Tag Archives: Jessie Veeder

Yellow Roses

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Listen to the podcast where we discuss our connection to heritage and changing times.

In 1915 my great grandpa Eddie staked his claim on this ranch where we’re now living. He got married and headed off to war. When he arrived back in Bear Den Township he proved up his claim, planting some trees, flax and wheat, building a barn and putting up fences.

Cornelia and Eddie’s Children

Over the course of his lifetime he would watch his crops grow, his wife die too young and his children make their own mark on the land he laid claim to. He would meet a couple grandchildren and serve them his famous buns, tell them jokes and scruff their hair before leaving them all behind in death to do what they would with the place he worked so hard to keep. The red barn, his old threshing machine and dozens of other little relics of his existence are scattered sparsely about the place now to remind us that 110 years ago is not long enough to rust the old equipment to dust, but it might as well be forever.

Great Grandpa Eddie standing in the doorway of his homestead shack

I didn’t know my Great Grandpa Eddie, but I think of him often and wonder what parts of his blood flow through mine. I think it might be the holding on part, just like those yellow roses his wife planted in her garden all those years ago before she died suddenly and only 36 years old, leaving her children, her husband and those roses behind to bloom without her. 

One day I want to write his story with the parts I know and then the way I imagined it could have been. But today I thought I’d share his story in the lyrics of the song I wrote about him. I’m honed in that sort of storytelling, so I started there…

Hear it wherever you get your music or head to www.jessieveedermusic.com to order the album. 

Yellow Roses

14 and 80 acres
A couple horses and two hands
Grind the gears and swing the hammer
Turn a boy into a man
His daddy was near blind then
His brother just 13
His mom, she swept the floors though dirt like that just don’t come clean

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

He built corrals and fences
And the family’s homestead up in time
Rode the river in the big draws
With the cowboys for a dime
But there’s something bout the work here
Made him want something of his own
Signed papers on a tar paper shack and called the land his home

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Right there we could have left it
His dreams sprouting from the ground
But if man can make a fortress
Only man can knock it down

But when the war was over
He found himself a bride
Yellow roses in the garden
And their children were her pride
Lost money on the cattle
Lost some on the grains
Lost her when she went to sleep and did not wake again

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Now a man cannot give up there
This man didn’t have the mind
He made biscuits in the morning
Taught all the babes to ride

When the neighbors fell on hard times
He lent a hand or bought them out
And watered yellow roses in the heat of summer droughts

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Now I stand here with my children
One on my hip, one holds my hands
Another generation breathing life into this land
We count pennies and our blessings
And to the memories we cling
And down in the barnyard yellow roses bloom here every spring.

Thank you for listening

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Happy New Year from the ranch. And happy longest month of the year in North Dakota. Or is that February? I can’t remember. Winter up here sometimes is like childbirth, you forget the horrors when you’re in the middle of those beautiful June days.

I sent my daughters off to school for the first time after their break and now I’m alone with my thoughts for the first time in weeks. And so it seems like a good time to announce that my new album “Yellow Roses” is set to release everywhere on January 11th. I think it’s a proper way to ring in a new year, with new music.

The truth is, I didn’t think I had another album of original music in me. I’ve been at this since I was sixteen years old, writing songs about the people and landscape of a place and life pretty obscure to most of the world. My last original release was over eight years ago, songs written before motherhood and performed and released when I was pregnant with my first daughter.

It was a time in my life that held so much hope and promise, tangled up with no guarantees in that complicated way that hope and promise always seem to be.

And it feels like all our real life has been lived in that space between that last album and now. Between working on raising babies and cattle, we’ve faced the near loss of my dad, a job layoff, a new business endeavor, keeping a non-profit afloat and my cancer diagnosis during a pandemic and my slow recovery figuring out how to live a life with pain that just won’t let up. And we’ve put that all up against the promise to love each other forever and make sure our young kids don’t figure out too soon that life can be scary.

