years of our marriage.

“Oh well!” says the impatient maiden to her noble and ever so patient husband.

“Onward!” (I envision the maiden with a whip).

So we ordered our new house last week. And I know we are technically just a little under schedule, but this maiden is jumping around in her stretchy pants singing some sort of rock version of a song she made up titled “Finally!”

Big. Sigh. Of. Relief.

followed by.

One. Thousand. Calls. To:  insurance lady, bank lady, electric lady, propane guy, dirt guy, basement guy, road guy,

and junk removal guy…

Yup. He’s one of our guys.

Because you know how on every farm or ranch there is an old car graveyard? You didn’t? Oh, well on every farm or ranch there is a place where old cars, pickups, tractors, augers and lawnmowers go to their semi-final resting place.

And I say semi-final because eventually, even if it is nearly sixty years later, some naive relative of the home place will want to build a house in that grave yard…and then, if they don’t want old car lawn ornaments, it is their responsibility to find them a forever home.

So in between frolicking, chasing cows, thinking about flooring, working, eating freezy pops and watching bad chick flicks, a made a few calls…

Turns out it’s not so easy finding someone to drive to the middle of nowhere to pick up old stuff you don’t want anymore. But I found someone. He’s coming on Monday.

And in the meantime we had to clear way for the road.

So out came the old red tractor, that, by some miracle has avoided the junk pile yet another year…and out came the nostalgia.

Goodbye old brown Dodge Ram. I remember when pops brought you home. I remember when you were our fancy pickup. I remember how I used to scream in frustration at your sticky gears as pops walked away from our red faced stick-shift driving lesson. I hated you then.

But loved you so when you took me to my first high school rodeo, the one where I rode pops’ ranch horse through the barrel pattern and then tied her up to the trailer only to find she got loose and was running down the highway. I remember when pops retired you to bale-loader pickup when he purchased his fancy blue and white Ford with the tiny back seat. I remember when he took the box off you, geared you up with a winch and took you off road to feed calves and go fencing. I left for college and you were running like a champ.

I came back and you were here.

Rest easy brother.

Goodbye replacement Dodge. In my life you never really did run very well. I remember watching as pops’ head popped up over the hill, walking home after you stranded him in the field. He was determined to get you running, but somehow the only way was to keep you revved, floored, and never stop.

Pops would get your motor started again by some act of God and take off over the bumps and clay buttes whooping and hollering with the windows rolled down, only to find that you failed to start the next morning. You brought him to such lows and such highs, but I see it didn’t end well for you. You will be taking your last trip up the hill tonight.

And you. The old International. You are from a different time.

I never heard your gears grind or your engine rev. I never saw the way  you could dump a load with a switch from inside the cab. I only knew you as a relic, a symbol of my great grandfather’s presence on this place, a load of wood waiting in your box, as if someone was sure to come back for you, to finish their work for the day and put you back in the shop. I find it hard to part with you, in fact, I haven’t quite decided if I will. It seems you’ve earned your place here. Maybe one day I’ll find someone to fix you up. Maybe one day you could run again?

Maybe.

Oh, and I guess I could talk here about pop’s first riding lawnmower and how he was so excited about it that he tried to mow the entire coulee in front of his house. I could tell you how funny he looked sitting on that thing in his cowboy hat among the grass that reached up over his head. No wonder that little machine died before its time. That will be leaving us too. Along with the old augers my cousins and I used to pretend were dinosaurs, the combines that acted as ships on a sea of clover, the car with wings…

But what really struck me that night as we hauled the last of the old automobiles, my grandparent’s old town car, up to the top of the hill to await their destiny was this:

Here we are taking little pieces of this place, the history and stories, up from the coulee where they might have sat until they rusted away and got lost in the grass and mangle of brush, up and out over the hill. Here we are making changes, making new roads, making decisions and promises to ourselves…making  room for our forever home…

I am not worried. I am not wondering what we are going to do next, where we’re going to be, how long this is going to last. I’m making plans, yes. But plans to stay, like those old cars, through blinding winters and scorching summers and clover and burdock that reach up to my ears. We will stay. Through rusty gears and chipped paint and plans that fail I will plan to stay.

Because it’s my semi-final resting place too.

