The songs that we know

The Songs that We Know
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There are songs that we know, tucked away in the back of our memories that come to in the form of a hum or a whistle while we’re doing dishes or laundry, pulling weeds or fixing on the tractor.

Maybe it was a song we learned in elementary music class, standing next to your best friend on the risers, singing at the top of our lungs without a care, the way only a 7-year-old can.

Or it might be our favorite church hymn, or the one you first learned to play on the guitar or the piano, or the verse your mother used to sing quietly while she helped you wash your hair in the bath.

These songs become a part of our DNA, just like the color of your eyes or the swirl of cowlicked hair on the back of your head, you seem to have always known the words to the first verse of “You Are My Sunshine” or “Will the Circle Be Unbroken?” or that song that your dad used to sing loud and silly in the kitchen while he spun you around next to the refrigerator… “Be-bop-a-lula, she’s my baby… Be-bop-a-lula, I don’t mean maybe…”

You hear that now and you’re instantly 10 years old again in stocking feet on the linoleum floor…

I became a singer because my dad was a singer. People ask me why or how it came to be that I carried music with me my entire life, and that’s the answer. I always felt compelled to sing along.

As far back as the memories I can reach, my dad had a guitar or a song, picking or strumming or singing along, a comfort to him that became a comfort to me. A Harry Chapin song about an immigrant grandfather, a Guy Clark tune that sounded like a hot summer day, Lyle Lovett’s “Waltzing Fool,” Emmylou’s heartbreak and the stories and characters I fell in love with in three-minute vignettes made me want to do it too, to make music like that, and to keep them close, like old friends.

Now that I have young children of my own spinning and leaping in the living room while I play my guitar, I wonder which songs might stick in their lungs and emerge while they’re packing their bags or curling their hair. It’s been 30 years since I first stood next to my dad behind a microphone, probably at an Art in the Park in my hometown, singing Nanci Griffith’s “Love at the Five and Dime.” I didn’t know then that I would recount Rita and Eddy’s love story for years to come, around campfires, on flatbed trailers, at county fairs and coffee shops and colleges throughout the country — I would take them with me. A little piece of my childhood.

And while music can be timeless, our lives are not. Last fall as I was staring down my 36th year, with little wisps of gray in my hair, I suddenly felt a real urgency to somehow capture the music I grew up playing. I wanted to always be able to turn a dial and hear my dad’s voice on John Prine’s “Paradise,” to bottle up neighbor Kelly’s yodel on Night Rider’s “Lament” and capture Mike’s doboro, steele and guitar-picking the way he’s played for me on my favorite songs since I was a kid trying to be a singer.

And so a new album was born. I called it “Playing Favorites,” because that’s what we would be doing — playing our favorites, and maybe some of yours, too.

Little did I know that during the process of making the album that I would find myself struggling to breathe, finishing up the recording process while beginning an unpredictable cancer battle.

Little did I know how important this collection of songs would become to me.

And so while I’m happy to announce that, nearly a year since I knew something just wasn’t right, I am cancer-free, I’m also excited that the news coincided with the release of this album, our gift to you, available online at jessieveedermusic.com, some select local stores and anywhere you download music.

We hope you find a few familiar tunes to hum along to.

New Album Out!

You’ve heard rumblings here and there in the midst of the crazy that has become 2020, but I want to officially announce it here. The new album, Playing Favorites, is officially OUT!

I’ve been working on this compilation that features some of the songs that influenced me and songs I grew up singing, for almost a year. It felt timely and urgent to me for some reason to put these songs down, with my dad and neighbor Kelly and guitar player Mike who has played with me since I was a teenager and with other musicians who have been there for me along the way. Little did I know I was recording the album with a cancerous tumor in my airway that was working to threaten my life.

Little did I know I would wrap it up in the middle of the COVID lockdown.

Little did I know about the detour my life would take.

But now its release it feels so much sweeter. Because we’re in the middle of a time when we all want to be reminded of something familiar and comforting, and these songs are just that for me, and hopefully to you too. I am so happy to be able to send them out into the world.

