On the National Cowboy Poetry Stage

Happy Friday everyone! In honor of the sunshine, weekend I thought I’d share a performance of one of my songs on the National Cowboy Poetry Gathering stage earlier this month.

On Sunday I plan to hopefully wrap up the vocal tracks on a new album I’ve been working on that celebrates the music that I grew up singing. It features my dad and all of the songs he brought into my life playing his records and tapes and red guitar. I can’t wait for you to hear it.

So I need to channel this song right now in so many ways to get me through the to-do list and plans, and on to the fun parts. Turn it up. Loud. And get to work.

If you’re looking for where I’m performing this spring and summer, check out my website at jessieveedermusic.com. More dates will be added as CD release shows as the album gets closer to completion. If you want me in your town, give me a call!

Thanks for the love and support! Now pull on your pants girl, and get to work!

To gather, and all the things that phrase means to a ranch woman

Cows by the dam

To gather, and all the things that phrase means to a ranch woman

To gather. As a ranch woman, this phrase conjures up images of roundup season, sitting on top of my horse and moving our cattle together from all corners of our pastures.

It’s the throaty hum of the animals’ voices as they call to their calves or to one another or out into the world, seemingly saying, “I’m here, I’m coming. All right already.”

It’s the creak of the old cows’ bones as we let them slowly navigate themselves toward a well-worn path they know toward home. And it’s the “heya” and the “c’mon” we let out of our lungs as we follow the small sea of black backs, the quiet counting and calculations in our heads, our warm breath cooling down in the autumn air.

It’s the swing of our leg off the saddle and the swing of the gate when they’re all in and accounted for so we can take a deep breath, put our hands on our hips and say, “Well, all right then…” and move on to the sorting.

I recently participated in a different kind of gathering down in Elko, Nev. A gathering of cowboy poets, musicians, artists and fans from across the world in an event dedicated to the stories we tell about a way of life that I would say is more rough than it is romantic, except it’s the rough parts that make it so.

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The National Cowboy Poetry Gathering. That’s what they call it. And I like that they call it that, because that’s what it is.

It’s a gathering of people, ideas, stories, music, art and conversation in a small town in the dessert in the middle of winter when the cowboys and ranchers that create have time to take leave from the Plains or the mountains to connect with other artists and an audience eager to hear from them so that they might be a part of that life, too, if only for a few days under a felt hat.

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Mike, Dad and I with Cowboy poet Jake Riley

That is, if they have someone at home to feed the cattle and the kids. Which is where my husband falls in the story. Because everyone wants to be a cowboy until it’s actually time to do cowboy stuff, and so he got the less-glamorous gig of wiping toddler noses and rolling out hay bales while I was shaking hands and singing under the lights.

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And I couldn’t help but look out into the audience of hundreds of anonymous silhouettes sitting still and quiet and ready to nod along and feel overwhelmingly grateful that somebody thought the world needed an event like this. Because in the 20-some years that I’ve been writing music and performing, I’ve never found a better muse than the rural community, rugged landscape and ranch life in which I was raised.

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An American Forrest , Ramblin’ Jack Elliot and Corb Lund on stage in Elko

But in the miles I’ve traveled up and down the Midwest, I have questioned if it ever really resonates, if there is anyone else out there who thought the world needed a song with a rhythm based on hoof beats. I’ve spent a career slowly finding those people who do, and then, three airplanes later, I found myself in a land where they’ve all congregated for us, caffeinated, fed, inspired and ready to listen.

To gather.

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Shared the stage with Brigid & Johnny Reedy

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This talented little ranch girl Marinna Mori

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With film maker Clare McKay and songwriter Anna Rose Pozzi

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Ran into Cowboy Poet, songster and podcaster Andy Hedges

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With the legendary Ramblin’ Jack Elliot

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And then randomly, one of my favorites, Colter Wall was in the greenroom

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Dad

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The morning gathering of entertainers at the Western Folklife Center

I kept saying it to myself as I looked out in this community the Western Folklife Center created in Elko for people like me and people nothing like me at all.

What happens when we gather? Those differences become less important than the way a song about loss reminds us both of similar struggle.

Or the way we collectively clapped and laughed, the whole auditorium full of us, as he yodeled and kicked up his leg.

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Backstage listening to the Munsick Boys

Or the silence none of us discussed but honored as an 85-year-old legend, with a voice worn from years of songs and stories, closed his eyes and worked through another one on a stage that afternoon.