I just hope I weather time as well as these old beasts…

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This Sunday I will be in Fargo participating in a panel discussion for the Why Radio Show.

The subject?

Growing up North Dakotan.

I will take a seat next to individuals who have a handle on their identities, who may have wandered, explored their world and asked the questions that need to be asked. And one of those questions is “What does it really mean to be North Dakotan?”

As a woman whose heart has been planted solid here, but whose feet and mind have wandered with music and education and the winding road, I have been asked this question in many forms. It’s like asking what it means to you to hold your last name, or wear your grandmother’s ring, or to lay down next to the man you love every night.

How do you answer it?

Not everyone can speak about it. Not everyone can explain.

Not everyone needs to.

I was talking to my good friend  on the phone yesterday afternoon. As I stood right in the middle of our home state she was in Oregon, a place on the map she picked with her husband. She had been there for nearly three months after years of college and graduate school they were looking for adventure, new opportunities, valuable experience before they settled into their lives. She is loving the ocean and the coffee shops and the eclectic culture. She loves the rain and the flowers and the new scenery and the people.

But you know what she said to me between breaths about her plans and her new apartment and the photography show she is putting together?

She is missing something.

“I miss that prairie. I want to lay in my grass and smell my lilacs and plant my garden and breathe in that sky. I miss my home.”

Home.

Her home.

Who are these people who hold the scent of the dirt, the push of the wind, the endless winters, the wheat fields, the small town in such regard?

Who tends their grandmother’s garden, brings in the baby calves into the basement in the dead of a blizzard? Who works the teller line and serves your morning coffee? Who has owned the Implement Dealership for years?

And who roams all over the world for years on end, traveling over seas to live and work in foreign languages, who are leaders of cities and  major corporations? Who serves in the military,  climbs mountains and rafts raging rivers only to find themselves pulled back again, to be haunted by the memories of sunsets and 4th of July Celebrations no matter how how far they have traveled or how long they’ve been gone.

Who is North Dakota?

We are rural route roads, beat-up mailboxes and dusty school bus seats. We are rides in the combine, summer sausage sandwiches, a thermos of coffee washed down with warm lemonade and  faces black with dirt after a hot August day.

Two miles to a gravel road on the edge of town and we are freedom, our father’s truck, twelve years old behind the steering wheel.

We are first loves and last loves and forever loves found on those backroads at night, on front porches, in the backseats of cars and under a blanket shared in the stands at a football game.

We are the stars that light up the endless sky at night, family farms, four generations of the same recipe on Christmas Eve.

The barnyard light.

We are white wood prairie churches, our mother’s voice quietly singing the hymns, jello with suspended vegetables and mayonnaise casseroles waiting for us in the basement when the service is through.

We are wet clay caked to cowboy boots, the black soil of the valley, the stoplight in town.

High heels and business suits, running shoes and hoping things will stay the same…knowing that they need to change.

Number crunchers, songs that must be sung, books that must be written.

Snake bitten.

We scream for sun and pray for rain and push the river from our doors. We’ve been here before.

Chokecherry jam, misquote bites, country fairs, one station on the radio, too young for our first beer, FFA and 4-H steers. Too young to leave here.

We are race car tracks and power lines, hockey rinks and barbed fence wire.

Drilling rigs and endless fields of wheat…September heat.

We are bicycle tires in the middle of Main Street, fireworks in May, popsicles and swimming pools and a stop at the Tastee Freeze please. Rodeos and American Legion, football heroes, lead singers in the band, the ferris wheel in town.

Pow wows, three legged races, familiar faces, dances in the street.

Fishing in the creek.

We are “Pete’s kid,” “Edie’s granddaughter,” and  ”Your mother wants you home right away!”

We are pushed to go and pulled to stay, we are leaving this place as soon as we’re grown.

And we are the sky we can’t explain, predictably unpredictable, colorful and full of rage and gentle hope that it’s all ok.

We’re the wind, relentless.

The snow, endless.

Sharp and hard and steadfast and certain like the winter and the change in weather.

We are the dirt under our nails, our wind tangled hair, the cattails and bluebells and big white tail deer.

We are all of these things that make up a home, but home is not ours to take.

It is in us and we have been claimed.