Purchase your signed copy today

or Download it or listen wherever you listen or buy music. 
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Playing Favorites Album Art

This album is dedicated to my dad and his red guitar. It’s for the characters in the songs we sing and for the characters we’ve played for on flatbed trailers at county fairs, in Legion Clubs and churches, at backyard barbecues, barn dances and potluck picnics in small towns across the mid-west. When we pick up our guitars at a campfire or in the living rooms of family and friends after a good meal with good company, these are the first songs we reach for because they are familiar, safe and forgiving of our imperfections, just like old friends. On this album you will hear the voices and instruments of my dad and I, of course, but also of our friends who have so often, when we needed them most, pulled up a chair to play along. This album is for them. And it’s for my daughters, my nieces and my nephews, for my cousins and their kids and you and yours, so that you might find a familiar tune and a place to sing along.
With much love,
Jessie ❤️

New Album Sneak Peek

Playing Favorites Album Art
Since October I’ve been working on an album that pays tribute to the folk music I grew up playing with my dad, neighbors and friends. It’s an eclectic mix of cowboy music, hymns, folk music, beautiful songwriters and it sound so much like us.

I wanted to record it locally so that we could bring in the musicians I’ve been playing with for years and so that we could capture what you might hear around a campfire, in the living room, on a flatbed trailer at a county fair or in the corner at the American Legion Club.

My plans were to be on the road with this album in May, but COVID and my tumor sidelined that plan, and so we’ve taken a little more time with it. (Also, can you believe I recorded an entire album with a giant tumor in my airway? Jeesh) Watch for its release mid-Summer and take a moment to check out this sneak peek, behind the scenes of making “Playing Favorites.”

Thank you for the love and thank you Makoche Studios for doing such a beautiful job telling the story.

To gather, and all the things that phrase means to a ranch woman

Cows by the dam

To gather, and all the things that phrase means to a ranch woman

To gather. As a ranch woman, this phrase conjures up images of roundup season, sitting on top of my horse and moving our cattle together from all corners of our pastures.

It’s the throaty hum of the animals’ voices as they call to their calves or to one another or out into the world, seemingly saying, “I’m here, I’m coming. All right already.”

It’s the creak of the old cows’ bones as we let them slowly navigate themselves toward a well-worn path they know toward home. And it’s the “heya” and the “c’mon” we let out of our lungs as we follow the small sea of black backs, the quiet counting and calculations in our heads, our warm breath cooling down in the autumn air.

It’s the swing of our leg off the saddle and the swing of the gate when they’re all in and accounted for so we can take a deep breath, put our hands on our hips and say, “Well, all right then…” and move on to the sorting.

I recently participated in a different kind of gathering down in Elko, Nev. A gathering of cowboy poets, musicians, artists and fans from across the world in an event dedicated to the stories we tell about a way of life that I would say is more rough than it is romantic, except it’s the rough parts that make it so.

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The National Cowboy Poetry Gathering. That’s what they call it. And I like that they call it that, because that’s what it is.

It’s a gathering of people, ideas, stories, music, art and conversation in a small town in the dessert in the middle of winter when the cowboys and ranchers that create have time to take leave from the Plains or the mountains to connect with other artists and an audience eager to hear from them so that they might be a part of that life, too, if only for a few days under a felt hat.

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Mike, Dad and I with Cowboy poet Jake Riley

That is, if they have someone at home to feed the cattle and the kids. Which is where my husband falls in the story. Because everyone wants to be a cowboy until it’s actually time to do cowboy stuff, and so he got the less-glamorous gig of wiping toddler noses and rolling out hay bales while I was shaking hands and singing under the lights.

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And I couldn’t help but look out into the audience of hundreds of anonymous silhouettes sitting still and quiet and ready to nod along and feel overwhelmingly grateful that somebody thought the world needed an event like this. Because in the 20-some years that I’ve been writing music and performing, I’ve never found a better muse than the rural community, rugged landscape and ranch life in which I was raised.

