Nothing’s Forever

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When I first moved back to the ranch almost 10 years ago, wondering what I was going to do here, I spent my first summer reuniting with every inch of the place that raised me.

I walked to the top of every hill, down every draw, crossed the creek beds countless times, looked up at the sky and maybe, more importantly, down close to the ground where the secrets seemed to lie.

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I was searching for inspiration, the same way this place inspired me as a kid, and I found it over and over again. The time I was able to take for myself those first few months back home shaped the career I am able to chase and build upon today, writing and singing and helping to make inspiration for others in my community through the arts.

But once the babies came, those long walks by myself for creative inspiration have taken a backseat to the responsibilities that come with motherhood and work and trying to keep it all ticking, just like the clock that never stops.

I celebrated my 36 birthday a couple days ago with my family–my one-year-old and three-year-old, my nephew and niece and parents and sisters–and I couldn’t help but look around at the cupcake frosting and chaos and I feel like that twenty-something woman who walked those hills was simply a million miles away.

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And so the next night, after we put the girls to bed, and before the sun went down completely, I walked. To the top of the hill to watch the sun go down on another year older on a crisp August day and I felt like my old self again for a minute. And even though you all know I wouldn’t change a minute of this motherhood journey–even the hard part, even the losses–because they all brought me here to these children I adore, some days I miss me, you know?

Please tell me you know.

My kids are getting older and soon there will be a bit more time freed up for things like walks.  Soon they may want to join me (I hope they’ll want to join me).

Nothing’s forever…

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It’s a phrase that haunts me and comforts me every day in a way I never anticipated when I wrote it in a song all those years ago.

So this week, for my newspaper column, I went back to the archives to republish a piece of writing that was shared all over the world. It’s a piece that simply takes us all off the beaten path, to look closer, to take more time to be part of the extraordinary parts of this world, and it seemed to resonate with many people at the time.

Who knew ten years later it would work to inspire me again too.

The extraordinary ones.

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There are secrets out here in these prairies and Badlands that not many have explored.

Not far off the beaten path, these secrets are quiet and hidden and full of magic that only a watchful eye can detect. And the ones who do, the ones who look for it, these are the special ones.

The special ones listen. They stand deathly still at the side of the road and hold their breath to hear through the wind and the traffic and the barking dogs. They lift a hand to shield their eyes and carefully take a step off the gravel — one step into the world. And then the brave ones take another and another…

Because they think they can hear something calling to them, saying, “Hello up there,” under the tangle of grasses and cactuses, along the base of trees, where the roots peek out from under the damp earth.

So the curious ones, the ones who listen, move their eyes from the horizon and follow the call from the ground. Their feet moving them from the top of the hills in open prairie to the mysterious, damp, dark and prickly gullies of the surrounding coulees and creek beds.

They take in the panoramic view of cattails springing up like furry corn dogs bouncing and bending on frail sticks in the breeze, calling the special ones to take a step a little closer where the smell of the marsh fills their nostrils as the once-solid ground gives way to the dark mud under the reeds. And the water seeps into the brave one’s shoes as they wobble and slosh their way, deeper in.

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And with each step, the voices get a bit louder, coaxing them to look down to the moss spreading on the bark of the bur oak. The brave ones bend down to run their fingers along it, to feel to look underneath the caps of the mushrooms, making sure the stories of the fairies and the elves aren’t true, a little disappointed to find, when they look, there is nothing there but a couple gnats…

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And the curious ones notice a soft rippling on the surface of the creek as the water bugs zip and glide and row and skim across the water. The brave ones feel the urge to jump in and splash with them, but don’t want to disturb the bugs. Because, if not the fairies or the elves, maybe they are the ones who have called them here…

And when the voices (whoever they are) are drowned out by the buzzing of the mosquitoes and the air gets cooler and damper as the brush thickens up again along the path, even the brave ones can’t take it — they want to see the sky again, to see how the time has passed and how far they’ve gone.

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So they claw their way up the steep banks of the creek. They want to run, but something slows them and they crouch to see how the tall grass looks against the overcast sky.

Then they stand up and stretch their limbs and reach to grab a taste of the ripe plums growing at the very tips of the thorny branches. The curious ones bend down low to skim the brush for red raspberries or wild strawberries underneath the mangle of green and they tiptoe along the juniper spreading up through the rocks and watch for the poison ivy that has, until the voices called out, kept them from coming here.