Pregnant with Rosie, playing “Sunshine” with Edie

I’m looking back at that list right now and am fighting the urge to delete it all. I don’t want to be the person that lists the struggles, mostly because I can’t carry on there. I prefer and thrive in the spaces in between: the slow walks to my sister’s with the kids stopping every few feet to pick up a rock or dig in the dirt, the quiet times at night laying next to my husband and telling him the funny things Rosie said, my favorite horse and teaching the girls to ride, wildflowers on the kitchen table, new calves trying their legs in the fresh green grass, watering my tomato plants, walking a cattle trail, the way the evening light hits the Blue Buttes, watching Edie catch and love all the frogs, a small stage in a small town, making you a cup of coffee while you tell me about the old days, sitting in the passenger seat of the pickup while he drives…

These spaces in between, that’s where the songs are for me. And that’s what this album is. It is a finishing up of the ideas that have been sitting in pages on the shelves for years and it’s the songs the tall grass knows that I can finally hear. It’s the retelling of old stories to a new melody. It’s the sound of kids growing up and the generations before us and the weight of the holding on. It’s the hum of April blizzards and frustration and potential of changing times. It’s the sound of Nashville players behind the words of a ranch kid all grown up now.

And so on January 11th, I hope you’ll take a listen. I hope you’ll find these songs wherever you are and I hope you find yourself in them somehow, even if it’s just in the rhythm of your toes tapping. People like me, for whatever reason, live our truest lives by telling about it. Thank you for listening.

Watch for tour dates coming in early spring, where I’ll take the songs to you.

Buy a signed “Yellow Roses” CD at www.jessieveedermusic.com today, pre-save it on Apple Music and get three of the twelve tracks right now or get the full album on January 11th wherever you get your music.

Thank you for listening.

Baby Blue

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Fun news! The kids are feeling better, most of the presents are wrapped, the Christmas fudge is made and the opening track, “Baby Blue,” off the new album is all yours if you pre-add “Yellow Roses” on iTunes TODAY!
PLUS preview all 12 tracks.

Pre-save here

Enjoy this acoustic version of “Baby Blue” and a little about the blizzard that inspired the song.
Thanks for the support!

If You Were A Cowboy (Official Music Video Release)

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Breaking News! The official music video for “If You Were a Cowboy” is up on my YouTube Channel!

Featuring real North Dakota working and rodeo cowboys and families, this song is a shout out to the men who show up, cheer you on and hold your purse.

Filmed at the beautiful Triangle M, Missouri River Angus, the Veeder Ranch, Burnt Creek Farms and the Mandan 4th of July Rodeo, there’s plenty of cowboy footage to get you through your weekend.

PLEASE SHARE! The world needs more cowboys…

Special thanks to our favorite rodeo cowboy Clay Jorgenson, Quantum Digital, Breaking Eight, Burnt Creek Farm Triangle M Ranch & Feedlot, Missouri River Red Angus and WarnerWorks, Brian Bell, Brady Paulson Beni Paulson and Mya Myer and Travel North Dakota

Song recorded at OMNIsound Studios in Nashville.

On Nashville

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This week on the podcast I catch Chad up on the Nashville trip and the recoding process. Listen here or wherever you get your podcasts

“Live in THIS moment.”

That’s what my fortune cookie said as I finished my takeout dinner in a hotel near downtown Nashville.

“Ok, cookie,” I said out loud to myself as I laid it on the desk next to my planner and pages of typed up lyrics scribbled with notes. These songs I’ve been writing and re-writing for the past eight years were all just stacked up there waiting for the next morning to go into the studio and come to life in the hands of some of the best players in the neighborhood.

The amazing session players and producer in OmniSound Studios downtown Nashville

If you would have asked the sixteen-year-old version of me what most intimidated me as a young woman pursuing some sort of music career, I would have told you it was this. This exact situation. Bringing songs I wrote on the floor of my bedroom in the middle of nowhere to sit before musicians who are truly professional and have seen it all. Surly my songs about the hard clay of home and hard people who live there wouldn’t resonate. Surly they would laugh me right on back to where I came from.