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An American Forrest , Ramblin’ Jack Elliot and Corb Lund on stage in Elko

But in the miles I’ve traveled up and down the Midwest, I have questioned if it ever really resonates, if there is anyone else out there who thought the world needed a song with a rhythm based on hoof beats. I’ve spent a career slowly finding those people who do, and then, three airplanes later, I found myself in a land where they’ve all congregated for us, caffeinated, fed, inspired and ready to listen.

To gather.

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Shared the stage with Brigid & Johnny Reedy

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This talented little ranch girl Marinna Mori

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With film maker Clare McKay and songwriter Anna Rose Pozzi

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Ran into Cowboy Poet, songster and podcaster Andy Hedges

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With the legendary Ramblin’ Jack Elliot

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And then randomly, one of my favorites, Colter Wall was in the greenroom

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Dad

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The morning gathering of entertainers at the Western Folklife Center

I kept saying it to myself as I looked out in this community the Western Folklife Center created in Elko for people like me and people nothing like me at all.

What happens when we gather? Those differences become less important than the way a song about loss reminds us both of similar struggle.

Or the way we collectively clapped and laughed, the whole auditorium full of us, as he yodeled and kicked up his leg.

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Backstage listening to the Munsick Boys

Or the silence none of us discussed but honored as an 85-year-old legend, with a voice worn from years of songs and stories, closed his eyes and worked through another one on a stage that afternoon.

And so I couldn’t help but feel a bit like our cattle that week down in Elko, surrounded by a sea of hats and smiles, reaching out to touch one another as we drew closer to say, “I’m here! I’m coming. All right already,” taking a familiar path toward a place that feels like home.

And I’m back at the ranch now, hands on hips, ready for the sorting…

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The best laid plans…

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Greetings from a hotel room in Elko, Nevada where I landed on Monday night to be a part of the National Cowboy Poetry Gathering, but have spent the first few days in Urgent Care and fighting off a terrible flu. Luckily I haven’t missed any performances and the medication is kicking in so I’m ready for a whirlwind three days of performances, but it’s just another reminder that there are things we simply can’t control, no matter how long I’ve been planning for them.

Our health is one of them for sure. And then, of course, there’s the weather. It’s always the weather. T

A few weeks ago that variable threw another wrench in my plans as I found myself holed up in Fargo during an epic blizzard.  So that’s what’s this week’s column is about. That and how my darling husband is keeping it all together while I’m out telling my stories and trying to stay healthy. Thank God for him.

Now if you’ll excuse me, I’ve gotta go blow my nose and write the next one!

Meanwhile, back at the ranch…
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I spent last week across the state in the middle of a 72-hour Fargo snow day.

I arrived in front of a winter storm so epic that they gave it a name, you know, like they do hurricanes. And I suppose it deserved a name since Mother Nature added a 50 mph wind on top of 50 feet of snow and we all woke up to a regular Elsa-style eternal winter.

And so there I was, stranded inside a hotel room among the buildings of downtown Fargo, all the work I was supposed to be doing canceled, which freed me up for things like sleeping in, watching movies and eating brunch for like three hours before heading into lunch, and then supper and then cocktails and so on and so forth until it was time to sleep again.

It was just terrible. I was unnerved. Probably because I was super rested and hadn’t had this much free time since high school… I was half-tempted to start work on another degree…

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Meanwhile, back at the ranch…

My husband answered my phone call to report that things were going just fine. Cows were fed, dogs were fed, horses were fed, cats were fed, kids were fed…

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“Yeah, I’m getting so much done at home with them,” he said. At least I think that’s what he said. I could barely hear him over Edie singing the entire soundtrack to “Frozen II” at the top of her lungs in the background.

“No you’re not,” I replied, because I know the truth.

“Of course I’m not,” my darling husband declared. “All I do is make food and clean it up and make food and clean it up and make food and clean it up…”

So, yeah, everything was fed. Which isn’t an easy task, I know, especially when it means bundling up a squirmy 2-year-old who barely ever wears pants and coaxing a glamorous 4-going-on-16-year-old out of her ball gown and into snow gear in order to load them up in the old pickup and feed the cows a few bales.

The whole getting ready process alone takes a lunch break to accomplish, and that’s if one of them manages to actually stay in her snowsuit long enough to convince the other to find some socks.

