“Make art now. It’s an emergency.”

I saw this sentiment come across my feed the other day and it made me pause for a minute. Art as an emergency? It shouldn’t make sense, but it does. Entirely. In fact, I wish I would have thought to put it as bluntly. 

Emergency indicates a frantic moment forward to fix something that is broken, but the process of making art and music is quite often slow and methodical, one that’s personal, meditative, trial and error and try again. To make a painting, for most of us, is not lucrative. To sing at the top of our lungs in the car or out in the hills with your kids makes us no money at all. Dancing in the kitchen, you may argue, is not going to save a life. 

But could it? 

Recently I received confirmation the cancer that was cut out of my airway over five years ago has slowly crept back, this time on the outside of my esophagus. After a month or so in the weird and worried place of not really knowing what it all means, I’ve learned that it’s time to head back to Mayo clinic to handle it. After some testing and intake in Rochester this week, I’ll be there for six weeks of radiation treatment and a low dose of once-a-week chemo. We’ve been keeping an eye on this, it’s treatable and I’m going to be fine, but ugh. It’s annoying. 

Is that a word anyone uses for a cancer diagnosis? I don’t know, but I think I’m grateful for it. To be annoyed means I’m not in imminent danger, or in pain. It just means I’m inconvenienced.

But let me tell you the worst part about a reoccurring cancer diagnosis for me (and maybe some of you who have found yourselves in similar situations can agree) it’s hands down sharing the news with the people who love and worry about you. 

I hate it. I don’t want to be the reason anyone worries. That’s a big one for me. Don’t worry. Don’t worry about me. There’s that part. 

And I don’t want to be away from them. 

That’s the other one.

But what you want in times like these doesn’t matter. You do what you have to do and then you get called brave, even though brave indicates a choice. There’s no choice. There’s just the next step. 

Which brings me to the art. I’ve spent most of my career working to figure out how to bring more of it to rooms of people in rural communities. And over the course of six months or so I’ve seen that vision really blossom in the work we’re doing with our arts foundation. And I’ve felt it more profoundly on the stages on which I have been so fortunate to stand and sing. The rooms have been full, every seat in the crowd there waiting to listen, to tap their toes, to feel connected to something. Every chair sat behind an easel waiting for instruction, or body hovered over a paint pallet looking to create, is there to make something that wasn’t there before. Not for money. Not for acclaim. Not for anything but the learning, the sitting together, the laughing, the making. 

What is that?

 What brings people out of their homes or out of the everyday tasks of being human to create or witness art? And why is it hard to explain? Maybe because it’s primal? Like, we weren’t born to live behind computer screens, or to move eighty-miles-per-hour down a four-lane highway for hours a day. We weren’t born to know tax structure or the best product made to clean our floors. But turn on some music and watch a baby start to wiggle. Give a toddler a brush and watch her create circles. Grab your husband’s hands and he might just spin you around. Sing “You are my Sunshine” to your ailing grandmother and watch her toes tap and her lips move to sing along.

I told my kids the news the other day. They cried a bit because cancer is scary. I told them I was going to be just fine, but daddy might make them do the laundry when I’m gone. I showed them my muscles; they showed me theirs and then hit the ground to do some pushups. They can do more than me. Way more.  

After school, they asked me if it was still ok to feel happy. It hadn’t occurred to me that I needed to give them that permission, but now I know. We turned up the music loud on the way home, they sang the National Anthem at the top of their lungs in the kitchen while I made supper. They sit at the table and draw pictures of aliens and unicorns and a girl on a hill with long black hair. They dance down the hallway with the music on blast on the way to bed. I sit behind my guitar in the dark when they’re sleeping and things I didn’t know I had to say come out of my mouth in a song. 

We lose this instinct, and we lose ourselves in the sorrow and callouses that living creates.  We can’t let it happen. It’s an emergency.