Me and Wanda, master of the dobro, fiddle, banjo, guitar and more!

I faced my fear of Nashville with my last original album in 2015. I was a grown woman by then and had done plenty of things that scared me, so I hopped a plane, figuring all I had to lose was the money. And though I had no real idea of what to expect, I was greeted by an experience in the studio that was so open and encouraging that it successfully rearranged my view of what it can mean to make music.

Nashville Songwriter Kirsti Manna and producer Bill Warner. Kirsti wrote Blake Shelton’s hit song “Austin” among others.

I’m sure you wont be surprised to hear it’s about the people. And in this business there is plenty of competitive drive and ambition that can make things ugly, but I had long stripped away any ideas of fame and fortune by the time I stepped into a Nashville studio for the first time. I just wanted to make the best songs I could possibly make and so did every person in that room with me. And that’s it. That’s all it’s about.

Listening to my rough tracks

This time I flew into Nasvhille on the tail end of a storm that was lighting and thunder and rain and the migration of Taylor Swift fans to music city for her concerts. As the rain and the superstar and the fans left music city, I made my way to a studio on music row and stood under the same roof she once had, and so did Janis Ian and Alison Krauss and Faith Hill and Miranda Lambert and on and on and on the famous names lined the walls and it wasn’t fancy but it was friendly and for the record I’m the only one name-dropping here

And in came the bass player and his big upright and the drummer who sits perfect in the pockets of songs and the sweetest guitar player and a woman named Wanda who can play every stringed instrument you can name and so began our day together, working through the notes of the twelve songs I brought from North Dakota prairie.

If you’re curious about the process, in short I hire a producer, who rents out a studio and hires session players. That producer charts the arrangements for the songs and gathers us all up for a day (or more) of laying the groundwork for each track. In both my experiences, we tracked the entire album, twelve songs in one ten-hour day. That means these musicians often only heard the rough-cut demo of each song once, which is typically five minutes before recording, and then they get to work. My role is to listen, sing my parts and make sure it all goes in the direction I had in my head. But every time, it goes above and beyond. The next day all those musicians were likely scheduled to work on entirely separate projects in different studios with different producers across town and I’ll stay for the rest of the week to work on tracking vocals.

And that’s the just the beginning. Over the course of the year I’ll schedule release dates and concerts and find my favorites and your favorites and make videos and tell stories like I always do, and see where it all goes. But for now as I write this, sipping coffee from a paper hotel cup, I’m just here facing those teenage fears and living in THIS moment.

Notes from the road and the top of the hill

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Well, I made it home for Elko on Sunday after a 17 hour straight drive. Turns out it takes a couple days to recover your sleep equilibrium after a trip like that. It also takes a few days to come back around to the real world after an experience like the National Cowboy Poetry Gathering. It was such an honor to be a part of it.

Click here to read an interview with myself and poets Yvonne Hollenbeck and Patricia Frolander about opening up the festival with our “Welcome to Elko Town” Show in the Elko Daily News.

This week’s podcast I sit down with my husband and rehash all the highlights of the trip while he patiently listens, covered in sheet rock dust from holding down the home construction project and keeping the kids alive while I was away. I am lucky to be able to be gone, and even more lucky to have place like this, and people like him, to come home to.

So that’s what the column is about. Finding refuge and grounding in my walks through the hills, where I’m most inspired. Most lonesome. Most nostalgic. Most myself.

Photo by Sweet Light Photography, Charlie Ekburg

From the top of the hill
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Listen to this week’s column here or on Spotify, Google or Apple Podcasts

Sometimes, when the day is coming to a slow close and my head is spinning — with worry and lists, schedules and as the dishes sit waiting on the table, the kids playing in the yard, desperately needing a bath — I slip on my boots and head out the door.