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“What do you mean Rosie bit Edie in the forehead?” I asked him, clutching my chest, mildly alarmed between sips of cabernet. Turns out there was a fight in the feed pickup over the silk costume gloves my husband let Edie wear outside, because girlfriend’s gotta look glam. And that, apparently annoyed her little sister…

I wondered if this was foreshadowing. And then I wondered if there were bite marks. But I didn’t ask.

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Instead, I adjusted my pillows on the hotel bed, grabbed a handful of snack mix and said something like, “Oh, I’m so sorry. I wish this weather would cooperate.” (Takes a sip of wine.) “But it looks like the interstate’s closed from here to Bismarck.” (Opens new bag of Cheetos.) “It could be a while until I get on the road…” (flips through the channels on the hotel television).

And then I put him on speakerphone so I could really get comfortable while I tried my nicest Midwestern wife tactics to wrap up the phone conversation so I could catch up on episodes of “Beat Bobby Flay.”

“Well, I suppose,” I said.

“Where did you go for supper?” he asked.

“I should let you go. Sounds like you have your hands full,” I tried.

“Have you forgotten the normal volume of our lives?” he asked.

“Did I hear something crash? You should get that,” I suggested.

“Is it still blowing bad?” he asked.

And we went on like this for a while until someone or something in the house peed on the floor.

And eventually the road cleared as it always does and I pointed my car back west through the snowbanks, feeling at least five years younger and a million times grateful that I married a man who can handle all the crumbs and baling twine and bite marks so I can focus on things like work and surviving blizzards that have names I can’t remember.

If you need me, I’m home now, likely feeding or wiping something…

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Actually, no, if you need me I’ll be in Elko while my husband is feeding something or wiping something. I owe him, I know. He knows it too.

See ya out there!

A New Song

A New Song

“If being closer to the ground, makes for softer falls, you have to be tough to stand tall.”

I was 17 years old, getting ready to move away from the ranch and out into the world when I wrote that line, feeling the pull of growing up looming over me like the nurse who calls your name and is now waiting in the doorway for you to follow her back for the diagnosis.

I knew that impending adulthood should more thrill than loom, and so there I was, behind my guitar, trying to convince myself…

“I don’t believe in fairy tales or staying young forever…”

My voice sounded higher, lighter, but surprisingly not timid and unsure like I know I felt in that studio in frigid Fargo where I recorded that song over Christmas break during college, when it seemed every other student was back home with the familiar. Almost 20 years ago.

I chose to stay away to create a piece of work that would mark the very frozen, determined and often lonesome four years I spent away at college, with long stretches of time spent traveling the Plains, singing for my supper. Wondering what to be when I grew up.

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My 2005 Release

It was avoidance in the form of work. It was the same thing I did the summer after my freshman year, knowing that if I went back to the ranch, I might never leave. So I stayed to be a grown-up.

And then I blinked and I’m grown up. And the grown-up version of me listened to those words tonight, staring into the path my headlights cut on Interstate 94 headed east to where the snow is piled high up past my knees.

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I just purchased $50 worth of face cream on an impulse to try to keep the evidence from 36 years of laughing, worrying, rolling my eyes and sleeping face-down with the pillow smashed over my head from truly showing and I was trying to keep my mind off of a rolling argument my husband and I have been having for a couple months now.

When I called him to check in, the puppy had just pooped on the carpet, and one of our young daughters had stepped in it. This was no time to try to work through it again.

I let him go and decided to seek refuge in a voice that used to be so familiar to me. I rarely listen to my music after it’s produced and out in the world, unless I have to relearn something. Which always baffles people — that I would have to relearn a piece of music I wrote myself, as if once it’s down, it’s etched in my memory.

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But it’s all so much more complicated than that, isn’t it?

Because we move on. We change, and along the way we pick our favorite stories to carry with us. My songs have been like that for me.

Jessie Veeder Music

I suppose sometimes relationships are like that, too. That’s why marriage can be so beautifully maddening. Because it’s a song you’re continually writing with someone who, sometimes, may be singing in a completely different key.