And so I couldn’t help but feel a bit like our cattle that week down in Elko, surrounded by a sea of hats and smiles, reaching out to touch one another as we drew closer to say, “I’m here! I’m coming. All right already,” taking a familiar path toward a place that feels like home.

And I’m back at the ranch now, hands on hips, ready for the sorting…

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The best laid plans…

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Greetings from a hotel room in Elko, Nevada where I landed on Monday night to be a part of the National Cowboy Poetry Gathering, but have spent the first few days in Urgent Care and fighting off a terrible flu. Luckily I haven’t missed any performances and the medication is kicking in so I’m ready for a whirlwind three days of performances, but it’s just another reminder that there are things we simply can’t control, no matter how long I’ve been planning for them.

Our health is one of them for sure. And then, of course, there’s the weather. It’s always the weather. T

A few weeks ago that variable threw another wrench in my plans as I found myself holed up in Fargo during an epic blizzard.  So that’s what’s this week’s column is about. That and how my darling husband is keeping it all together while I’m out telling my stories and trying to stay healthy. Thank God for him.

Now if you’ll excuse me, I’ve gotta go blow my nose and write the next one!

Meanwhile, back at the ranch…
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I spent last week across the state in the middle of a 72-hour Fargo snow day.

I arrived in front of a winter storm so epic that they gave it a name, you know, like they do hurricanes. And I suppose it deserved a name since Mother Nature added a 50 mph wind on top of 50 feet of snow and we all woke up to a regular Elsa-style eternal winter.

And so there I was, stranded inside a hotel room among the buildings of downtown Fargo, all the work I was supposed to be doing canceled, which freed me up for things like sleeping in, watching movies and eating brunch for like three hours before heading into lunch, and then supper and then cocktails and so on and so forth until it was time to sleep again.

It was just terrible. I was unnerved. Probably because I was super rested and hadn’t had this much free time since high school… I was half-tempted to start work on another degree…

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Meanwhile, back at the ranch…

My husband answered my phone call to report that things were going just fine. Cows were fed, dogs were fed, horses were fed, cats were fed, kids were fed…

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“Yeah, I’m getting so much done at home with them,” he said. At least I think that’s what he said. I could barely hear him over Edie singing the entire soundtrack to “Frozen II” at the top of her lungs in the background.

“No you’re not,” I replied, because I know the truth.

“Of course I’m not,” my darling husband declared. “All I do is make food and clean it up and make food and clean it up and make food and clean it up…”

So, yeah, everything was fed. Which isn’t an easy task, I know, especially when it means bundling up a squirmy 2-year-old who barely ever wears pants and coaxing a glamorous 4-going-on-16-year-old out of her ball gown and into snow gear in order to load them up in the old pickup and feed the cows a few bales.

The whole getting ready process alone takes a lunch break to accomplish, and that’s if one of them manages to actually stay in her snowsuit long enough to convince the other to find some socks.

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“What do you mean Rosie bit Edie in the forehead?” I asked him, clutching my chest, mildly alarmed between sips of cabernet. Turns out there was a fight in the feed pickup over the silk costume gloves my husband let Edie wear outside, because girlfriend’s gotta look glam. And that, apparently annoyed her little sister…

I wondered if this was foreshadowing. And then I wondered if there were bite marks. But I didn’t ask.

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Instead, I adjusted my pillows on the hotel bed, grabbed a handful of snack mix and said something like, “Oh, I’m so sorry. I wish this weather would cooperate.” (Takes a sip of wine.) “But it looks like the interstate’s closed from here to Bismarck.” (Opens new bag of Cheetos.) “It could be a while until I get on the road…” (flips through the channels on the hotel television).

And then I put him on speakerphone so I could really get comfortable while I tried my nicest Midwestern wife tactics to wrap up the phone conversation so I could catch up on episodes of “Beat Bobby Flay.”

“Well, I suppose,” I said.

“Where did you go for supper?” he asked.

“I should let you go. Sounds like you have your hands full,” I tried.

“Have you forgotten the normal volume of our lives?” he asked.

“Did I hear something crash? You should get that,” I suggested.

“Is it still blowing bad?” he asked.

And we went on like this for a while until someone or something in the house peed on the floor.

