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Yellow Roses

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Listen to the podcast where we discuss our connection to heritage and changing times.

In 1915 my great grandpa Eddie staked his claim on this ranch where we’re now living. He got married and headed off to war. When he arrived back in Bear Den Township he proved up his claim, planting some trees, flax and wheat, building a barn and putting up fences.

Cornelia and Eddie’s Children

Over the course of his lifetime he would watch his crops grow, his wife die too young and his children make their own mark on the land he laid claim to. He would meet a couple grandchildren and serve them his famous buns, tell them jokes and scruff their hair before leaving them all behind in death to do what they would with the place he worked so hard to keep. The red barn, his old threshing machine and dozens of other little relics of his existence are scattered sparsely about the place now to remind us that 110 years ago is not long enough to rust the old equipment to dust, but it might as well be forever.

Great Grandpa Eddie standing in the doorway of his homestead shack

I didn’t know my Great Grandpa Eddie, but I think of him often and wonder what parts of his blood flow through mine. I think it might be the holding on part, just like those yellow roses his wife planted in her garden all those years ago before she died suddenly and only 36 years old, leaving her children, her husband and those roses behind to bloom without her. 

One day I want to write his story with the parts I know and then the way I imagined it could have been. But today I thought I’d share his story in the lyrics of the song I wrote about him. I’m honed in that sort of storytelling, so I started there…

Hear it wherever you get your music or head to www.jessieveedermusic.com to order the album. 

Yellow Roses

14 and 80 acres
A couple horses and two hands
Grind the gears and swing the hammer
Turn a boy into a man
His daddy was near blind then
His brother just 13
His mom, she swept the floors though dirt like that just don’t come clean

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

He built corrals and fences
And the family’s homestead up in time
Rode the river in the big draws
With the cowboys for a dime
But there’s something bout the work here
Made him want something of his own
Signed papers on a tar paper shack and called the land his home

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Right there we could have left it
His dreams sprouting from the ground
But if man can make a fortress
Only man can knock it down

But when the war was over
He found himself a bride
Yellow roses in the garden
And their children were her pride
Lost money on the cattle
Lost some on the grains
Lost her when she went to sleep and did not wake again

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Now a man cannot give up there
This man didn’t have the mind
He made biscuits in the morning
Taught all the babes to ride

When the neighbors fell on hard times
He lent a hand or bought them out
And watered yellow roses in the heat of summer droughts

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Now I stand here with my children
One on my hip, one holds my hands
Another generation breathing life into this land
We count pennies and our blessings
And to the memories we cling
And down in the barnyard yellow roses bloom here every spring.

Dakota Cowboy Interview

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Recently, on a rainy day in April, I had a chance to visit with Tisa Peek for the Dakota Cowboy show on Bek TV. We sat horseback in her arena and talked plans and inspiration, arts and music and community building. This show is dedicated to telling the story of rural North Dakota and the people who are doing good work here, was an honor to be included.

Give it a watch here or click the image below:

If you’re interested in where I’m playing this summer, or to get me on your event calendar, visit www.jessieveedermusic.com/shows

“Nothing’s Forever” a Podcast Interview

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Heya! Happy Friday! I’m celebrating the weekend by watching the snow fall, practicing my set for a couple concerts across the state next week (see you in Moorhead, MN?) and catching a rodeo in town on Saturday night. I heard there is going to be a trick rider and Rosie is PUMPED. (Because, according to her announcement at her pre-school graduation, that is her career aspiration.)

Recently I had the chance to sit down and talk to the brilliant and resilient Jackie M. Stebbins. I met her at a women’s writing event and in the short time we had together we could just tell we were cut from the same cloth. Jackie is a former accomplished attorney who operated her own law firm until her life was sidetracked by autoimmune encephalitis. Autoimmune encephalitis is a rare and can be fatal brain illness that is caused by a person’s immune system mistakenly attacking healthy brain cells. Jackie is now a writer and motivational speaker. She uses her high energy personality, positive attitude, and story to spread awareness about autoimmune encephalitis and to share her inspirational resilience.