When I wrote those words at 17, I loved the boy who would become the man who, as I type, has likely fallen asleep in one of our kids’ beds, fully dressed, neckerchief and all, taking care of the things we love while I’m hundreds of miles away telling stories.

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Was this the fairy tale I wouldn’t let myself believe in? How could I have ever known what it would truly take to make the happily ever after that I muse and ponder and write about these days?

At least I knew then that I couldn’t know, and that’s the beauty of it all for me.

The new song? It has uncertainties, but they are changed now.

And it has more patience and apologies, good humor and messes and arguments in the kitchen.

Oh, and two daughters with the world before them, perfectly oblivious and twirling across the unswept floor.

And it sounds less like a child and more like a woman in a three-day ponytail standing next to a man in a wool cap who together believe fiercely in that fairy tale, not the one that sparkles and shines, but the one that holds on tight…

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Watch for the release of my new album, “Playin’ Favorites” that celebrates the songs that influenced me in the spring. 

And check out my music website,jessieveedermusic.com for a list of places I’ll be playing near you! 

On the road: Now and then

A Cafe Somewhere in Montana...

Greetings from a hotel room 100 miles away from the ranch where I just consumed an entire take-out chimichanga dressed in my jammies while sitting on the bed watching some Learning Channel special about weird ways to die.

And then I washed it all down with six or seven pieces of Halloween candy I bought during my solo trip to Target where I was only going to buy deodorant, but somehow, because I had time to kill, wound up with Christmas dresses for my girls and my nieces, a new makeup regime, three bottles of vitamins, envelopes, a new bathroom color scheme, a 37-pound bag of candy, a witch hat, princess underwear, three packages of toddler-sized white socks and a partridge in a pear tree.

This is life on the road, people. Or at least the evening portion of the program.

I know it well. I spend plenty of time here and have since deciding to try my hand at this professional musician gig a million years ago when I was younger and drove a Chevy Lumina with a 10-disk CD changer sound system installed in my trunk and all I needed to get from a Fargo gig one night to a Chicago gig the next morning was a bag of sunflower seeds, an energy drink and my favorite albums on repeat.

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Turns out what I also needed was some change for the toll booths and probably a plan for where I was going to stay the next night, but that was back before you could book a room and find a husband on your smartphone, so yeah, I did a lot more improvising.

It was back in the olden days when you had to use actual maps. And so my Lumina was filled with one of each from North Dakota to Texas and off I would go to make my way through the middle of America to perform, just a girl and a guitar trying to laugh off the requests to play Free Bird during lunch at a tech college.

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Or calm my nerves when I dropped my entire makeup bag under an automatic sink in the public bathroom after getting lost in Minneapolis and running late for my gig opening for a national act.

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And then there was the time I completely chipped the front part of my tooth off on a granola bar on a highway somewhere in Missouri with no hope for a dentist appointment before they were set to put a camera up close to my imperfections at a campus television station.

Yes, in between those gigs where I could be playing to 3 people or 300, I had nothing but the radio and the miles between the familiar and the mystery of the towns that passed by my window. Traveling and touring that extensively solo before I even hit age 21 was a weird mix of vulnerable, free, lonesome, nervous, proud and utter exhaustion. Some days it was hopeful, when the audience was captive and the stories came easy and some days were more “opening the door to my room at the Red Roof Inn and finding strangers sitting on my bed.”

And all these years later, so many things have changed, like the maps and vehicles, but the road hasn’t.

It’s still hoping for an open gas station at midnight when I’m finally heading toward home and I’m starving. It’s still floorboards full of wrappers and water bottles and dealing with the quirks of a car that inevitably acts up, locking me out of the trunk for no apparent reason. It’s movies and suppers alone to kill the time. It’s changing clothes in the car or a public restroom, and putting makeup on in the visor mirror. It’s meeting new people and inevitably forgetting a microphone stand along the way. It’s calling home at night and recapping the day, only now the voices on the other line are noisier and smaller and sweeter and there’s more to miss.

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But I love it out here when I go. I love to see the Main Streets and visit your Cenex stations and your cafes and hear your stories at the end of the night before my tires hit the road again for home or send me out in search of a glamorous hotel bed chimichanga picnic.