Join me for:

“Growing Up North Dakotan”

A panel discussion featuring Joshua Boschee, Kathryn Joyce, Jessie Veeder Scofield, and others. Moderated by WHY? host Jack Russell Weinstein

Prairie Public Television Studio
5-7 pm
207 5th Street North
Fargo, ND
Facebook Event 

The event is free. Come be a part of the audience, ask questions, make comments, and engage philosophically with this most important issue.

If you can’t be in Fargo, please share with me here how North Dakota has claimed you.

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I love guitars. I love the way they look sitting in the corner of a house, laid out on the bed, placed carefully in their cases or on display in a music store.

I love how they feel in my hands.  The new ones shiny with promise of the music that is to come, the stories it might help you tell, and the places it could take you. The old guitars worn from years of picking, dinged up from bar bands and campfires and teaching a child to play.

And I love how they sound, each one a little unique, a little brighter, a little lower,  a little cheaper, a little more rich and full. I love how they transport me, no matter if I am behind the sound or sitting in front of it swaying to the rhythm it creates, to a place so full of heart and passion and loneliness and fulfillment and family and home and leaving and heartache. A place I’ve always had in me.

Because you know how everyone has a first memory? That moment you look back on where you were the youngest version of yourself you knew. Maybe it’s only a few moments in time, but it was so powerful that you hang onto it hard and forever, whether you want to or not.

That memory is a guitar to me…

…dancing in the basement of our old house while my dad played his red Guild and sang. I don’t remember the song, or maybe I do, it doesn’t matter. But I remember the brown shag carpet. I remember how he wore his hair a little long. I remember how his wide, leathery fingers eclipsed the strings at the neck of that guitar. I remember how he swayed back and forth and tapped his foot, just a little bit off of the rhythm of the song he was singing and picking—the same way he does to this day. And I remember wanting to play. Wanting him to let me pluck the strings on my own, wanting my hands to grow a little bigger so I could make the music come from that mysterious instrument. That beautiful, red guitar.

And the instrument, the guitar, still remains a mystery to me. Even though I have been playing in one form or another since I was twelve years old, it still perplexes me that six strings touched the right way can produce sounds that make you laugh and cry and tap your toes or sing words you didn’t even know you had in you out to the world. It’s amazing to me that the sounds that come out of the body made of wood and metal and shine can be so different depending on who is touching it, who is sitting behind the instrument.  I am in awe that a guitar can transform a campfire or a living room or a makeshift stage into a world where where love is lost and found, real cowboys still exist, babies fall asleep peacefully, summer always stays….

Yes, the guitar remains elusive to me even though every person in my family, as a sort of right of passage, owns their own version of the instrument and tucks it away in their basement or in their bedroom closet or props it up next to the piano or next to the living room couch. It is a necessity, whether or not you ever learn to play it, you need it there next to you in case you are ever so inclined—because the music is so unpredictable.


I have had in my possession a number of guitars in my short 27 years. All given to me by my dad based on his judgment on what would be the best fit for me. My first was a small guitar made for beginners that came in a box and wound up in my little sister’s room after I graduated to the next level: a cheap guitar with soft strings upon which I practiced strumming and singing “Amarillo by Morning” until my little fingers and voice were raw.

When I proved that I had an interest in the instrument that wasn’t going to waver anytime soon, I consulted with my dad and we agreed to trade my saxophone, the one I would pretend to play in band class, for a real guitar (because it was quite apparent that I lacked any Kenny G style skills and probably never would). And so I acquired the green Takamine and started writing songs, thinking maybe I could be a real musician behind this guitar. Maybe.

And I kept playing that Takamine in my bedroom. And then that guitar and I had our first real gig playing songs that I wrote and songs that I loved. Then we did it again and again until it was time to record them and time for a new guitar. Because I had outgrown the instrument in sound and purpose.

So another Takamine with a sunburst on its body took me on through high school and into my first year of university where I played in coffeehouses and bars around the small college town. And when the call came about traveling and working on another album I was set to go. I had my big girl guitar, it would work just fine.

I was excited and nervous and anxious about the whole thing….

Then one day after a few of my first on-the-road gigs, I came back home and my dad placed into my hands his Taylor, the guitar I had coveted and loved and snuck to the back room to play by the moonlight whenever I had a chance. He loved that guitar, and he placed it in my hands.

I took it with me.