Throughout my life as a writer and performer I am consistently reminded of the importance of sharing our stories, not just of hope and success, but of struggle. Jackie is honest about both and is using her struggle to help others feel seen and heard.

It’s hard for me to listen back to hear myself talk on these programs. But with Jackie, I was given space to really open up about how health struggles affect every aspect of your life, and the lives of those around you. She gave me that space and does so with others as well. I am proud of this conversation about music, motherhood, cancer and pushing through. Thank you Jackie. We could have talked for hours.

Listen to the podcast below and pick up Jackie’s book here: “Unwillable: A Journey to Reclaim my Brain” or on Amazon or Barnes and Noble.

Listen Here

Hope to see you in Moorhead on March 28.

More information here

Thank you for listening

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Happy New Year from the ranch. And happy longest month of the year in North Dakota. Or is that February? I can’t remember. Winter up here sometimes is like childbirth, you forget the horrors when you’re in the middle of those beautiful June days.

I sent my daughters off to school for the first time after their break and now I’m alone with my thoughts for the first time in weeks. And so it seems like a good time to announce that my new album “Yellow Roses” is set to release everywhere on January 11th. I think it’s a proper way to ring in a new year, with new music.

The truth is, I didn’t think I had another album of original music in me. I’ve been at this since I was sixteen years old, writing songs about the people and landscape of a place and life pretty obscure to most of the world. My last original release was over eight years ago, songs written before motherhood and performed and released when I was pregnant with my first daughter.

It was a time in my life that held so much hope and promise, tangled up with no guarantees in that complicated way that hope and promise always seem to be.

And it feels like all our real life has been lived in that space between that last album and now. Between working on raising babies and cattle, we’ve faced the near loss of my dad, a job layoff, a new business endeavor, keeping a non-profit afloat and my cancer diagnosis during a pandemic and my slow recovery figuring out how to live a life with pain that just won’t let up. And we’ve put that all up against the promise to love each other forever and make sure our young kids don’t figure out too soon that life can be scary.

Pregnant with Rosie, playing “Sunshine” with Edie

I’m looking back at that list right now and am fighting the urge to delete it all. I don’t want to be the person that lists the struggles, mostly because I can’t carry on there. I prefer and thrive in the spaces in between: the slow walks to my sister’s with the kids stopping every few feet to pick up a rock or dig in the dirt, the quiet times at night laying next to my husband and telling him the funny things Rosie said, my favorite horse and teaching the girls to ride, wildflowers on the kitchen table, new calves trying their legs in the fresh green grass, watering my tomato plants, walking a cattle trail, the way the evening light hits the Blue Buttes, watching Edie catch and love all the frogs, a small stage in a small town, making you a cup of coffee while you tell me about the old days, sitting in the passenger seat of the pickup while he drives…

These spaces in between, that’s where the songs are for me. And that’s what this album is. It is a finishing up of the ideas that have been sitting in pages on the shelves for years and it’s the songs the tall grass knows that I can finally hear. It’s the retelling of old stories to a new melody. It’s the sound of kids growing up and the generations before us and the weight of the holding on. It’s the hum of April blizzards and frustration and potential of changing times. It’s the sound of Nashville players behind the words of a ranch kid all grown up now.

And so on January 11th, I hope you’ll take a listen. I hope you’ll find these songs wherever you are and I hope you find yourself in them somehow, even if it’s just in the rhythm of your toes tapping. People like me, for whatever reason, live our truest lives by telling about it. Thank you for listening.

Watch for tour dates coming in early spring, where I’ll take the songs to you.

Buy a signed “Yellow Roses” CD at www.jessieveedermusic.com today, pre-save it on Apple Music and get three of the twelve tracks right now or get the full album on January 11th wherever you get your music.

Thank you for listening.