Rear View Road

 

Come rain or shine or rain or wind or heat or hail…

Rain on Leaves

Summer fun, rain or shine
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I’m telling you when it comes to getting the most out of summer, rain or shine, North Dakotans don’t mess around.

As a musician who has been singing at these outdoor events most of my life, I’ve sang “Home on the Range” when the skies were most definitely cloudy all day. And blazing down temperatures of 105 degrees, burning my skin and making a nice sweat puddle down my back and behind my guitar.

Or, like last week, pouring down monsoon-style sideways rain for hours on the Wells County Fairgrounds while the audience sat under a canvas tent in puddles upon puddles of muddy water with the strings of their hoods tied around their chins, nothing but blankets, raincoats and trash bags shielding their soggy bodies as they tapped their toes and swayed along to the music.

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When it rains on a summer day in rural North Dakota, we tend to get a little punchy about cussing it. Most sane people would just go ahead and let 3 inches of relentless, pelting rain ruin their outdoor celebrations, but that type of person likely doesn’t endure 17 months of winter. But we do. And when summer finally does come, it’s a glorious reward for those long winters, and we refuse to waste a moment.

So in North Dakota, we say things like, “Well, we need the rain, it’s been so dry,” and then the show goes on. Or the rodeo. Or the 4-H goat show. Or the parade…

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Even when, in the first 45 minutes of our three-hour trek across the state to stand on that soggy stage, the windshield wiper on the driver’s side of my dad’s pickup flung clean off into the abyss of the monsoon. I guess it was exhausted. And I laughed, maybe a little too hard, because, well, of course that happened.

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But Dad wasn’t laughing. I guess he didn’t think standing in a downpour for 20 minutes trying to make the repair so we could make it to Fessenden on time was very funny. Thank you, New Town Napa guy, for saving us so we were able to get back on that rainy road and arrive at 5 o’clock on the dot, right at showtime, running from the rain to plug in, mic check and do what we came there to do. Rain or shine.

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And I loved it. I loved that that die-hard audience of all ages with their jackets zipped up to the top reinforced all my ideas that we are here to live and love and clap along and say “I think it’s going to let up” in all kinds of weather. Rain or shine.

And so I smiled and closed my eyes and sang my love song to the rain, while outside that tent it was clear that no crops were to be planted that day, but we were going to be together regardless, swaying and singing and laughing and soaking wet…

Because we’re North Dakotans, and when it comes to summer fun, we don’t mess around.

All the things to love

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All the the things to love
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Last night, as we were driving back to the ranch late from a performance in a bigger town, my dad said he wishes he could live a whole other lifetime so he would have time to fit in all of the things he wants to do.

He said it sort of casually to our friend sitting in the passenger’s seat, the man who has played guitar next to me during most of my music career and stood on stages with my dad in their younger lives. I sat in the back seat listening to them talk about the getting old stuff they are facing now — retirement and bad shoulders, travel and finances and grown children.

But I couldn’t shake what my dad said about the other lifetime, because it’s the same thing that has come out of my mouth time and time again, but it was the first time I’d heard it come out of his.

I wish there were another couple hours to linger a bit on the most important, or the sweetest, or the warmest, or the most fun things. To sit on the back of this horse a little longer, or with my arms around my sleeping child, or climb another hill, or make a trip to see my friends, or help or host or work on the ideas that tumble and toss in my head — the ones that need nothing but a little work and the extra time, time that we cannot, no matter how we try, create.

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And it’s funny that he said it then, after we wrapped up a night of music in a beautiful park in the middle of a growing town. That evening I stepped away before we went on the stage to have a look around. I watched daddies strolling babies, grandparents taking walks, a woman playing fetch with her dog, kids screeching down the slide, and I thought, ‘Well, I could live here.’

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And then for a few moments I allowed myself to imagine it. It’s the same way I imagine myself being a part of the families riding their bikes down a charming city sidewalk in a quiet neighborhood in an unfamiliar town. I wonder what it looks like in their houses and then I recognize that there wasn’t ever just one way to be me.

