In the first place…

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Well we had a fun weekend last weekend. I’ve been so busy thinking about next weekend’s plans,  I haven’t had much time to reflect. All I know is now that we have Edie in our lives, time seems to go so much faster, even on the weeks I feel like I barely see her, which was the case last week as I spent my days getting ready for our Arts Council Showcase and a weekend full of music.

And it all went as good as can be. Thanks to my wonderful community and board members we enjoyed a flawless evening of music and art and I got to accompany Native American Hoop Dancer Kevin Locke as he performed and visited the kids at all our local schools. He was inspiring and the kids’ energy invigorated me.

Saturday morning our arts council hosted a writing workshop with an award winning author for people over 50 to help encourage them to share their stories and pass on their legacy.  I attended for most of it, but had to cut out early to hit the road for Bismarck for the North Dakota Music Awards. But I was so glad I popped in and to participate for a few hours and see my community members engaging in the creative process. So much of my life is focused on writing and creating, and lately I admit I’ve been feeling less than inspired as I try to balance this brief, but chaotic time in my schedule. Just a few hours of focusing on the process in a room with all minds on the same goal was just what I needed.

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Then down the road I went to meet up with the band and sound check a performance. My grandparents and aunt from Arizona were passing through on their way back home to Minnesota, so it was a special treat to have my aunt in the audience when I found out you all voted me (along with the very cool Bismarck band Kids with Beards) as your favorite folk artist for 2017.

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Thank you so much for that honor, I don’t take your support for granted for a day. And you showed up then, the way you always do, on Sunday afternoon for my book release concert at the Heritage Center where you (and my grandparents too!) were able to be in the audience to see Edie’s stage debut.

Turns out my girl and I missed each other that week, so she couldn’t watch the concert without making a fuss about wanting me to hold her so she could play guitar, so at the end of the show my mom brought her up and, well, it was a sweet moment.

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Next time I imagine she’ll bring her harmonica and demand a solo.

The crowd was so wonderful to come inside on one of the nicest days of the year and hear my stories. I truly enjoy being out and about meeting you all. I like it best when Edie can come along too (thanks to my niece and my mom), even if it’s a little more sweaty and stinky and covered in cracker crumbs.

Click here to see a TV interview with me discussing that day’s concert.

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And so here we are, in the middle of a new week and I’m so glad it’s spring now. The grass is greening up, the forecast is in the 70s for the foreseeable future and I just want to sprawl out and let the sun soak in my skin.

So when Edie came home we went out to frolic a bit, to feed the bulls and tinker with fences and pick her dad some flowers.

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It was only for an hour or so before we had to head in and get supper ready, clean up and get Edie to bed, but it was a nice reminder for me about the importance of doing the non-urgent things together, the just sitting outside and watching her run.

And while I haven’t been much for recaps in this space, usually more compelled to reflect on individual moments, I felt like recounting the past few days tonight. Because some days, especially these days, I’m too focused on what comes tomorrow. And I realize as she’s one moment away from being able to open the door to the outside by herself, that her wings are coming in much quicker than I expected.

Because last night I opened her baby book and couldn’t remember how old she was when she first rolled over, or her first trip to the pool or when she decided peas were her favorite vegetable.  For a woman who makes a living off of memories, sometimes the short term ones, the dates, the logistics, they don’t stick. So I panicked a bit, realizing just how little time there is for reflecting in the middle of this parenting gig and just how many more reasons there are to give ourselves that time.

Like the way she runs to get her boots when we tell her it’s time to go outside. How she puts her cap on backwards every time.

The big swell of pride that filled my chest as I watched my husband patiently teach her how to scootch down the stairs on her butt, because he doesn’t want her to get hurt and she’s always trying to do it herself when we’re not looking.

I want to remember the way she says “puppy” and I know I’m going to forget. I want to close my eyes on the hard days and smile at the way she insists on sitting behind the wheel of the pickup every time we go outside.

Because she’s such an unexpected gift indeed and the stuff good songs and stories are made of.

And I think maybe she’s the reason, long before I believed I might ever meet her, that I starting singing them in the first place.

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The Coming Home Tour

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Happy Friday everyone!

Today I’m sitting in a cute little coffeeshop on Main Street Bismarck where they serve, among many other delicious things, homemade scones, fresh fruit granola and yogurt cups and lattes with a heart on top.

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I tell you, I don’t get that kind of fancy at home at the ranch working from the kitchen counter while the baby throws grapes from her high chair to floor.

But I’m here because things are starting to heat up regarding this book release. This morning my friend John and I played on the local morning show and I got to talk a bit about Coming Home, which is a collection of some of my favorite stories, recipes, poetry and photography, coming out on April 6th.