New Music: Whiskey in the Winter

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Happy release day to a song that has been waiting for its time for eight years. It was this song that compelled me to work on creating another album from this chapter in my life of full-on, unfiltered, unsympathetic adulthood where life is messy and the curtains have been pulled back to let the light and the dark in.

Thank you for continuing to support my efforts to tell the story of the people up here, the soft and the rough edges.

Get “Whiskey in the Winter” here and wherever you get music.

A Cowboy Song and a Cowboy Town

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This week’s podcast is from the camper in Wyoming where we attended the Yellowstone Songwriter Festival.

Today’s the Day! It’s all about the new single “If You were a Cowboy!” Listen to it wherever you get your music and hear Chad and I discuss our recent trip to Cody, WY for the Yellowstone Songwriter Festival and how how he held my purse in a bar in Fargo, ND inspired this song.

Listen today wherever you get your music!

Listen on Spotify
Listen on Apple Music

On Nashville

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This week on the podcast I catch Chad up on the Nashville trip and the recoding process. Listen here or wherever you get your podcasts

“Live in THIS moment.”

That’s what my fortune cookie said as I finished my takeout dinner in a hotel near downtown Nashville.

“Ok, cookie,” I said out loud to myself as I laid it on the desk next to my planner and pages of typed up lyrics scribbled with notes. These songs I’ve been writing and re-writing for the past eight years were all just stacked up there waiting for the next morning to go into the studio and come to life in the hands of some of the best players in the neighborhood.

The amazing session players and producer in OmniSound Studios downtown Nashville

If you would have asked the sixteen-year-old version of me what most intimidated me as a young woman pursuing some sort of music career, I would have told you it was this. This exact situation. Bringing songs I wrote on the floor of my bedroom in the middle of nowhere to sit before musicians who are truly professional and have seen it all. Surly my songs about the hard clay of home and hard people who live there wouldn’t resonate. Surly they would laugh me right on back to where I came from.

Me and Wanda, master of the dobro, fiddle, banjo, guitar and more!

I faced my fear of Nashville with my last original album in 2015. I was a grown woman by then and had done plenty of things that scared me, so I hopped a plane, figuring all I had to lose was the money. And though I had no real idea of what to expect, I was greeted by an experience in the studio that was so open and encouraging that it successfully rearranged my view of what it can mean to make music.

Nashville Songwriter Kirsti Manna and producer Bill Warner. Kirsti wrote Blake Shelton’s hit song “Austin” among others.

I’m sure you wont be surprised to hear it’s about the people. And in this business there is plenty of competitive drive and ambition that can make things ugly, but I had long stripped away any ideas of fame and fortune by the time I stepped into a Nashville studio for the first time. I just wanted to make the best songs I could possibly make and so did every person in that room with me. And that’s it. That’s all it’s about.

Listening to my rough tracks

This time I flew into Nasvhille on the tail end of a storm that was lighting and thunder and rain and the migration of Taylor Swift fans to music city for her concerts. As the rain and the superstar and the fans left music city, I made my way to a studio on music row and stood under the same roof she once had, and so did Janis Ian and Alison Krauss and Faith Hill and Miranda Lambert and on and on and on the famous names lined the walls and it wasn’t fancy but it was friendly and for the record I’m the only one name-dropping here

And in came the bass player and his big upright and the drummer who sits perfect in the pockets of songs and the sweetest guitar player and a woman named Wanda who can play every stringed instrument you can name and so began our day together, working through the notes of the twelve songs I brought from North Dakota prairie.

If you’re curious about the process, in short I hire a producer, who rents out a studio and hires session players. That producer charts the arrangements for the songs and gathers us all up for a day (or more) of laying the groundwork for each track. In both my experiences, we tracked the entire album, twelve songs in one ten-hour day. That means these musicians often only heard the rough-cut demo of each song once, which is typically five minutes before recording, and then they get to work. My role is to listen, sing my parts and make sure it all goes in the direction I had in my head. But every time, it goes above and beyond. The next day all those musicians were likely scheduled to work on entirely separate projects in different studios with different producers across town and I’ll stay for the rest of the week to work on tracking vocals.