I’m usually not gone long, and my husband has grown accustomed to this behavior, understanding it’s not a storm out, or a give up, or a frustrated stomp, but a ritual that I need to put a flush in my cheeks and make sure I’m still alive out here where the trucks kick up dust on the pink road and the barn cats quietly wait in the rafters of the old buildings for a mouse to scatter by.

I tell him I need to go walking and he knows which trail I’ll take, down through the barnyard, past the water tank and up the face of the gumbo hill, the one that lets you look back at the corrals where the yard light glows, the one that gives you the perfect view of the barn’s silhouette, tall and dark against a sky that is putting on its last show of the night as it runs out of light.

It’s a ritual that needs timing, because that sun, once it decides, goes quickly to the other side of the world.

Sometimes if I get out early enough, I head a little further east to check out how the light hits the buttes in my favorite pasture, making the hills look gold, purple and so far away. Sometimes I just keep walking until dark. Sometimes the evening finds me sitting on a rock or pacing in the middle of the ancient teepee rings that still leave their mark on the flat spot on the hill. I like to stand there and imagine a world with no buildings and no lights on the horizon. I examine the fire ring, close my eyes and think about sleeping under the leather of a teepee, covered in the skins of the animals, under a sky that promised rain and wind and snow and a sunrise every morning.

The same sky that promises me these things, but cannot promise anything else.

I think of these people, the ones who arranged these rocks, hunted these coulees, and watched the horizons and I am humbled by the mystery of the ticking thing we call time.

And I wonder what they called it.

Because I take to those hills and look back at my home — the sections of our fences that have been washed away by the melting snow, the old barn that needs to be torn down, the threshing machine looking ancient and ominous in the shade of the hill — I’m reminded that time takes its toll on this land the same way it puts lines around the corners of my eyes, and there is not one thing man can make to stop it.

This understanding is neither comforting nor nostalgic. It just is. Time builds roads and oil wells, new houses and fences and bigger power lines stretching across a landscape. Time grows the trees, erodes the creek banks, crumbles the hills with the weight of the snow, puts blooms on the flowers and withers them away just the same.

I climb that hill, look back at that farmstead and remember those kids we used to be, running through the haystacks and searching the barn for lost kittens. I climb to that hill and I remember my grandmother in her shorts and tank top, exposing her brown skin while she worked in the garden. I remember my first ride on a horse by myself, getting bucked off near the old shop, hunting for Easter eggs with the neighbor girls in the gumbo hills behind my grandmother’s house, branding cattle in the round pen.

From the top of the hill, I could still be ten years old and my grandmother could be digging up potatoes. From the top of the hill, my cousins could be hiding in the hay bales and my dad could be waiting on the side of the barn to jump out and scare them, sending them running and laughing and screaming. From the top of the hill, the neighbor girls could be pulling up in their dad’s pickup, dressed in pastels and rain boots, ready to hunt for eggs. From the top of the hill, you don’t notice all the work that needs to be done on the fences, the water tanks, roof of the shop and the crumbling barn.

From the top of the hill, that yard light is still glowing the same color it was when I would come in from an evening chasing cattle with my dad or catching frogs with my cousins to a yard filled with the smell of my grandmother’s cooking.

From the top of the hill, the only thing certain to change is the sky and everything else is forever.

The music continues…

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This week my mind is on the music as I work on a new album and pack for the National Cowboy Poetry Gathering. I sits down with my husband to talk about what it means to still be recording and creating music at 39 and I answer a listener’s question about the songwriting process. Chad’s been busy building the addition, so he gives a little sheetrock-covered update too. 
PLUS, I shares a rough cut of the song I wrote about my Great Grandpa Eddie at the end of the podcast, so stay to have an exclusive listen. 