So I’ve been a little quiet here lately because I’ve been working out the details on how I can get out and about and visit with you all (in North Dakota at least) on behalf this book, one my favorite things to do.

So I think I have a good start to the lineup for book readings and concerts. Hopefully I’ll see you out there. I guarantee a nice time filled with, conversation, music, laughs and just being together, in a common space, for the sole purpose of sharing stories.  That’s my favorite part about this whole crazy ride.

And if you can’t make it to one of the shows in your area, you can still pre-order the book here or on dakotabooknet.com I’ll even sign it for you because I love you.

Thank you for reading all these years. I hope you find this book is a nice way to relive the memories of the places and people you love out here on the prairie and beyond!

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Friday, April 21

Coming Home Concert-Fargo
Book reading, stories, concert and signing
6:30 PM-Meet and Greet and Signing
7:00 PM-Concert
8:30 PM-Meet and Greet and Signing
The Stage at Island Park
333 4th St. South
Fargo, ND
$7
All Ages
Cash Bar
Buy Tickets Online or at The Stage At Island Park

Saturday, April 22

Coming Home Concert-Grand Forks
1:00 PM
Book reading, stories, concert and signing
The Back Stage Project, Empire Arts Center
215 Demers Ave
Grand Forks, ND
$5
All Ages

Sunday, April 30

Coming Home Concert-Bismarck
2 PM
Book reading, stories, concert and signing
North Dakota Heritage Center
612 East Boulevard Ave
Bismarck, ND
Free Will Offering
All Ages

Friday, May 5

Coming Home Concert-New Rockford
Time TBA
Book reading, stories, concert and signing
Dakota Prairie Regional Center for the Arts
New Rockford, ND
More Information TBA
All Ages

Saturday, May 6

Coming Home Concert-Minot
Book reading, stories, concert and signing
6:30 Meet and Greet and Signing
7:00 Concert
Taube Museum of Art
2 North Main Street
Minot, ND
All Ages

Visit www.jessieveedermusic.com
for additions to the tour and my full performance schedule.

A special thank you to Forum Communications for making this project possible and for allowing me space every week in your newspapers to tell the story of my life in Western North Dakota. And thank you Kathy Leingang for ushering me so sweetly through the process of writing this thing!

Parenthood: Adjusting the sails

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Baby Edie turned 10 months old when we were on the road last week.
She celebrated by hanging out with gramma at a beerfest fundraiser for cops in downtown Bismarck and then at a fundraiser for the area cancer center after that, clapping and singing and climbing all over the seats in the front row while I sang.
And after that was done we hit up one more party for a family friend and headed back to the hotel room to make the trip across the state for another show.
I tell you, the right kid was sent to me. She’s resilient, she doesn’t need much sleep, likes a crowd, likes to stay up late, likes to visit and likes a good party…all skills needed to survive being the daughter of a musician who tends to travel a bit.
While we were making plans all those years to start a family, I always wondered how I might really do this job with a kid in the mix.
Now I know.
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You bring gramma along. And you forget the schedule. You go with the flow and hope for the best and spend all the money you make at the job on adorable baby outfits.
And then you come home and sleep train all over again, snuggle on the couch, play on the floor and makes plans for the next trip or party or job.
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I’m looking out the window at the wind blowing leaves off the trees and I’m thinking about where I was a year ago. In this house, with my big round belly, worrying about the crib getting set up on time, worrying that she might come early, wondering if it’s a boy or a girl, pretty certain it was a boy and watching this baby kick and squirm and roll in my body, perhaps just as anxious to enter the world as I was to welcome her.
I was totally oblivious as to just how many things would change and, maybe more surprising now, how many things would stay the same.
I can’t believe she’s almost one.

I can barely remember what we did before her, other than totally take time for granted.
As I’ve said since she was born, it goes so slow and so fast, all at the same time.
by Jessie Veeder
10-2-16
Forum Communications
http://www.inforum.com

I woke up this morning in Minnesota, holding on to a baby who is only 10 months old but appears to be getting her one-year molars already.

And Edie smiled through the entire checkup, our doc looking in her ears, her eyes, her mouth and, holy smokes, she wasn’t expecting it, this child is getting four more teeth.

So that explained it.

And I was relieved, like any parent would be, that it wasn’t an ear infection or something icky like that. Because No. 1: Poor baby. And No. 2: We had a big weekend ahead of us. Five days on the road and in hotel rooms for meetings and music, and I was taking her along.