And eventually the road cleared as it always does and I pointed my car back west through the snowbanks, feeling at least five years younger and a million times grateful that I married a man who can handle all the crumbs and baling twine and bite marks so I can focus on things like work and surviving blizzards that have names I can’t remember.

If you need me, I’m home now, likely feeding or wiping something…

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Actually, no, if you need me I’ll be in Elko while my husband is feeding something or wiping something. I owe him, I know. He knows it too.

See ya out there!

A New Song

A New Song

“If being closer to the ground, makes for softer falls, you have to be tough to stand tall.”

I was 17 years old, getting ready to move away from the ranch and out into the world when I wrote that line, feeling the pull of growing up looming over me like the nurse who calls your name and is now waiting in the doorway for you to follow her back for the diagnosis.

I knew that impending adulthood should more thrill than loom, and so there I was, behind my guitar, trying to convince myself…

“I don’t believe in fairy tales or staying young forever…”

My voice sounded higher, lighter, but surprisingly not timid and unsure like I know I felt in that studio in frigid Fargo where I recorded that song over Christmas break during college, when it seemed every other student was back home with the familiar. Almost 20 years ago.

I chose to stay away to create a piece of work that would mark the very frozen, determined and often lonesome four years I spent away at college, with long stretches of time spent traveling the Plains, singing for my supper. Wondering what to be when I grew up.

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My 2005 Release

It was avoidance in the form of work. It was the same thing I did the summer after my freshman year, knowing that if I went back to the ranch, I might never leave. So I stayed to be a grown-up.

And then I blinked and I’m grown up. And the grown-up version of me listened to those words tonight, staring into the path my headlights cut on Interstate 94 headed east to where the snow is piled high up past my knees.

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I just purchased $50 worth of face cream on an impulse to try to keep the evidence from 36 years of laughing, worrying, rolling my eyes and sleeping face-down with the pillow smashed over my head from truly showing and I was trying to keep my mind off of a rolling argument my husband and I have been having for a couple months now.

When I called him to check in, the puppy had just pooped on the carpet, and one of our young daughters had stepped in it. This was no time to try to work through it again.

I let him go and decided to seek refuge in a voice that used to be so familiar to me. I rarely listen to my music after it’s produced and out in the world, unless I have to relearn something. Which always baffles people — that I would have to relearn a piece of music I wrote myself, as if once it’s down, it’s etched in my memory.

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But it’s all so much more complicated than that, isn’t it?

Because we move on. We change, and along the way we pick our favorite stories to carry with us. My songs have been like that for me.

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I suppose sometimes relationships are like that, too. That’s why marriage can be so beautifully maddening. Because it’s a song you’re continually writing with someone who, sometimes, may be singing in a completely different key.

When I wrote those words at 17, I loved the boy who would become the man who, as I type, has likely fallen asleep in one of our kids’ beds, fully dressed, neckerchief and all, taking care of the things we love while I’m hundreds of miles away telling stories.

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Was this the fairy tale I wouldn’t let myself believe in? How could I have ever known what it would truly take to make the happily ever after that I muse and ponder and write about these days?

At least I knew then that I couldn’t know, and that’s the beauty of it all for me.

The new song? It has uncertainties, but they are changed now.

And it has more patience and apologies, good humor and messes and arguments in the kitchen.

Oh, and two daughters with the world before them, perfectly oblivious and twirling across the unswept floor.

And it sounds less like a child and more like a woman in a three-day ponytail standing next to a man in a wool cap who together believe fiercely in that fairy tale, not the one that sparkles and shines, but the one that holds on tight…

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Watch for the release of my new album, “Playin’ Favorites” that celebrates the songs that influenced me in the spring. 

And check out my music website,jessieveedermusic.com for a list of places I’ll be playing near you! 

Finding yourself in parenthood…

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Finding yourself in parenthood
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Before I became a mother, before I realized that you’re not always in control of the timing of your life and throughout my six pregnancy losses, I was worried about the way in which becoming a mother was going to impact me creatively — in my career and in my process.

Because, looking back on it now, I didn’t see any women like me out there who were mothers on the road singing and performing and speaking with their kids in tow. And if they were, then maybe I wasn’t hearing them talking about it, or complaining about, or, what I really wanted, writing a step-by-step instruction manual on how it was done.