When I was a young teenager, like 13 or 14, every spare minute I had at home was spent trying to teach myself to play guitar on the pink carpet of my room. Leaned up against the frame of my waterbed (hey, it was the 90s) I pressed stop and play and stop and play on my CD player trying to figure out the chords to Fleetwood Mac’s “Landslide” or Joni Mitchell’s “Both Sides Now.” I found these songs in my parent’s album collections and there was something about them that spoke to me more than anything I was hearing on the two FM radio stations that came in at the ranch.

Maybe it was the fact that the first songs I ever heard were coming from my dad playing and singing around the house. I knew the lyrics to Emmylou Harris and John Prine songs before I even heard their original versions. And when I began to discover my own musical tastes, when I could buy my own albums and play them on repeat, I was surprised to find there was something lonesome about it. Because I couldn’t imagine a world beyond my nook of rural America where real people like this existed, playing guitars in coffee shops and clubs and forming and breaking up bands and writing and recording music.  Somehow, it made me feel even more isolated, more landlocked, more obscure in my community and so very far away from a world where people create music for a living. I suppose I felt that my only access to it was to learn to play it myself and to attempt to write my own.

MEDORA — AUG 5: Tour of Teddy Roosevelt National Park. (Photo by David Hume Kennerly/Center for Creative Photography/University of Arizona).

I was only fourteen or fifteen when I wrote some of the music for the first album I released my senior year of high school. If I knew then what I know now, I wonder if would I have put myself out there that way. That’s the thing about adolescence—the naiveté keeps you brave.

I’m thinking about this today because for the past month or so I’ve been knee deep in working on music for another album. There was a time I would have told the 39-year-old version of me that I’m too old for this now, that to be creative, to have something to say, you must be relevant, and 39 didn’t seem relevant to me when I was in my early 20s driving up and down the middle of the country trying to write songs about places and things I knew nothing about. There was also a time when I thought that in order to be successful you had to remove yourself from all the familiar things and build yourself back up again somewhere more important. Go to Nashville. Go to California. Go to New York City. Then you’ll be something. Then you’ll have something worth saying.

I grew out of that phase somewhere between South Dakota and Oklahoma in my Chevy Lumina with a caved-in trunk I couldn’t open because of a fender-bender I still hadn’t dealt with. The man I loved and the place I loved was hundreds of miles away, I just cracked the front of my tooth off on a granola bar and I was supposed to be playing in a Nebraska college town in two hours. Was it this I loved? Or was there something else to it?

Last weekend I spent countless hours on the carpet in my grown up room working and re-working songs that could only be written by the woman I am now, hollering down to my daughters to “shush for a minute” and “play walkie-talkie in the basement please!”

I pulled out my harmonicas and immediately I saw two sets of bare feet under my bedroom door. Soon my daughters were playing harmonica too, dancing, singing and requesting for assistance writing their own songs.

I couldn’t help but think about the smoky smell of my dad’s guitar case on the 1980s shag carpet and me sitting cross-legged on the floor, listening. And then another thing hit me: this is how it can start, yes, but this can also just be how it is. There doesn’t have to be more to any of it except that it brings you some sort of peace or some sort of release or some sort of joy. If my daughters ask, that’s what I’ll tell them. Not everything we do with passion has to come to a famous, star-studded, glamorous end. Sometimes the best part is in the learning, or the listening or the creating or the dancing along.

As it turns out, the teenage version of me was right. To write it continues to set me free. And so that’s what I’m doing here, leaned up against my bed frame on the carpet in my room.

Snowed in

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Happy winter! It’s official now, on December 22nd. I’m writing this in the middle of another no-school, all the roads are closed, the wind is whipping 40 MPH snow day.

And I wrote the column during the last snow day. December has had it’s way with us. So Chad and I had plenty of time between tractor thawing and snow blowing to sit down and visit a bit about windchill and frozen equipment, digging out and and staying home, Christmas traditions and finding gratitude where you can. Even Edie pops in for a snow day report. Then stick around to hear both she and little sister Rosie sing their favorite Christmas song this year. 