But first I had to hit a deadline. Because I’ve recently taken on a fun project as the editor of a free little monthly parenting publication, so lately I’ve been spending time taking notes, brainstorming and putting together ideas for stories and tips that might be useful to parents raising babies between the sidewalks and scoria roads of Western North Dakota. And while I’m not in any position to give tips myself, as a new mom, I’m in every position to seek them out.

And this week I could have used some tips myself on how to conduct a phone interview and take notes with one hand, while trying to keep the teething baby in my other from biting a hole through my shirt.

Or maybe a column from a mom who mothers all day, works all night and still finds the time to binge-watch “Downton Abbey” and is alive and happy about it all.

Or how to convince a baby to sleep through the night in a strange hotel room.

But what I really needed was a step-by-step list of how to pack for five days for a baby and myself in autumn in North Dakota when the forecast warns cool temps and rain but the actual weather finds you sweating in a cardigan in 80-degree hurricane winds.

What should I wear? Really.

Sometimes, I swear, in this whole mom-singer gig, that’s the hardest part.

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But here I am this morning, at the end of a trip that gave me the chance to visit my grandparents in Minnesota. They’re sitting in the kitchen having breakfast with my parents, who came along, my mom to watch the baby and my dad to sing along and carry all our stuff.

The two of them still helping their daughter out, still parenting after all these years.

Watching my mom try to keep her granddaughter from eating the grass under the tent where I’m singing “You Are My Sunshine” with my dad is a little slice of sweetness that cuts through the rough, sleepless nights.

Tonight I play music in a small-town Lutheran church, and tomorrow we head back west. But before I got started, I sent a photo to my husband back home of Edie sleeping in my arms while I scheduled the day out in my head, worrying about how to fit it all in.

He texted back.

“You’re so lucky.”

He wished he were here.

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And so did Edie, I think, who thought the sound guy at our last gig looked enough like daddy to reach her arms out and snuggle into his shoulder.

I’m not sure what her dad thinks of that story, but I think it made the sound guy feel pretty warm and fuzzy.

Oh, this parenting thing has so many angles, doesn’t it? So many different ways to live it and get through it and love it. That’s what I’m finding as I get a chance to bring this baby along in my work, to write and share stories that I hope can be useful, or at least entertaining, to the moms and dads who are in the same sort of boat, on the same prairie, trying, as I type, to diagnose a fever or figure out how to fit a princess dress over a snowsuit for Halloween.

And I’m pretty pleased to be navigating these waves and adjusting these sails with them.

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Making Memories. Making Pies.

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It’s a beautiful morning at the ranch, the wind is calm and the golden trees are sparkling in the sun, the baby is napping, the windows are open and I’m so happy to be home after six days on the music road.

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I’ve designated this day to unpacking and putting away all that was drug out in the name of traveling across the state with a ten-month old and my mother…which means we most definitely brought home way more than we left home with…

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Like maybe a few more outfits. And at least one new pair of shoes for each of us.

And maybe a giraffe suit for Little Sister?

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We sure have a fun and exhausting time when we’re out traipsing around the countryside. But we don’t get much napping in. And we don’t stick to a bedtime. And we try to cram as much fun as we can in between the gigs.

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Mini Merch Slinger

So we’re tired.

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I predict Edie will take the rest of the week to catch up on all of the extra time she spent kicking and clapping and singing along with her eyes wide open until the bitter end of the day when we plopped down together on the hotel bed, or the bed in my grandparent’s house, or the bed of our gracious hosts, and finally gave into the night.

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Sound check…

I’m contemplating crawling into her crib with her right now and the two of us could stay there all day. If only we both fit.

But not until I share this week’s column with you, a little story about the best part of this season change, which is most certainly more time in the kitchen with family reminiscing and making new, sweet flavored memories.

And I may be no Martha Stewart, as you all know, but this was my biggest attempt yet, getting as close as this non-pastry-making-family can get to pie perfection, thanks to the notes left behind from our grandma Edie…and maybe a little encouraging from above.

Happy season change. May the cooler weather inspire you to cuddle up and settle down a bit. I know that’s my goal this upcoming October anyway.

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Coming Home: Connecting with gramma’s memory over a slice of apple pie
by Jessie Veeder
9-25-16
Forum Communications
http://www.inforum.com

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My mom keeps a small wooden box in her kitchen, tucked up in the cupboard next to her collection of cookbooks. On the front it reads “RECIPES” in the shaky, wood-burning technique of a young boy trying his hand at carpentry.

And the from-scratch buns she served with supper.

And the familiar casseroles that you could smell cooking as you walked up toward the tiny brown house from the barnyard after a ride on a cool fall evening.

Every once in awhile my mom will open that box on a search for a memory tied to our taste buds. She’ll sort through the small file of faded handwriting and index cards until she finds it, setting it on the counter while she gathers ingredients, measures stirs and puts the dish together the best way she remembers.