And if there is ever anything I go back into a burning building for, it will be that guitar.

But if there is anything I love more than that Taylor it is that red Guild. And for a while I thought I would never see it again, you know, because a musician like my dad is known to trade guitars for amps and other guitars. And that red Guild was out of our lives for a while, during the time I was falling for the Taylor.

But damned if dad didn’t get it back in the last few years and pass it along through his hands again to my little sister when she went off to college.

And that red guitar is irreplaceable to her, allowing her to play and sing out loud the words to songs that mean something to her. And when she’s sitting behind that guitar so far away from the buttes of the ranch, maybe a little lost and frustrated some days with life and the pursuit of finding herself, she can close her eyes and strum and take a deep breath and hear the sounds of home.

And so l’ll tell you, all of the guitars I have ever possessed have given me something–confidence, my first song, a stronger voice. But  I watch my little sister behind that red Guild, the very same guitar that took my dad on the road in bar bands and coffeehouses, that let loose the music inside my heart when he played it for me so long ago, that brings two sisters together in song, voices blending, toes tapping, and I am overwhelmed with the spirt of that instrument.

And I realize that red guitar, the one that played the first chord I have ever heard, the one that found us again strumming the music of home, the one that I never even called mine, has been my greatest gift.

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This is what I had going on with my morning coffee today.

And this was my company.

Don’t be jealous. I know it’s hard.

See, my little big sister let me babysit little man, not just for a few hours, but for a complete sleepover stay at my house on the ranch thirty miles away from her.

Believe it.

She trusted me with her baby and his burping habits, tiny socks, and even tinier feet. She packed up a bag filled with gadgets to deal with poop, devices for boogers, wipes and clothes and blankets and baby blue outfits and stuffed toys that sing and glow and oh, those tiny, tiny socks and sent me on my way, down the snow covered road.

I was in heaven.

I was also freaked out about the fact that there was a little human strapped in his seat placed so helplessly in my care.

So I drove approximately three miles an hour and by the time I got the guy home, he was seven years old.

And a little hungry.

So I unloaded my tiny, not quite seven-year-old nephew and all of the things that go with him into our little house in the barnyard. Husband and I spent a good thirty to forty-five minutes trying to figure out that “Pack ‘n Play” thing they invented to replace the much easier to assemble, but not so convenient to transfer “Play Pen” and just like that our house was transformed into a quiet little place with a couple boring adults roaming around worrying about what to cook for supper, to a cozy, lovey, snuggly nest filled with questions about how long to warm up a bottle and if that was a poop or just a stinky fart coming from his adorable little bottom (little man’s, not husband’s).

Oh, yes there was all of that plus baby talk and burping and diapers and cooing and lullaby singing and my heart was so full as little man drifted off to sleep in the nook of my arm. And as I laid that perfect little guy down in his temporary bed in the corner of our house, it occurred to me that what I was doing, in this exact spot, under the bright stars shining down on the roof of this very house was something precious that has quietly and innocently been done for generations.

And it got me thinking about all of the children who were brought into this very home and held tight and read to at night and fed ice cream from the deep freeze and pancakes in the morning.

My grampa reading me bedtime stories...

Little man’s momma was one of them. And so was I. Although my memory doesn’t reach as far back to recall my time spent in the “Play-pen” in the spot where I laid my nephew down, I do remember piling into my grandmother’s bed with my cousins for a night of giggling and dreaming.

I do remember ice cream on the front porch, family photos on the couch, my grandfather’s chair, my gramma’s popcorn, board games, family Christmases, Jello Salad, the kid’s table and the way the house smelled…

Push-ups with gramma on the front porch. That's me in the hot-pink pants...

…and still smells sometimes.

And each of my sisters, each of my cousins will have their own memory of the place as children: filling up the plastic swimming pool on the lawn with the hose on hot days, the pajamas gramma made for us on her sewing machine, being rocked to sleep, the bunk beds, the adventure of gramma and grampa’s house on the ranch.

My first visit to the ranch...

No doubt my father, aunt and uncle and their cousins hold their own fond memories of childhood spent under this roof as well…though I don’t feel I hold the words to attempt those stories–those emotions. They are much too important. Much too precious.

And no, sweet baby nephew won’t remember the day I rocked him to sleep in the same spot where my grandma rocked her babies and her grand-babies off to dreamland.