Merry Christmas. Thank you for following along this year and sharing your stories with us. Sending you love, gratitude for the year behind us and hope for the year ahead.

Listen to the podcast here or on Spotify or Apple Podcasts

The magic season

Oh wow it’s magical around here. Two young kids waking up each morning smack dab in the middle of the Christmas season to see what shenanigans the little felt elf got into this time will make it that way. So will 4 to 8 inches of heavy snow and a promise of at least 40 mph gusts to make it nice and blinding, just like the North Pole.

Yes, we’re smack dab in the middle of the Christmas countdown. As I write this almost every road in the state is closed and so we’re in a good ‘ol fashioned snow day, except with laptops and virtual learning. And depending on your experience with Google classroom, the whole magic of the snow day experience can go either way.

And so can waking up at 3 am realizing that you forgot to move that enchanting felt elf. In which case you can either embrace that you are the magic or you can use your favorite cuss words as you squinty slipper shuffle down the steps to move the elf from the bathroom perch to the fridge between the ketchup and the soy sauce, wrapped up in an old dish towel for dramatic effect.

I’d say the magic is in remembering to move it at all. Bonus for a clever idea.

It’s worth it in the morning though. My kids are in that special spot of childhood where they still believe, and finding their elf in a toilet paper hammock is about as thrilling as it gets. Although the concept of Jesus and Santa both watching you gets a bit confusing for the five-year-old, especially when the felt elf becomes a part of the felt nativity scene. (Hey, I’m running out of ideas here.)

But it’s not just the Christmas season and the elf-drawing-faces-on-our-bananas- with-a-Sharpie that’s bringing this magic, it’s the kids themselves. They just have it beaming out of their curious eyes, skipping with them to meet their friends at school and almost knocking the Christmas tree over with each of the thousands of cartwheels they’re throwing in the living room.

The lineup of performances and celebration helps too. Last week my girls ran a regular rock star schedule and I happily (and with a supply of Motrin and coffee) played the role of their tour bus driver, stylist, caterer, and personal assistant. We had a first grade Christmas program on Tuesday, a pre-school Christmas Caroling experience on Friday morning and a dress rehearsal for a cheer performance on Friday afternoon. They gave it their all in their cheer recital Saturday afternoon and then we hosted Rosie’s five-year-old swimming birthday party on Saturday night. Then we wrapped it all up with my personal favorite, the Church nativity play on Sunday morning. The girls dressed as angels and they both had lines that we’ve been practicing all month. And we got to dress in our best and watch as Edie the Angel inched all the wise men and poor little Joseph out of the way so she could do the actions to the song front and center like she was born to do.

Man, wasn’t it just yesterday that she was baby Jesus who had a blowout mid-manger scene?

Maybe we all secretly wished for this snow day to slow it down for a minute so that we might sit on our cozy chair, our kids still in their jammies and watch a Christmas movie while procrastinating trying to figure out how to log-in to their Chrome books.

I’m rambling a little I know. I sat down this morning with the idea that I would write down a few lessons I’ve learned from this season of the year and of this middle-aged-mid-parenting life. But all I want to do is write down these little things I don’t want to fade from my memory: my daughters’ red tights and sparkly holiday shoes. Their morning bed head and crumpled Christmas PJs. The mess of graham cracker gingerbread houses and h alf-drunk holiday cups of hot chocolate taking over my kitchen table and singing Edie’s favorite Christmas song at the top of our lungs on the car ride to school. And even that silly elf that wakes me up and reminds me that these are the days. These are the exhausting, adorable, hilarious, snuggle-clad, sugar cookie filled days, frosted in sketchy weather with holiday sprinkles on top.

In case you forgot to remember. In case you’ve never forgotten.

Anyway, I got a little off task here, but here’s one lesson I really wanted to pass along: Tie the tree to the wall. Fishing string works great. Do it even if no one’s doing cartwheels in your living room. Trust me.