This spot out here on the ranch, where the cattle poop in my driveway and eat my freshly potted plants, might have remained the quiet little pile of abandoned cars and farm machinery if I would have followed through with my idea when I was 22 years old to move to the big city and sing.

What if he never asked me to marry him? What if he bought that motorcycle he talked about and headed farther west while I headed east, uncompromising in the vision I had for myself at that moment as someone who shouldn’t go home again?

There’s nothing there for me. They told me so. Would I have bought a house in a quiet neighborhood in a suburb in the Midwest or traveled to Nashville like they all told me I should do?

Would I have broken his heart and met someone new? Would I have children now with different colored eyes and unfamiliar names and would we ride our bikes and play fetch in a park like this listening to another woman singing about a life I could only imagine?

And in these imaginary scenarios, I like to think that I am happy and content, that whatever choices I made would find me just fine. And if I’m being honest, a part of me wishes that there was some way I could find out what would have become of me in Minneapolis or in Nashville or on a ship on the Mediterranean. What would my new favorite places become?

Because as much as there are things in this world that terrify me, those don’t weigh as heavy as the weight of all the things there are out there to love, if only we had another lifetime.

“Oh, I hate this getting old stuff,” our friend said to my father and then they both got quiet, staring ahead at a dark and familiar road, the headlights lighting up the night.

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This shirt is old and faded…

Some things stand the test of time
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“How old is that shirt you think?” I asked my husband as he came downstairs and scooped up both our babies to sit with him on his easy chair.

“Well, you got it for me when I was fourteen or fifteen, so like 20 years,” he replied before he pointed out each hole and stain the he and the shirt picked up along the way.

Yup. I remembered when I got it for him. The first gift I ever got a boy, a gray t-shirt with a blue ring collar and a couple faded stripes across the front. I had to ask the sales clerk to retrieve it for me from the top rack. And I probably paid fifteen hard-earned dollars for it without knowing that twenty years later that boy would still be wearing that shirt, in a home we built, holding our babies, reminiscing with me about that Mary Chapin Carpenter song I used to listen to about an old shirt like that…

I looked it up on YouTube then and my little family and I broke down in an impromptu living room dance party as the TV streamed through every 90s country song I didn’t remember I remembered.

Which brings me to the fact that I turned 35 last week. And I wouldn’t be feeling so many feels about it except that when I was in Vegas a few weeks back I stepped into one of those hip and trendy (do people still say hip and trendy?) clothing stores and everything they were selling were things I wore when I was in junior high, for like triple the price.

Velvet

That’s me on the far left, in 9th grade, wearing velvet and a racing stripe skirt. Found both at that store. Both back in style, just like my giant eyebrows.

So apparently I’ve become vintage.

So vintage that I found myself saying the words my parents used to say when things like bellbottoms and polyester print shirts came back in style for a hot minute.

“Oh my gawd, I should have saved everything I owned!”

Like all my scrunchies. Because scrunchies are back. Lord help us, scrunchies are back.

scrunchi

Me and scrunchie and dad’s hair….

And then my mom bought my little sister and I tickets to see Reba McEntire and Brooks and Dunn in concert and I sang along to every word at the top of my lungs like I was on the school bus driving down gravel roads heading to my country school.

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So I guess for me, 35 is the age. Overnight I’ve become that woman who wishes there were more Reba McEntires in the world. And Mary Chapin Carpenters and Randy Travises and Bonnie Raitts. It’s the time in my life I catch myself saying, “They just don’t make (insert clothing, appliances, music) like they used to.”

And if my fashion conscious mother and sisters would let me, I would just keep this hairstyle and these boots, and these jeans and call it easy and good like the good old days that seem as warm and worn in as my husband’s 20-year-old t-shirt.

Because in the face of the hectic and unpredictable present, sometimes looking back is easier than looking forward. And then when you do have to face that uncertain future, it’s nice to realize that there are things that stand the test of time, like good true music, and good true love.

Happy Birthday to that boyfriend today. I didn’t get you a new t-shirt, because I like that old one…but get ready for an epic, toddler built cake when you get home.  Love you. Always have.

prom

Always will.

Forever and ever Amen.

Chad and Jessie