Gramma and me

He won’t remember how his uncle held him in the easy chair and laughed as little man grabbed onto the neck of his Pabst Blue Ribbon. Truth be told, it is possible that this baby could be one of the last generations to drift off to dreamland under this roof. And with that thought I can’t help but think how much my grandparents, his great-grandparents, would have loved to have held him and watch him laugh and make him pancakes when he grew teeth and then give him gum when his momma wasn’t around to say no.

And although I would have loved to bring my own baby home to this house someday, time and life will not allow it. But as we are making plans to build ourselves a new home over the hill I am making plans to keep this one in tact so that my cousins and my sisters might bring their children from down the road, across the state and across the country, to spend a night under the stars shining on the roof over the house their great-grandfather built– a house that held them so tight with imagination, warm smells and love.

But for now I am thankful I am here to show little man, and his tiny feet, around the place…

I am thankful he was here with me…

…under this roof.

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In honor of the first day of winter yesterday, nature did what was expected of her around here.

She opened up the sky and let loose a bazillion-trillion tiny little snowflakes, each unique and sparkly and white and cold, to make their way down to the frozen, tired, cold, white earth–an earth that seems to me to have had enough already.

But Mother Nature knows best and she just looked at us and said: “Oh, the party has just begun folks. It has just begun.”

And then she  proceeded to sprinkle in some of those giant flakes for good measure.

The result?

Cars stuck, shovels out, snow blowers tuned up and turned on, roads blocked, offices closed…

…school cancelled.

SNOW DAY!

Oh, I love a good snow day. I love everything about it. I love waking up the morning after the warnings on the TV and radio and running to the window to see if the weatherman’s a liar.  I love pouring my coffee in a big mug and staying in my slippers, knowing nobody expects me anywhere. I love gauging the height of the drifts and waiting until the last flake falls before I bundle up and get out my shovel. I love my wool socks. I love the card games we play and the movies we watch because there is nothing else to do. But most of all I love that snow days remind us (because we all need reminding) that sometimes we just need to pack it up and call it a day.

Some things are out of our control.

When we were kids there was nothing better than a snow day. Snow days meant imagination stretched to the furthest extent, pent up energy from hours behind desks and indoors released onto the cold, white world in screams of glee and snowball fights. Snow days meant no school and no school meant the entire day to spend in our snowsuits, searching for the best and biggest hill to fly down, building and destroying snow forts, collecting a stash of snowballs to prepare for the inevitable invasion of the neighbor kids, digging tunnels in the banks the plow or your dad’s tractor made along the roads. A day like this meant scarves and makeshift sleds and hot cocoa and the reason God invented little brothers and sisters.

Snow days meant that, when we had exhausted all of our snow-game resources, when our cheeks were rosy and frozen against the cold, our mittens crusted with ice and the sun began sinking over the horizon, turning the landscape a little more blue than white, we would walk off into a spot in the yard or on the playground where we had yet to make tracks and plop down on our backs.

And we were quiet for a moment as we stared up at the evening sky and watched our breath make smoke-like puffs into the crisp air.

We were quiet as we lived within this childhood right, basked in the simplicity we were not yet old enough to appreciate, and then, before the cold soaked through our fluffy coats, we moved our arms back and forth, our legs followed and we sunk our heads into the fluff just to make sure we made our mark on a world that was too big for us to conquer any way else.

With that we popped up off of the ground and stood, with hands on our hips taking a brief moment to see what our little bodies looked like with wings.

And then we flew away to the next daring adventure and soon the snow of the season turned to water and the water filled the creeks and we turned another year older. Another winter passed and another and before we knew it the snow days that once filled us with anticipation for hours of freedom and play turned to cussing at the weather report for halting deadlines and creating obstacles that stood in the way of progress and timing.

And so we sigh in the face of a day wasted, reminded that, like time passing and the changes of weather, there are some things we cannot control.

But there are things we can.

Like how we spend a day given to us free and clear by nature herself.

So, inspired by all of the kids who I am sure were jumping in snow banks and catching flakes on the tips of their tongues, I decided to push my adult attitude aside and find myself a nice, clear patch of snow too.…

…because it has been a long time since I’ve seen what I look like with wings…

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