And whatever phase you’re in this Christmas, may you do your best to find peace where you are, even if it’s 3 am and you’re barely awake dressing a felt elf in Barbie clothes…

This is five

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It’s a snow day at the ranch and all the roads in ND are closed. So while all the kids were in the house, I sat down to chat with my little sister, Alex, about parenting five year olds and trying to replicate the magic Christmases we had as kids. There are interruptions, per usual, I talk about Rosie and her packrat tendencies and Alex shares a story about how she and an egg went to town.

Listen to the podcast here, on Apple Podcasts, Google Play or Spotify.

Happy snow day moms and dads! Don’t forget to move that elf.

This is Five

Rosie, my youngest daughter, turned five at the beginning of the month. If you’re wondering what five is like, if it’s been a while since you had a five-year-old living under your roof, or have been five yourself, then I’m here today to paint a picture.

And that picture begins with all of the things that could be hiding under a five-year-old’s pillow. Because I, myself, just had a recent revelation a few nights back when our household was conducting one of our middle-of-the-night bed shuffling rituals, the one where Rosie wakes up and climbs the stairs with her blankie at 2 am and then climbs up on our bed and then climbs up on my head to finish her good night’s sleep. And despite contradicting viewpoints on a mother’s need for personal space, I do admit that I like mine, especially at 2 am. So I made my way down to her big empty bed only to discover that it wasn’t as empty as I assumed. I slid my arm under the pillow to snuggle in and was greeted with a half-eaten bag of goldfish crackers, a Santa squishy ball, five rolls of Smarties candies, a tiny notebook, an ice-pop wrapper, a bouncy ball, a tiny doll shoe and a partridge in a pear tree.

And so it was 2:04 am on a random Tuesday night in December when I discovered my youngest daughter is a pack rat. A sneaky one.

And that not all five-year-olds are created equally.

I mean, I could leave a bag full of chocolate in the middle of the kitchen table, within reach and sniffing distance of my oldest daughter, and she wouldn’t dare make a move without first being granted permission. And chocolate is her absolute favorite thing in the entire world. But so are rules. She’s the firstborn and her universe can only run on order.

And so I’ve been moving through parenting both daughters naively and blissfully thinking that sort of discipline and obedience must be a package deal.  But it turns out the second one is sneaky, thriving on flying under the radar, letting the older one take the spotlight until her comedy routine is honed and she can steal the show. As a middle child myself, I should have known.

Anyway, today I offered to help her make her bed and the darling assured me that she had it under control, which just turned out to be a ploy to get me off her trail while she tried to figure out what to do with the sticky stash of pillowcase Sweet Tarts she’d been hoarding. I didn’t even know we had Sweet Tarts and so this is what I’m saying.

I took the child with me grocery shopping yesterday and we had the cart overflowing with what I was hoping would be at least a week or two of meals and snacks. And while I busied myself bagging up the vegetables and cereal at the end of the conveyer belt, Rosie took my distraction as an opportunity to try a new strategy. 

Among the string cheese and tortilla shells, Rosie got one of those Kinder Joy Egg things that is conveniently placed at small-child-eye-level, the kind with the candy and a tiny plastic toy, past me and through the grocery clerk. By the time I found it, I’d already paid for it.

“Rosie!” I exclaimed. “Did you put this candy in with our groceries without asking?”

“Yeah,” she replied, not phased in the least. “I didn’t ask because I knew you’d say no.”

“I would have said no,” I told her.

And then she told me, “But now you paid for it, so I might as well eat it.”

I was so baffled by her antics that I plowed my cart full of groceries right into the Christmas tree by the door on our way out, which apparently has now become a part of her core memory, because she’s reminded me and anyone within ear shot of it at least a dozen times already.

So that’s five.

Oh, and also, tonight at supper she told me she has a crush. He’s a cowboy and he’s cool and he ropes and she’s a cowgirl so what’s the deal?