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With mouths puckered from sucking on plum pits and foreheads wrinkled from seeing the small things, they are all surprised that the road has found them again, somehow. Turning their heads back over their shoulder, they take a look of it all from far away. The trees put their arms around each other, the wind blows through the reeds, the grass stands up straight, the wild sunflowers smile and everything seems to wave at the brave and curious and special ones making their way home.

And the extraordinary people say a quiet word of thanks to the voices whispering their secrets, because the small world they thought they knew, the one they thought had belonged only to them, has suddenly become bigger.

And after all that magic, it never, ever looks the same to them again.

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Jessie Veeder is a musician and writer living with her husband and daughters on a ranch near Watford City, N.D. She blogs at https://veederranch.com. Readers can reach her at jessieveeder@gmail.com.

A spectator in a familiar world

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Prairie sunsets make me a spectator in a familiar world

The sunsets on this prairie are nothing short of a gift.

After a long day working under the hot summer sun, or inside the walls of buildings that make us feel small, we understand that if we look up towards the heavens to catch the sun sneaking away, we may be rewarded with a splash of spectacular color.

I’ve seen sunsets in other parts of the world — across the vast oceans, peeking over the mountaintops and at the edge of rolling corn fields, but there is something about the way the sun says goodbye along the outskirts of my own world, against the familiar buttes and grain bins and horses on the horizon that puts me at ease and thrills me at the same time.

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I have theories about things like hail storms and tornadoes and blinding blizzards, that they’re a way of slowing us down, reminding us to surrender to an earth that spins no matter what our plans are for crops or hair-dos or making it to our Christmas party on time.

The storms are unpredictable, but the sun is always there. And it will always set and rise again.

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And sometimes as we put the burgers on the grill, close the gates for the cattle or roll the lawn mower in the shed might find ourselves bathed in yellow, gold, purple, orange, pink and blue and hues we’ll never find in our crayon box.

We might look above the oak groves or down to the end of the pink road and we find that sun bouncing against the clouds that roll over the prairie and buttes that we know so well, and if we let ourselves, we might think we’re lucky to have caught that fleeting, beautiful moment, one that is there for us, for anyone who has the notion to look to the horizon.

I tilt my head up and run to find the nearest hill so that I can watch how this landscape looks under the different shades of light.

Under these prairie sunsets I am a spectator on the familiar ground of home.

A tourist with my mouth agape in wonder.

And thankful for a world that’s round and a sky that’s so vast and forgiving.

Badlands Sunset

All the things to love

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All the the things to love
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Last night, as we were driving back to the ranch late from a performance in a bigger town, my dad said he wishes he could live a whole other lifetime so he would have time to fit in all of the things he wants to do.

He said it sort of casually to our friend sitting in the passenger’s seat, the man who has played guitar next to me during most of my music career and stood on stages with my dad in their younger lives. I sat in the back seat listening to them talk about the getting old stuff they are facing now — retirement and bad shoulders, travel and finances and grown children.

But I couldn’t shake what my dad said about the other lifetime, because it’s the same thing that has come out of my mouth time and time again, but it was the first time I’d heard it come out of his.

I wish there were another couple hours to linger a bit on the most important, or the sweetest, or the warmest, or the most fun things. To sit on the back of this horse a little longer, or with my arms around my sleeping child, or climb another hill, or make a trip to see my friends, or help or host or work on the ideas that tumble and toss in my head — the ones that need nothing but a little work and the extra time, time that we cannot, no matter how we try, create.

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And it’s funny that he said it then, after we wrapped up a night of music in a beautiful park in the middle of a growing town. That evening I stepped away before we went on the stage to have a look around. I watched daddies strolling babies, grandparents taking walks, a woman playing fetch with her dog, kids screeching down the slide, and I thought, ‘Well, I could live here.’

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And then for a few moments I allowed myself to imagine it. It’s the same way I imagine myself being a part of the families riding their bikes down a charming city sidewalk in a quiet neighborhood in an unfamiliar town. I wonder what it looks like in their houses and then I recognize that there wasn’t ever just one way to be me.

This spot out here on the ranch, where the cattle poop in my driveway and eat my freshly potted plants, might have remained the quiet little pile of abandoned cars and farm machinery if I would have followed through with my idea when I was 22 years old to move to the big city and sing.

What if he never asked me to marry him? What if he bought that motorcycle he talked about and headed farther west while I headed east, uncompromising in the vision I had for myself at that moment as someone who shouldn’t go home again?

There’s nothing there for me. They told me so. Would I have bought a house in a quiet neighborhood in a suburb in the Midwest or traveled to Nashville like they all told me I should do?