I’m thinking about it now because it’s sitting on my kitchen table, the one that used to sit in my grandmother’s kitchen all those years ago acting as a surface to roll out dough and pie crusts or a place to serve countless birthday cakes or her famous April Fool’s day coffee filter pancakes.

And so they’ve met again, that table and that box, which is currently sitting next to a pie pan covered in tinfoil.

Because last week we pulled the box out on a mission for guidance on what to do with the 50,000 pounds of apples my little sister inherited from the tree in the backyard of the house she bought a few years back.

“Maybe we should make applesauce or apple crisp,” we said as Little Sister plopped the fourth bag full of fruit on my kitchen counter, my mom sipping coffee and my big sister entertaining my nephew beside her.

I reached up in the cupboards to dust off a couple recipe books because we all agreed then that apples this nice deserve to be in a pie, and Googling “pie making” seemed too impersonal for such an heirloom-type task.

Then Mom remembered the recipe box.

And that Gramma Edie used to make the best apple pies.

It was a memory that was intimately hers and vaguely her daughters’. We were too young to remember the cinnamon spice or the sweetness of the apples or the way she would make extra crust to bake into pieces and sprinkle with sugar when the pies were done, but our mother did.

And most certainly so did our dad.

So we dove into the recipe with the unreasonable confidence of amateurs and spent the afternoon in my kitchen, peeling apples, bouncing the baby and rolling and re-rolling out gramma’s paradoxically named “No Fail Pie Crust,” laughing and cheering a victory cheer as we finally successfully transferred it to the top of the pie using four hands and three spatulas, certain this wasn’t our grandmother’s technique.

Wondering how she might have done it.

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Little Sister carved a heart in the top to make it look more presentable. We put the pie in the oven, set the timer and hoped for the best.

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We fed the baby and gave her a bath. We watched my nephew demonstrate his ninja moves. We talked and poured a drink. We cleared the counter for supper. We put the baby to bed.

And then we pulled the pie from the oven. We marveled at our work. We decided it looked beautiful, that we might declare it a huge success, but first we should see what Dad thinks.

So we dished him up a piece. It crumbled into a pile on his plate, not pie shaped at all. But he closed his eyes and took a bite and declared it just the right amount of cinnamon, the apples not too hard, the crust like he remembered, not pretty but good.

We served ourselves and ate up around that old table. We thought of our grandma, wondered if she might have given us a little help and put the recipe back in the box right next to her memory and the new one we made.

And we closed the lid.

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On Music and Motherhood

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Last week I packed up my guitar and my baby and the entire contents of both of our closets and headed out to the eastern part of the state to perform a couple really cool and completely different shows.

It was a memorable week of music for so many reasons. First, I’m still getting used to how fun and chaotic and hard it is to cart around a baby on these jobs that become adventures when you add tasks like changing diapers in parking lots and late night delirious giggle fests because the girl won’t sleep when there’s action.

But taking my mom with (or Granny Nanny, as we so lovingly refer to her) is the key to making any of it work at all. And after we met up with dad mid-week, leaving Husband at home to make sure the cows don’t get into my garden, the four of us navigated a schedule that included rehearsals and concerts and finding our way through the construction zone that becomes North Dakota in the summertime.

And in between those things we spent a beautiful day at the lake cabin with my grandparents, took Edie swimming,

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shopped for what the heck I was going to wear because I hadn’t decided yet and none of the five dresses I packed were going to work, ate pizza, got our hair done, met up with cousins and spent mom’s retirement on clothes for the baby. Seriously I had to physically take things out of her hands and put them back on the shelves because

#1: I don’t have room in Edie’s closet for all of this and more importantly

#2: We didn’t have room in the car.

Nope. After dad met us with the sound system, his guitar and his tiny little duffle bag, it took everything I know about construction and geometry (which is pretty much nothing) to get us all to fit with the doors closed.

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So naturally, at our last stop at the beautiful Dakota Sun Gardens Winery where we sang, mom bought two big baskets. One for my garden, because, you know, my birthday’s coming up, and one for her sister because it was yellow and gold and she works at NDSU.

Only the Veeder clan would have to unload the entire contents of a big SUV (shopping bags, three pairs of boots, a box of diapers, a collection of hand-me-down toys from my cousins, four suitcases, a stroller, two bags of caramel corn and the kitchen sink) on the lawn outside a beautiful venue in order to retrieve the guitars and sound system so we could get the party started.

Yup, we bring the class.