The deal is, send prayers.

Happy Birthday sweet Rosie. We love every little thing about you.   

Mr. Tanner and the Joy of Singing Along

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Dad in his high School band, Cherry Creek,

I’m excited to share this week’s column and podcast that hones in on the music and the stories and what makes them so significant and important in our lives. And so of course I sit down with my dad on the podcast and we hash out some of our favorite folk songs and the stories behind decades of making music together. You get to hear my dad in his element, reciting lyrics and talking about his favorite musicians and all his time spent performing in his 50+ career as a musician.

Enjoy and thank you for believing as much as I do in the power of the story of the every day characters, the fabric of our communities.

The joy of singing along

Listen to the podcast here, on Apple Podcast or Spotify

There’s a Harry Chapin song I grew up listening to on my dad’s tape player. Harry Chapin was a Grammy award winning musician in the 70s and one of the greatest folk songwriters of his time. He created characters in his three to five minute songs that took you along to fall in love or break a heart or, in the case of “Mr. Tanner,“ the owner of a dry cleaning store in a small town in Ohio who sang while he worked long hours in his shop, to follow the encouragement of his friends and neighbors and use all his savings to “try music out full time.”

In the performance and recording of the song, in the backdrop of the chorus among the instruments a deep and pure baritone voice emerges as Mr. Tanner himself, singing the chorus to “Oh Holy Night.”

It’s beautiful, the whole thing, and the song takes you to his performance at a concert hall in New York. And if you’re listening for the first time, you hope for the outcome of fame and accolades for Mr. Tanner and his beautiful voice because “they said that he should use his gift instead of cleaning coats.” 

But Harry Chapin doesn’t deliver that fairy tale. That’s what makes him one of the best. Mr. Tanner’s debut performance was met with cold reviews, “Full time consideration of another endeavor might be in order…” And so Mr. Tanner went back to Dayton, Ohio, and the song ends with him singing to himself late at night while sorting his clothes, against the haunting lines of the chorus …

But music was his life, it was not his livelihood
And it made him feel so happy and it made him feel so good
And he sang from his heart and he sang from his soul
He did not know how well he sang, it just made him whole

This song came back to me recently after a particularly challenging week where I was working to bring a renowned concert pianist to our small community and the logistics just weren’t falling into place the way I had hoped. I was anxious about his arrival and worried about getting the arrangements just right for him. The man has played for every president since Ronald Reagan and I wanted his time here in our little community to be up to a particular standard and I felt I was falling short. I was feeling flustered and tired and considering what it would take to retire early when the last song was played and the crowd emerged wowed and thankful for the opportunity. I watched as the pianist to the presidents signed autographs and chatted with the community and breathed the kind of sigh of relief you breathe when something challenging comes together in the end.

After the last guest headed for home and the pianist made his way to his hotel room, I stuck around the venue to gather our things and wrap up, always the last to leave. Then from the empty hallways of the big school I heard the trumpets, violins and high-pitched guitars of a mariachi band echo from small speakers and bounce off the concrete walls. Unexpectedly, a big, beautiful baritone voice joined in with the recorded singer, filling the dark school with life again and reminding me, in the best way, that at 10 p.m., the next shift had begun.

I stopped on my tired feet to listen from behind the wall for a moment, not wanting to disturb or embarrass that voice, not wanting him to stop. This man wasn’t singing for the crowd that had just dispersed. Or on a big stage, or for the president or on YouTube to be available for the masses. He was singing for himself, because “It made him feel so happy and it made him feel so good.”

And what I heard was filled with so much joy and exultation it turned my mood and immediately reminded me that at the core of it all, what really matters here. These gifts we’re given and how we use them, it’s up to us and us only.

I turned the corner and the man realized, like me, he wasn’t alone. He smiled and turned the music down. I told him he made my night and please, please ignore me now, and keep singing. And then I made my way home in the dark, with the music turned up, singing along.