Would I have broken his heart and met someone new? Would I have children now with different colored eyes and unfamiliar names and would we ride our bikes and play fetch in a park like this listening to another woman singing about a life I could only imagine?

And in these imaginary scenarios, I like to think that I am happy and content, that whatever choices I made would find me just fine. And if I’m being honest, a part of me wishes that there was some way I could find out what would have become of me in Minneapolis or in Nashville or on a ship on the Mediterranean. What would my new favorite places become?

Because as much as there are things in this world that terrify me, those don’t weigh as heavy as the weight of all the things there are out there to love, if only we had another lifetime.

“Oh, I hate this getting old stuff,” our friend said to my father and then they both got quiet, staring ahead at a dark and familiar road, the headlights lighting up the night.

Night Sky

Not on days like today

Spring Trees

Not on days like today
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I planted some flowers this afternoon as the temperature reached up toward what we can finally call warm.

Some are working to root themselves in pots that have sat for years on this deck, and some sit next to me on the deck waiting for a turn as I watch the moon come up. Behind me, the sun streaks the sky pink, making its long, dramatic exit.

I leave more things undone these days than ever before. It’s a part of motherhood no one told me about. Inside the house, the ice in my husband’s whiskey glass clinks as he walks across the room, but I am outside searching for words tonight.

So I look up. The tops of the oak and ash trees are budding a neon sort of green, trying to compete with the birches. It’s quiet out here in a way that a world waking up and winding down is quiet.

The birds are having their final say for the evening. I hear whistles and chirps and the flap of the wings of ducks on the dam against the drone of crickets and the creak of frogs.

Something big is moving on the trail in the trees. I watch for it to appear — a deer, maybe an elk or cow — but it quiets and so I look up again.

Up at those treetops that were bare this morning, before the sun shone at 75 degrees, and I wonder if those crickets and birds and frogs, if that wind and the barking dogs in the distance, if the cattle and the babies and the mommas and the daddies and the engines of the trucks rumbling way up on the highway could take the same breath and hold it all at once, at the right moment, if we might actually be able to hear those leaf buds emerging one by one.

Pop.

Pop.

Pop.

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We will never know. Nothing here could ever stay so quiet. I suppose it’s all magic enough as it is.

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I’m anxious for the change of seasons. I feel like those leaves. It’s why I loaded up our pickup box with little cherry tomato plants and basil, petunias and geraniums, black dirt and seeds. All of the hope that is held in the small bud of a sprouting leaf I hold inside of me.

This afternoon, I filled up the baby pool with warm water as the sun shone on the backs of my splashing, naked children, and I dug in the dirt. Before I could strip her down appropriately, my youngest daughter, 1-year-old Rosie, climbed in that tiny wading pool. With her blankie clenched in her fist, she drug it with her to the water that was soaking her socks and up over the hem of her little pink pants.

And when she was where she wanted to be, she just stood there and looked out over her world and up at the big blue sky and fluffy clouds shaped to fit her imagination. A better mother might have scooped her up, but I just let her be for a moment.

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We’re all so thirsty. Tomorrow it will be cooler, and maybe it will rain, but today they were mermaids and then they were fishermen and I was a gardener dreaming of plump red tomatoes bursting in our mouths and a world where we might sell them together, my daughters and me, in little Mason jars on a card table at a farmers market in town.

Someone told me a story like this once, and there are times that my dreams are much bigger, but not today.

Not on days like today.

Mother of Daughters

I am the mother of two young daughters.

I am the mother of girls.

I am a full-grown woman with almost half my life behind me and they are children, so young and fresh, running wild down the gravel road in rain boots in search of mud puddles.

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I look at them, the 1-year-old’s cheek flushed from the chill of the early spring evening, pointing to the sky and trees, digging her hands in the rocks, pulling on the grass, picking up dirt, trying to place it all, trying to name it all, doing what she needs to do to become the person she needs to be in this mysterious world.

IMG_0506I watch my 3-year-old stomp her sparkly new boots in the cold, dirty water of the season. Her gold hair flying out from under her knit hat, the bottom of the dress she insists on wearing swoops and swings below her barn jacket, collecting the elements. And she’s singing and she’s yelling and she’s dancing and she’s stomping and she’s making up stories and I think to myself, “Well, isn’t she just everything all at once?”

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And she’s not afraid. They’re not afraid. They are not worried. They are not wondering if they are smart enough, funny enough, talented enough, pretty enough, good enough.

None of that exists for them. Not now, anyway. Now, they are just unabashedly who they are.