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There was a point right before I went up to sing that evening after helping mom wrestle the wiggling, screaming, overtired baby so that we could deal with her poop explosion (in the front seat of the car parked at the entrance of that beautiful place so that each guest could be greeted by a stench and baby crying just like they planned) that I looked at my friend and said something like, “I’m not sure this is all worth the hassle.”

I was sweating and disheveled and hadn’t even really thought about a set list.

But then, I was looking at one of my best friends who I don’t get to see very often. I was playing music on her home turf and she brought her family, baby boy included, who I adore (and spent a good part of my two hour gig staring at). And Edie chilled out as soon as she was up and about again, smiling her big smile at everyone. And she got to hang with her other gramma and aunt who made the trip all the way to the middle of the state to be with her, experience a unique place and listen to the music.

And I got to sing next to my dad and drink wine and tell stories to a captive crowd who were just so lovely.

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And the night before I stood on a big, beautiful stage while a song I wrote on the back of a horse came to life as a symphony of strings and horns and everything in between swept in behind me as I sang to a packed crowd in my boots and new dress under a setting sun.

It was an experience of a lifetime to have that many musicians, so much talent sitting in each of those chairs, take my notes and make them soar like that.

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In my wildest songwriter dreams, the ones I’ve been concocting out on in the hills singing at the top of my lungs since I was a little girl, I couldn’t have imagined it the way it was that night.

(Listen here…thanks dad for the recording…)

And I know it sounds like it’s all about me and the music, and maybe that week it was.

But I remember having a conversation with my husband about whether or not, after this baby was born, I would be able to continue working like this. Living out here in the middle of nowhere not many of my singing or speaking jobs are close to home.

But he told me he would help in whatever way he could. He said he couldn’t see any reason why not. And my family has taken the same plan of support and I couldn’t be more grateful. Because I think they see the value in it, not because it’s something that I want to do (and certainly not because it’s going to make me rich and famous) but in my history of performing I can say it’s made us some really funny and special memories, ones that we wouldn’t have otherwise.

And last week it proved to be true once again, sending us to see my grandparents one more time that summer, knowing they were in that big crowd listening, giving my cousin and her kids the chance to spend an entire evening with baby Edie, allowing my parents quality time with their granddaughter and sending me to meet and perform with some of the most talented musicians in the region.

 (With Blind Joe, a North Dakota singer and recent contestant on NBC’s The Voice, who also performed with the Symphony that night)

And the music gave my friend and I a chance to see each other again, my mother-in-law an excuse to take a road trip to see her sister and my aunt-in-law and excuse to do a girl’s night with friends.

And last week it reminded me that it never goes perfectly smooth when you have a kid in tow, but it is so worth it to hang on to the part of yourself that drives you.

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Even though it’s hard, as parents, I think remembering to feed our passions makes us a better family at the end of the day.

Even if the day doesn’t end until you roll into the driveway at 2 am on a Friday night in a car packed to the brim.

Yup, we’re still having fun so we’re off to do it again this week…

 

When the mist lifts off the doubt of motherhood

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Coming Home: Mist lifts off the doubt new mom feels
by Jessie Veeder
Forum Communications
http://www.inforum.com

It’s morning. The mist has settled in the valleys of this countryside like a heavy, cool blanket that promises to dissolve in the sun. Dad just sent me a photo from the hayfield, a canvas of pink, gold and green poking up from the fog as he bales up the grass and alfalfa nice and tight for the winter.

I didn’t know that about motherhood. I didn’t realize how fragmented and scattered a day can become, a little paradoxical considering 100 percent of that day is dedicated to keeping a tiny person content and alive.

The other 90 percent is spent bending over to pick stuff up.

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Which leaves no time left for math and just a few slivers here and there to get work done. Or wash a dish. Or take care of the gray roots coming from my 3-month-old dye job.

And this is where I am now. Looking for the balance in being a work-from-home mom, quickly realizing that the word “balance” should not have been invented, because it does not exist, not in the way we all dream it anyway.

Last week I had a performance in a small town in the middle of the week. My husband has been arriving home from his full-time job in the evening to help Dad get the hay crop put up between rain storms and broken down equipment, so I loaded up the baby, my niece and my guitar in the big pickup, leaving his evening free for work, because turns out dads are searching for that balance-myth, too.

I stood up there behind that microphone and in front of a small crowd that gathered for hamburgers and music on a Wednesday night, telling stories and singing songs while my niece tried to shush our baby who was babbling and screeching happily in her arms. I looked over at her while I sang words written long before she was born and was suddenly overwhelmed by the realization that this is my life now.

And then, in between songs, I found myself explaining the fear I had about it all.

Because, if you remember, I had a lot of time—time to convince myself I was ready, and time, when it didn’t work out, to talk myself out of the whole motherhood thing entirely.