And that’s the just the beginning. Over the course of the year I’ll schedule release dates and concerts and find my favorites and your favorites and make videos and tell stories like I always do, and see where it all goes. But for now as I write this, sipping coffee from a paper hotel cup, I’m just here facing those teenage fears and living in THIS moment.

Rosie’s Spring Song

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On this week’s podcast episode I have a short visit with Rosie before preschool about her new song and why spring is her favorite season. Listen here or wherever you get podcasts.


Rosie wrote a song about spring to sing at open mic at my mom’s coffee shop in town last week. Her first experience a few months ago singing her own song in front of a crowd gave her the confidence she needed to do it again. She’s only five, let me remind you, but no “Twinkle Twinkle Little Star” for her. She insisted I get out my pen and my guitar and help set her idea to music. “Spring is the best time of the year. It’s so happy and full of cheer.”

Yes girl, yes it is. The snow banks are melting and the creek is rising and the mud on our boots is sticky and tracking into the house and everything is dirty and a combination of brown and blue and gold. And so these suddenly become our favorite colors when white has been our existence for all of these long cold months.

“Easter comes by and it’s so fun. Because there are Easter egg hunts,” she sang, her little legs dangling off the chair, the microphone in both hands held up close to her mouth so we could all hear her words.

Rosie’s my hero. It’s possible I’ve said this before, but in case I haven’t, I am saying it again. She has been since I met her. Her very existence was improbable given the fact that I struggled for so long to keep a pregnancy. We had our first daughter and thought that might be it for us, but we tried again anyway thinking it could possibly take another ten years. But Rosie was ready to be born and so she didn’t make us wait. She came to us quick and easy at the height of one of the most difficult times my family has endured, my dad clinging to life in a hospital bed in Minnesota and his future so unsure. We gave his name to her, Rosalee Gene, because the belief that he would ever meet her was nothing but a faint light. She was a sweet distraction, a quiet force for hope that can come even in the most desperate and dark moments. She made no fuss about it. She just breathed and sucked and pooped and lived and as she grew my dad grew stronger and here we are with both of them at the ranch waiting for the snow to melt off and the baby calves to be born. Spring is hope and renewal and so it reminds me of my second daughter, singing so confidently this song about her favorite season.

“Outside the window spring is here. Bunnies and chicks and baby deer.”

The elk take a stroll through our horse pasture

Lately there has been so much tragedy exploding from the news feed, and our small communities here in western North Dakota have not been immune to it. Renewal and hope aren’t easy words to sit with when loss and uncertainty sit heavy in your guts. But time continues to change the season. Time continues to move, eventually bringing with it a thaw. The water breaks free under the ice and rushes the draws.

In a week or so we will have baby calves on the ground, still wet out of the womb. In a few more the bravest flowers and buds will start to emerge at the coaxing of a warm sun. The pair of geese will return to the stock dam outside our house. The wild plum blossoms will dot the brush with vivid green and we will climb to the top of a hill to find a dry spot and lay down in it, knowing well that it could storm again the next day, burying the ground and the new buds and babies in the chill of a white blanket. But it will be hard to imagine it then with the warm spring sun on our bare arms. If you’ve forgotten what hope is, nature can remind you.

“A big blue sky and bumblebees. Tweet-ely birds and green green trees,” Rosie sings into the microphone to a small crowd of community members gathering for coffee. They tap their feet and hum the tune on their drive home…

Little moments to be brave

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Hear Rosie’s perspective on this week’s podcast where I interview her and she sings her song. Listen here or on Spotify, Apple Podcasts.

For as long as my youngest, Rosie, could talk, she’s been asking me when she can have her own band and perform on the stage. My answer at first was to offer to accompany her, but Rosie wants her own band. And she wants to play her own guitar. And she wants to write her own music. And just this morning she informed me she wants to play drums too. So now I tell her she has to practice.