 

I am the mother of two young daughters.

I am the mother of girls.

And when they were born, I knew I would have to teach them things that I haven’t figured out yet myself, even though I am a full-grown woman and maybe I should know how to be brave by now. And sometimes, maybe I do. But sometimes I don’t.

And I should have had plenty of time to conquer how to love myself despite my flaws, the flaws and failures I catch myself counting sometimes.

“My daughters would never do that,” I thought to myself as my 3-year-old ran down the hill declaring she was the fastest runner in the world. “Not now, anyway. They don’t know how to be flawed, they only know how to be human.”

 

And it hit me then, standing in the middle of that gravel road as the sky opened up and dropped a sprinkle of cold rain on a trio of girls in muddy boots: My girls came into this world knowing and it’s my job to do what I can to keep it that way.

But they have a job, too, and it’s to remind me of what it looks like before the world gets in.

Because I am the mother of two young daughters.

I am the mother of girls.

I am a full-grown woman with almost half of my life behind me and I am holding their hands and we are running wild down the gravel road in rain boots in search of mud puddles, together becoming the people we need to be in this world.

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The way my grandpa sees the world

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Theodore Waddell, Gallatin Angus 2001

The way my grandpa sees the world Forum Communications

There’s a print of a painting hanging in a frame beside my bed that reminds me of my Grandpa Bill.

It’s a framed card actually, a watercolor of a rugged landscape, dark blue buttes forming a horizon against a gray and white sky. And below the buttes, in the foreground, the brush stroked green and beige, and then the artist, seemingly with the blunt end of his brush, came back to add a scattering of black dots.

The cattle.

I took the print off the wall tonight to take a closer look as I was crawling into bed and the back of the frame came off to reveal the reverse side of that card and my grandpa’s handwriting.

“This scene looks much like the blue mountains from the hills above your place. Happy Birthday.”

And he was right. If you sit on the top of a hill on our ranch, you will likely see the live version of this scene — a moody sky casting sporadic golden light in the pastures where our cattle graze. And off in distance, as far as you can see, those buttes that cradle our neighbors 10 miles to the north shine blue on us and frame every scene of our lives out here.

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My dad tells a story of when he was a little kid in elementary school. He was coloring a picture of Roy Rogers riding through the mountains on his horse, Trigger.

“Why are you coloring the mountains blue, Gene?” his teacher scolded. “Mountains aren’t blue.”

I always thought that was one of my dad’s sadder stories…

But I don’t think Grandpa Bill had this sort of teacher in his life. And if he did, he didn’t pay her any mind.

And I like this little card with black dot cows because I like to imagine it’s the way my Grandpa Bill sees the world, like a painting waiting to be made and admired. And I’m so glad to know that about him.

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When I was 11 or so, my dad’s mother, Gramma Edie, died on the ranch, leaving the little brown house in the farmyard down the road empty and lonesome. So in the fall and winter, my mom’s parents, during their early years of retirement, would move out here to breathe life into the place.

Grandpa traded his Minnesota dock shoes for boots and immersed himself in ranch life. He fixed fences, he rode along to move cattle, he updated that old farmhouse, hung his chaps and hat like a work of art on the entryway and took beautiful photographs, even trying his hand at painting the simple, old, everyday scenes of this place I might not have thought to find extraordinary if it wasn’t for him.

Eventually, my grandparents made the decision to settle into summers in Minnesota and winters in the Arizona sun. In fact, Grandpa Bill is likely reading this to Gramma as they have a cup of coffee and a doughnut hole on their deck.

And he’s probably noticing how the morning light creates a soft glow around his wife’s silver hair and thinking that it would make a lovely photograph or painting.

And every time I take the turn off the highway to head north, toward home, toward those blue buttes, I slow down a bit as I come up over the hill overlooking the gold pastures dotted with cattle and, because of Grandpa, I think the same thing.

Road Home

Jessie Veeder is a musician and writer living with her husband and daughters on a ranch near Watford City, N.D. She blogs at https://veederranch.com. Readers can reach her at jessieveeder@gmail.com.

Listen

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Listen, Because it’s important
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I’m sitting in the airport in Minneapolis waiting for a flight to take me up and out of this city, back home to resume life as normal.

I came for a conference meant to connect people from all walks of life and give us the tools to start a conversation about acceptance, inclusion and understanding as we work to build our communities together — all of those things that start with a story and hover around an open mind.