Because I was worried about that balance thing. I was worried I couldn’t be me and be a mom, too. I was worried I wouldn’t have the energy for music or writing or bigger aspirations should I feel so motivated.

And in a way I was right. I am not who I was before this child became mine. Because before her I didn’t know what it meant to be frazzled and content at the same time.

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Like in the two hours I’ve been working on this piece I’ve changed her diaper, gotten her dressed, fed her milk, snuggled her, kissed her, watched her play, fed her avocados, snuggled her again, changed her again and put her down to play while working sentence by sentence and wishing I would have woken up at 5 a.m. like I planned last night.

I likely won’t finish this until she goes down for her mid-morning nap.

Before the baby, leaving something undone would have driven me crazy. These days most things are left to be finished later. I didn’t know I could be fine with that.

And there are about a million more examples like that, most of them involving the common denominator named time. Because I’m no longer carefree with it, not in the way that I was before Edie.

To be away from her better be worth it.

Sometimes it is.

And sometimes the best part is taking her along, looking out into the crowd and seeing her there, fitting snug and happy in the life that I built, arms outstretched, head turned up and laughing, the mist lifting off the doubt, revealing more colors than I could have dreamed.

 

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For the love of music

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In an old small theater in a small western North Dakota town, a retired professional bull rider stood up on the stage behind his guitar, next to his band, and strummed the first few notes that kicked off the culmination of an idea that had been in the works for months.

The lights were flashing, the sound was big, and the recently reupholstered seats were filled with a crowd of people who made plans to attend a party in the name of turning a Saturday night into something bigger.

And that something bigger was to save that old theater standing among a collection of brick buildings on Main Street in Belfield, a town of 1,000 off the off the interstate west of Dickinson.

It’s a big project. Everything needed a facelift, a tinkering, a fresh coat of paint. Work was being done up to the moment guests started arriving, buying drinks, filling up small paper plates with food and finding their seats.

I was there that night to perform and to watch some of the guys from the band I play with debut their new project, a tribute band honoring the late Chris Ledoux, a bull rider musician made famous by a line in a Garth Brooks song.

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And that’s where this story started, with a song that kicked off a show where that singing cowboy left his guitar and microphone to step off the stage and ride a bucking machine under the spotlight in front of a crowd of a couple hundred of his community members and peers while I held my breath hoping that the man could pull it off.

The music kept playing, the crowd cheered, the bucking machine stopped and he jumped back on the stage. The show went on.

He pulled it off.

I let out a sigh of relief and a big cheer, then sat back and looked around, wondering what possesses us to do such things.

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I mean, it would have been easier to skip the bull-riding section of the performance all together and eliminate the risk of embarrassment or injury. If it were me, I probably would have. The show would have been good without that surprise element. But with it, well, it was pretty awesome.

And the musicians in that band also work full-time jobs, some have families, and they dedicated months to prepare for this night, to prepare for a crowd that wasn’t necessarily guaranteed to show up.

The woman who made a dedication to save the theater and the handful of volunteers who scrubbed and scraped the walls, re-upholstered those seats, sent out press releases and made the food for the night probably had other ways to spend their time.

And the crowd who showed up probably had work to do, fields to till, cattle to brand, yards to clean, windows to wash.

But it was Saturday night …

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For the past year I’ve been working with a group of volunteers in my town to put together a council on the arts in our remote area. To raise money for the new organization, we decided to organize a big fundraiser featuring western North Dakota artists and performers. It’s been a labor of love and, with a baby at home, not the most convenient time to take on such a big commitment.

I spend a lot of my time crossing my fingers, hoping that people will show up, that we will get a crowd and that celebrating our artists and performers is something this community might want to invest in, something that they might find valuable.

It could be a total flop, yet we’re still gambling our time and energy on the belief that committing our time and talent to this will help make our community better.

I think of those men last weekend and, you know, it could have been Chris Ledoux or Garth Brooks himself up there, but I doubt it would have had the same effect on me.

Because Garth Brooks has owned stages all over the world, but that night in that small town in western North Dakota, the theater, the stage, the music and that crazy cowboy riding that bucking machine in the spotlight, all of it was all ours.

Jessie Gene MikeP1010595

If you’re in the Watford City area, please join us for the
Long X Arts Council’s Badlands Arts Showcase and Fundraising Gala
Thursday, May 26th
at the new Performing Arts Center in the Watford City High School.

Doors open to the Art Show at 5:30
Performance starts at 7
More information at http://www.longxarts.com 

Arts Showcase Poster

Sunday Column: The Red Guitar

A couple weeks ago at a show, I met a man who suggested that I write a few columns about my guitars. He is in a band himself and had seen me play a few times, and had taken notice of my different guitars, and being a musician he knew there was likely a story behind them.