I’ve been working on writing some new songs these past few months as I prepare for a new album I’ll record this spring. This means the girls have been wandering in and out of my practice and writing sessions quite a bit lately. A few weeks ago I heard their four little feet march up the stairs and fling the door open and suddenly my lonesome little love song turned into a collaborative writing session with Rosie, who was determined to live out the promise I made to let her sing at open mic night at Gramma’s coffee shop in a few weeks.

She recently (as in, right that second) decided her song needed to be an original. Now I could skip over this part, but I don’t want you to get the impression that this was any kind of made-for-Hallmark movie-moment. Rosie’s first attempt at writing a song ended with six harmonica solo breaks, a speech about how this song is not just about her being a cowgirl, but about families working together and a stomp-off because, when her big sister wanted to try her own song, she was stealing all Rosie’s words. My husband called it their first “intellectual property dispute.” I call it the first of many dramas in the family band.

That’s where we left it, a little song unfinished on a scrap piece of paper and we all went outside to play (drama comes and goes quickly around here). Fast forward to my arrival home from my week away in Elko after taking the 17 hour drive in one shot, where I was greeted by hugs and a reminder about open mic.

Tomorrow.

She had been telling everyone at preschool, including her teachers. And they were coming to cheer her on. This was serious. I can sleep when I’m dead.

So the next morning, we finished her song and practiced it all day (I mean, are you really a rock star if you don’t cut it close?) and headed to the coffee shop to make her debut. But as the big moment grew closer, Rosie started to experience nerves, something her little five-year-old body wasn’t expecting. Her eyes were watering as she thought about not getting it right in front of a crowd. In the car, her big sister tried encouraging her and I followed with some pep talk, so completely aware of exactly how her little heart was beating. We walked in the back and practiced the song again before it was her turn. They called her name and I knelt down beside her with my guitar in the front of that tiny coffee shop filled with our smiling friends and family. It was her turn. Rosie buried her face in my arm as her cousins and big sister came up to offer hand-holding, sing-alongs, hugs, cookies or whatever it was going to take to make her brave. I whispered in her ear “come on now, you can do it!”

But little Rosie couldn’t do it. Not right then. It was all too overwhelming I think, the idea that in her head, she was a professional singer, but in real life she was still only five and she’d never done this before. Oh, I could relate. Just a few days before, getting ready to walk out to a theater full of hundreds of people so far away from home, I wondered if I truly belonged. If I was good enough. If I could pull it off. My stomach was in my throat, the same way my daughter’s was in our hometown that night. I so badly wanted her to do the thing she wanted to do, but I didn’t read the chapter in the parenting book on this.

So I told her we’d try again.

We went to the back and gathered ourselves. I wiped her little tears and told her she was brave. We practiced the song again, three or four more times. She said she wanted to try again in a little bit. So out we went to listen to the other performers and get a hug from her teachers, who promised her a pizza party if she gave it another go. Bless those two lovely women because that did it, the promise of pizza. I think that would probably do it for me too.

Her cousins and big sister at her side again, Rosie looked down, got a little teary, got it together, took a deep breath and sang.

“Daddy feeds the horses, sister cuts the twine, me and mom chase cattle, the dogs come for a ride…”

The small coffee shop crowd cheered and Rosie was so proud. She even got a tip, which she can’t get over. She didn’t know she was that good! But to everyone in that room that night, it was less about being good and so much more about being brave. That’s where it starts, at little open mics, little rodeos, little gymnastics meets, little dance recitals, little talent shows, little opportunities that we create in our little communities to help each other grow wings. I’m so thankful for the efforts of those who make things like this happen.

Anyway, if you’re wondering, Rosie’s big sister got wind of the tip and is working out her own song for next month as I type. So if you like drama, stay tuned for the saga of the sister band.