It’s interesting to reflect on this in an airport where all of these lives in bodies converge, touch, talk, brush by one another, hold on to the same railing and sit side by side, knees nearly touching, everyone carrying the weight of their own world on their way to the sky.

So close, but we’re strangers.

I like to sit in places like these because I can be anonymous and sort of invisible if I want to be. My life in a small town doesn’t offer me that very often, even though last week I wished I were as I was sitting in road construction traffic for nearly an hour with a screaming baby in the back, giving into my urge to scream too and bang my fists on the steering wheel, as if that were going to change anything about my situation.

Yesterday, as part of one of our workshops, we were tasked to stand in front of a stranger and talk for one minute while the other person just listened under the assumption that we are an amazing person.

It was one of those exercises that make even the most confident person sort of squirm. It was uncomfortable. I was self-conscious. A 60-second pointless ramble to a person I will likely never see again. I just wasn’t convinced.

But something shifted when it was my turn to listen and her turn to speak. I fought my urge to ask questions, to relate, to say “me too,” or “tell me more about that” or ask her how she’s doing now.

We did the exercise three or four more times, sharing different parts of our stories with different strangers, and I left there exhausted but a bit enlightened. When’s the last time I gave someone, a friend or a stranger, the good grace of simply listening, without remark or request?

We want to know about community and how to build it. We want to know peace and how to find it. We want friendship and love and hope and healing. We buy the books and the movies and podcasts and take a plane to a big, unfamiliar city where we can disappear from our real lives for a moment.

But we weren’t meant to hide our stories. Hard or unnerving, collected or entertaining, we can only help ourselves if we spill those stories out into the world like baby Rosie’s wails in my car that day, filling up the space with the certainty of her existence, willing me not to wail back and pound my fists the way I did, but to hear her.

And then scoop her up in my arms.

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The moon’s named Carlile

The moon’s named Carlile
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If you see my almost 3-year-old daughter bouncing around, following behind me at the grocery store or at an event, playing at the park or with toys in Gramma’s store in town, she will likely ask you for your name.

She’s really into names. And who belongs to whom in this world.

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Like Great-Gramma Ginny is Gramma Beth’s mommy, and Gramma Beth is Mommy’s mommy, and Edie is Mommy’s daughter, and it gets a little blurry to her about how the rest works.

Somehow, the chain collapses there and Papa Gene becomes her granddaughter. Papa Gene almost always becomes her granddaughter by the end of these conversations.

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But it’s fun to hear her try to figure out how the world works in this way and how she understands that the people who love her are connected in some special way.

One day as we were driving home from town, Edie noticed the moon. It was big and bright and hanging in a darkening sky like a lone bulb in an empty room.

“The moon! Mommy! Look at the moon!” She exclaimed from her perch in her seat in the back. I said yes, yes, it’s so beautiful. Look at that. And then, for fun, because just minutes before she was giving the hills and the trees and the deer grazing in the fields names of their own, I asked her what she thought the moon’s name was.

“Carlile,” she responded, almost immediately, as if the two are old familiar friends who talk on a tin-can phone with a long line up to outer space every night before bed. “His name is Carlile.”

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Carlile the Moon. I laughed at the thought of it, picturing what Carlile might look like way up there in the lonely sky, surrounded by quiet, twinkling stars. Maybe he wears a fedora and tiny glasses that sit on the tip of a big, bumpy moon rock nose.

He’d adjust them a bit and clear his throat when he heard the little girl’s voice shouting, “Carlile, Are you there!?” from the tin-can phone, taking a deep breath before tackling the thousand questions about the universe that his tiny Earth friend was about to fire at him.

I imagine they would spend a lot of time discussing the names of the stars.

And then I pulled into our driveway and put the car in park, my little moon story coming quickly to a halt as I tackled the task of unloading my babies and getting them bathed, fed and ready for bed under a moon that suddenly felt a little more like a friend to me.

“Mommy, is your name Jessica Blain?” Edie asked as I finished our lullabies and I went in for a hug.

“Yes, that’s my name!” I agreed.

A hundred times a day, I can’t believe these tiny humans are my children. In quiet moments, the weight of what it means to belong to one another often overwhelms me…

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“Mommy, you are my mommy,” my daughter confirmed with pride.

“Yes, and you’re my baby,” I replied.

“No, I’m your big girl.”

“Good night then, big girl.”

And good night, Carlile.

Night Sky

Small things

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A few small things
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I love standing on the top of the hills around our house and scanning the horizon and the ribbon of road below me to see who might be coming or going — the sun, a neighbor, an oil field worker on his way home.