So this week I took him up on that suggestion (it was a good suggestion) and wrote about one of the most important guitars in my life.

Coming Home: From first memory to now, guitars hold an elusive sway
by Jessie Veeder
4-10-16
Forum Communications

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I love guitars. I love the way they look sitting in the corner of a house. I love how they feel in my hands; the new ones shiny with promise of the music that is to come, the old ones worn from years of picking.

Because you know how everyone has a first memory? That moment you look back on where you were the youngest version of yourself you knew. Maybe it’s only a few moments in time, but it was so powerful that you hang onto it hard and forever, whether you want to or not.

That memory is a guitar to me, dancing in the basement of our old house while my dad played his red Guild and sang a song I don’t remember. But I do remember the brown shag carpet and how he wore his hair a little too long and how his wide, leathery fingers eclipsed the strings at the neck as he swayed back and forth and tapped his foot, just a little bit off of the rhythm of the song he was singing and picking — the same way he does today. And I remember wanting him to let me pluck the strings on my own, so I could make the music come from that mysterious instrument.

That red guitar.

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The guitar still remains a mystery to me, how six strings touched the right way can produce sounds that make you laugh and cry and tap your toes or sing words you didn’t even know you had in you.

It’s amazing that the sounds coming out of a body made of wood can be so different depending on who’s touching it. I’m in awe that a guitar can transform a campfire, a living room or a makeshift stage into a world where love is lost and found, real cowboys still exist, summer always stays.

Yes, the guitar remains elusive to me even though every person in my family, as a sort of right of passage, owns their own version of the instrument, tucked away in basements or propped up next to the piano or the living room couch. It’s a necessity. Whether or not you ever learn to play it, you need it there next to you in case you or a guest are ever so inclined.

I’ve had in my possession a number of guitars in my life, all given to me by my dad based on his judgment on what would be the best fit for me. From the old Taylor I play today to the green Takamine I got when I convinced my parents that the guitar was more my instrument than the saxophone I played in band class, so we traded it in, as my dad does with guitars and horses.

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I found out later that’s what happened with the red Guild. I showed interest in taking up an instrument for band class in fourth grade and so dad traded it for a saxophone.

Oh, if guitars could talk! I suppose I could say that for instruments of all kind, but I’m partial to the guitar. I think they’d have the best stories.

That red Guild found its way back to the ranch eventually, another of dad’s trades of an amp or a banjo, so that he could pass that guitar along to my little sister when she went to college. I liked to imagine her sitting behind it, so far away from the buttes of the ranch, closing her eyes, plucking the strings and hearing the sounds of home.

That Guild sits in its case propped up in the corner of the house she now shares with her husband, holding in it stories about her dad playing in bar bands and coffeehouses before she was born and memories of three little girls twirling, laughing and singing along in the basement of a little old house.

Yes, all of the guitars I’ve possessed have given me something — confidence, my first song, a stronger voice. But it’s the one I never owned, the one that gave me my first chord and let loose the music inside of me, that has been my greatest gift.

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Sunday Column: How the music sounds up here

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Photo by Out Here Visuals

I have been in love with folk music my entire life, ever since first hearing my dad sing a Harry Chapin song, or listening to John Prine on his record player, I have been fascinated by the people in these songs, fascinated by how the music paints a picture and how you can fall in love with the characters, and how they can break your heart.

Folk and Americana music is the reason I write. It’s the reason I continue to make music and perform it in whatever way I find the opportunity. It’s the reason I’m still doing what I’m doing. Because I’m in love with the stories.

A few weeks ago I was honored with the Favorite North Dakota Folk Artist Award at the 2nd Annual North Dakota Music awards. I picked out a couple dresses (one for me and one for Edie), packed up my little family and met the band in the big town to celebrate at the awards ceremony with a theater full of North Dakota talent.

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It was a huge honor to be granted this awards by the fans who have followed me as a singer and writer since I was just a little girl singing an Emmylou Harris song dressed in a western shirt buttoned up to the very top.

I’ve been singing for a long time and have had the privilege of being backed by and working with some of the best and most supportive musicians in this little landlocked state. I could have moved to L.A.. I probably should have moved to Nashville. But I wanted to stay landlocked in the place that I love, singing about the place that I love.

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That night surrounded by the music of North Dakota and the people that support it I was reminded why it’s great, and why I’m so glad I chose to make music in this little state.

Thank you to everyone who listens, shares, votes and sits in the audience. Thanks to the bands for learning all those damn Jessie Veeder folk songs so willingly and wonderfully.

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Thanks  URL Radio for working hard to put this together!