The music continues…

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This week my mind is on the music as I work on a new album and pack for the National Cowboy Poetry Gathering. I sits down with my husband to talk about what it means to still be recording and creating music at 39 and I answer a listener’s question about the songwriting process. Chad’s been busy building the addition, so he gives a little sheetrock-covered update too. 
PLUS, I shares a rough cut of the song I wrote about my Great Grandpa Eddie at the end of the podcast, so stay to have an exclusive listen. 

When I was a young teenager, like 13 or 14, every spare minute I had at home was spent trying to teach myself to play guitar on the pink carpet of my room. Leaned up against the frame of my waterbed (hey, it was the 90s) I pressed stop and play and stop and play on my CD player trying to figure out the chords to Fleetwood Mac’s “Landslide” or Joni Mitchell’s “Both Sides Now.” I found these songs in my parent’s album collections and there was something about them that spoke to me more than anything I was hearing on the two FM radio stations that came in at the ranch.

Maybe it was the fact that the first songs I ever heard were coming from my dad playing and singing around the house. I knew the lyrics to Emmylou Harris and John Prine songs before I even heard their original versions. And when I began to discover my own musical tastes, when I could buy my own albums and play them on repeat, I was surprised to find there was something lonesome about it. Because I couldn’t imagine a world beyond my nook of rural America where real people like this existed, playing guitars in coffee shops and clubs and forming and breaking up bands and writing and recording music.  Somehow, it made me feel even more isolated, more landlocked, more obscure in my community and so very far away from a world where people create music for a living. I suppose I felt that my only access to it was to learn to play it myself and to attempt to write my own.

MEDORA — AUG 5: Tour of Teddy Roosevelt National Park. (Photo by David Hume Kennerly/Center for Creative Photography/University of Arizona).

I was only fourteen or fifteen when I wrote some of the music for the first album I released my senior year of high school. If I knew then what I know now, I wonder if would I have put myself out there that way. That’s the thing about adolescence—the naiveté keeps you brave.

I’m thinking about this today because for the past month or so I’ve been knee deep in working on music for another album. There was a time I would have told the 39-year-old version of me that I’m too old for this now, that to be creative, to have something to say, you must be relevant, and 39 didn’t seem relevant to me when I was in my early 20s driving up and down the middle of the country trying to write songs about places and things I knew nothing about. There was also a time when I thought that in order to be successful you had to remove yourself from all the familiar things and build yourself back up again somewhere more important. Go to Nashville. Go to California. Go to New York City. Then you’ll be something. Then you’ll have something worth saying.

I grew out of that phase somewhere between South Dakota and Oklahoma in my Chevy Lumina with a caved-in trunk I couldn’t open because of a fender-bender I still hadn’t dealt with. The man I loved and the place I loved was hundreds of miles away, I just cracked the front of my tooth off on a granola bar and I was supposed to be playing in a Nebraska college town in two hours. Was it this I loved? Or was there something else to it?

Last weekend I spent countless hours on the carpet in my grown up room working and re-working songs that could only be written by the woman I am now, hollering down to my daughters to “shush for a minute” and “play walkie-talkie in the basement please!”

I pulled out my harmonicas and immediately I saw two sets of bare feet under my bedroom door. Soon my daughters were playing harmonica too, dancing, singing and requesting for assistance writing their own songs.

I couldn’t help but think about the smoky smell of my dad’s guitar case on the 1980s shag carpet and me sitting cross-legged on the floor, listening. And then another thing hit me: this is how it can start, yes, but this can also just be how it is. There doesn’t have to be more to any of it except that it brings you some sort of peace or some sort of release or some sort of joy. If my daughters ask, that’s what I’ll tell them. Not everything we do with passion has to come to a famous, star-studded, glamorous end. Sometimes the best part is in the learning, or the listening or the creating or the dancing along.

As it turns out, the teenage version of me was right. To write it continues to set me free. And so that’s what I’m doing here, leaned up against my bed frame on the carpet in my room.