But often I feel like looking closer to see what’s happening underneath the grass, in the shady cool places of the ranch. All those small pieces that make up the mosaic of this landscape fascinate me.

In my other life, before the babies came, I would spend my evenings in my walking shoes, enjoying quiet moments out in our pastures. My favorite was when my husband would come along and we would wander together, slow and hushed along the deer trails, noticing how the dragonflies swoop and swerve, their delicate and transparent wings reflecting the sun.

Pushing a path alongside the beaver dam, the late summer cattails fuzz and the flowers hang on in the shade, staying cool and crisp as they reach for small glimmers of sun peeking through the trees. On the surface of the creek, the water bugs stay rowing and afloat by some combination of mechanics or magic above the school of minnows flashing their silver bellies in the hot sunlight.

I look at him; we look up at the birch tree branches. He looks at me and I tell him to watch for mushrooms growing on trees and chokecherries and the plums in the draw.

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And we walk. Along that creek that runs between the two places and down to the neighbors’, through beaver dams and stock dams and ponds where the frogs croak wildly. We would clear a path through bullberry brush and dry clover up to our armpits, jumping over washouts and scrambling up eroded banks, noticing how some oak trees have fallen, hollowed out and heavy with the weight of their age, the weight of a world that keeps changing, no matter if a human eye ever sweeps past it or inspects it or theorizes about it, or tries to save it. It changes.

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We’ve been married 12 years now, but I’ve loved this person since I was a just a kid. Three years ago on those quiet walks, we could only imagine a time in our lives where moments like these would have to be planned and adjusted to accommodate baby bedtimes, bathtimes and suppertime schedules.

That our life and our living room would be covered in noise and toys and new tiny moments we’ve created on our own that now hold their own mystery.

And I used to wish that this man and I would walk together in the coulees in these acres for a lifetime, with eyes wide to the small things that live and thrive and swim and crawl and grow outside our door.

And now, I hope that for us and for our own little creatures living and growing and crawling and thriving inside of these doors so that we might all move together in life like we moved through those trees — switching leads, pointing out beauty, asking questions, being silent, stepping forward, taking time and loving the moment … and one another in it.

Mushrooms on Trees

These roads

October 19, 2010. Road to the Fields

October 19, 2010. Road to the Fields

Coming Home: Kicking up dust on the road of life

We live on gravel roads that stretch like ribbons along pasture land dotted with black cattle. As we kick up dust beneath our pickup tires heading out to a chore or to meet up with a neighbor, we take for granted how these roads were built and why they’re here.

Because these days we’re in a rush, driving faster than we should past newly made plans and history– some hidden and some still standing, weathered wood on crumbling foundations.

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I remember a time when these roads were quiet. It was where my cousins and I would skip like characters from “The Wizard of Oz” down the middle of the scoria without a care. The only vehicle to meet us was our great uncle driving with his windows down or my mom looking to borrow some sugar from a neighbor.

If we were lucky it would be the Schwan’s man hauling the promise of orange push-up pops, and we would put the game on time-out and sit on the front porch trying to get to the bottom of the treat before it melted and dripped down our fingers.

We didn’t know that there would ever be anything here at the end of this road besides imagination and our grandmother’s cookies. We didn’t know that anything but our boots and old feed pickups would kick up dust on the road.

I’ve been lucky enough to be able to tell the story of this place as part of my living. And because of that, and because of the long winters and the new babies and the close calls with losing the important people we love, I sometimes lie in bed at night breathing while the vice grip on my heart tightens. Funny how the darkness falls and talks us into wondering how this place and the people in it can seem so eternal and so volatile at the same time.

Maybe because between the past and the future there are so many colors here, cut down the middle by this winding gravel road of home.

It makes me wonder what memories were held in the hearts of those people who have long ago returned to the earth. What would they think if they saw us driving our fancy cars to houses that sometimes feel too big to hold the love, if that even makes sense at all?

How far away I feel from that life some days even though I believe our goals haven’t changed — to do the best we can on a landscape where trees grow, calves are born, ground is tilled and minds are inventing ways to make the living easier.

Inside those old houses they ate, prayed, laughed and worried in the dark just as we do in our houses with too many screens and not enough vegetables while the wind blows and knocks on our windows, reminding us that this place is not ours solely and rightfully and individually.

One day we’ll abandon these houses in decision or death, and there will be new generations searching these roads for our story.

So we should tell it now, honest and true and leave to them what they need.

Old House Window

“This Road”-Jessie Veeder Live
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