Coming Home: Celebrating all the music makers under our big North Dakota sky
by Jessie Veeder
2-22-16
Forum Communications
http://www.inforum.com

It’s a great time to be a musician in North Dakota.

This thought crossed my mind as I sat in the back of the Belle Mehus Auditorium in Bismarck last weekend, dressed up to celebrate the second annual North Dakota Music Awards.

The awards ceremony is a concept put together last year by the owners of URL Radio, a local online radio station that often dedicates air time to hosting interviews and playing North Dakota music out of their offices in downtown Bismarck.
Their enthusiasm for their work inspired them to put a call out to the fans to nominate and vote for their favorite musical acts, teachers, writers and venues and then celebrate them in a ceremony in the following months.

The concept is in its infancy, but after the first year’s efforts wrapped, it became clear this sort of recognition of the music makers, spread from Ellendale to Williston, was a refreshing and well-received concept, one that fans and musicians alike wanted in on.

“Who do you dance to on a Friday night at your favorite bar after a long week?”

“Who helped your child to fall in love with playing the trumpet in school?”

“What locally written songs move you?”

When these questions are finally posed, the importance of the answers ring a little clearer and suddenly we realize we want to spread the word about those talented kids who play bluegrass gospel music in church every Sunday.

Because while North Dakota isn’t known for its proximity to big stages and big connections, it’s always amazing to me to find myself surrounded by such big talent, big ambition and big passion for the craft.

And inside that beautiful theater last weekend, an equally beautiful crowd gathered to celebrate folk, rock, rap, classical and bluegrass, piano players, teachers and marching bands, each of us likely to be categorized by our shoes or our hair style.

Yes, it turns out North Dakota musicians are an eclectic group, and I’ll tell you it’s been a nice discovery for me to hear the different ways this harsh and beautiful place sounds to other music makers.

And it makes sense that a place like this would cultivate such diverse and inspired sounds. There’s likely no place in this country that needs or appreciates music more than us Northerners looking to endure our long, cold winters or celebrate under the big summer sky.

It’s been the case through the generations and I can’t help but think about the sounds these prairies have heard — the sharp echo of a fiddle against the wooden walls of a barn, the sound of the drums thumping like a heartbeat to the step of moccasins, the big voice of a girl practicing her school solo outside, the neighbor kid’s garage band, your cousin singing James Taylor songs around the campfire, the Nashville band at the county fair.

This big sky has room to hear it all and endless ways to inspire a song. The music makers have always known this to be true. But as I watched a woman who has played bluegrass music for years accept an award on behalf of her band that participates in a festival along the shores of the Missouri River in the summer, I couldn’t help but appreciate all of the new ways this community is creating to hear and celebrate their artists.

In a time where access to popular music is available at the click of a button, it seems, little by little, North Dakotans are putting stages and sound systems in breweries and restaurants and hiring local bands instead of relying on jukeboxes. They’re envisioning local music festivals, hosting open mic nights and sharing YouTube videos of the neighbor kid playing Mozart on his keyboard.

Last week, my community cut the ribbon on a new multimillion-dollar high school. Part of the blueprint includes a state-of-the-art performing arts theater to be used by the students and the community.

That’s a huge vote of confidence for the students and rural arts, and it’s so refreshing to me.

Because you might not be a poet, a rapper or a singer of country songs, but you’re inspiring the music we make. You’re helping us tell your story.

And I thank you for celebrating and encouraging the sound.

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Photo by Out Here Visuals

“Work (Girl)” Official Music Video Release

The first video off of my Nashville Album “Northern Lights” is one of my favorite songs on the album.

Northern Lights Album Cover

It’s an anthem to working women, written while I was shoveling scoria in the driveway, determined to get a job done while thinking, with the rhythm of the shovel, about the women who raised me and what life must have been like out here at a time without running water, Amazon.com or a deep freeze.

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A woman’s work, across all parts of the country, is a complicated balance of finding the best way to provide time and resources to her family, flexing her muscles in all corners of her world, whether in the office, the kitchen, the boardroom, on the back of a horse or behind a book during her children’s bedtime.

Work

There are plenty of songs written for the working man, the backbone of America, but I felt women needed an anthem. Because their backs are in the game too. So I made one.

During my live shows I invite the little girls to come up on stage to dance and show me their muscles. Their enthusiasm and eagerness to show their spirit inspires me.

I hope this song and video inspires you too.

A special thanks to all the real working Western North Dakota women featured in the video. And to the Pioneer Museum of McKenzie County for providing access to the old photos that represent our working women heritage.

 “Work” is available on
iTunes
CD Baby
Amazon.com 
www.jessieveedermusic.com

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