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And so I only thought I could be one or the other — a creative person or a parent. But since I was a young teenager, I’ve been performing and writing music and stories as part of my living in most of its phases. After 20 or so years in some sort of a professional music career, 10 years of marriage and pregnancy losses and crying and trying, by the time I became a mother, I had fully developed a version of myself that had dug in, planted roots and wasn’t going to change without a fight.

Cue a battle with postpartum depression that I didn’t see coming and didn’t dare admit after all that time and all that struggle. Because no one tells you that even if you’re finally granted everything you thought you’ve ever wanted, you still have to learn how to exist with it.

This new tiny human was an endeavor that had changed my body, changed my mind, changed my sleep patterns and sucked me of all the freedom from which I drew my creativity, that had for so many years been tied to my self-worth and my bottom line. Turns out, nothing squashes that whole freedom-to-let-your-thoughts-wander vibe quite like a new human life in your house.

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And from what I can tell so far, it’s pretty clear that my children will never stop interrupting me. When I became a mother, I found it profoundly difficult to find inspiration beyond my new child, partly because there was nothing I found more fascinating or magical and partly because the long walks alone taking photographs of the sunset became a long-lost memory of a different version of myself.

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Now I’m almost four years into this parenting gig with, God willing, a lifetime ahead of us all, and I’m finding I’ve managed to wrestle and push and grind and hustle (and medicate) my way back to a version of myself that feels whole and connected and fulfilled and creative again. And it doesn’t look like it used to.

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So let me tell you what it looks like now (because I wish someone would have done the same for me). It looks like me trying to do a promotional photo shoot for a new album with just me, the photographer and my two young daughters dancing, singing, fighting and crying for a snack while I yell “Just a minute baby!” and smile with my guitar while the light is still golden.

It looks like them getting a hold of my phone and Facetiming my little sister and then China and me letting them go ahead and do it if it gives me three more minutes of time to try to get the shot.

It looks like “Mommy, I have to go pee,” and then helping her pop-a-squat in the pasture and getting back to it.

It looks like the one epic meltdown and the guitar dropped in the dirt that ended it all and sent us home for pizza and wine (for me, not the kids). It was nuts. It was sort of embarrassing. It was on the edge of chaos, but it got done. And we all survived (except my guitar).

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And then I found myself wondering out loud to my little sister on the phone (who was checking in after the Facetime call to see if we all survived) why do I do this? It takes me a little time after the kids go to bed to quiet the negative voices in my head and listen for the reminder.

I want to be known as my daughters’ mother. I want them to know that I am there for them fully and completely and that I love them entirely, but not exclusively, not solely. More than a strict bedtime schedule, I want to show my daughters what it looks like to have passion, to love beyond.

Because, ultimately, that was the greatest gift my parents gave me — they live and are living their lives as love in action — for the land, for the arts, for the community and, of course, for their family.

And truth be told, sometimes love and passion looks and feels and sounds a lot like work. And maybe it’s a mistake, just like the one I made tonight by keeping the photo shoot on my schedule without any help with the kids.

But I’m just out here trying to be true to myself so that my daughters can see what that looks like and lean on it when they’re out there in this big, wide world struggling to do the same.

 

 

Nothing’s Forever

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When I first moved back to the ranch almost 10 years ago, wondering what I was going to do here, I spent my first summer reuniting with every inch of the place that raised me.

I walked to the top of every hill, down every draw, crossed the creek beds countless times, looked up at the sky and maybe, more importantly, down close to the ground where the secrets seemed to lie.

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I was searching for inspiration, the same way this place inspired me as a kid, and I found it over and over again. The time I was able to take for myself those first few months back home shaped the career I am able to chase and build upon today, writing and singing and helping to make inspiration for others in my community through the arts.

But once the babies came, those long walks by myself for creative inspiration have taken a backseat to the responsibilities that come with motherhood and work and trying to keep it all ticking, just like the clock that never stops.

I celebrated my 36 birthday a couple days ago with my family–my one-year-old and three-year-old, my nephew and niece and parents and sisters–and I couldn’t help but look around at the cupcake frosting and chaos and I feel like that twenty-something woman who walked those hills was simply a million miles away.

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And so the next night, after we put the girls to bed, and before the sun went down completely, I walked. To the top of the hill to watch the sun go down on another year older on a crisp August day and I felt like my old self again for a minute. And even though you all know I wouldn’t change a minute of this motherhood journey–even the hard part, even the losses–because they all brought me here to these children I adore, some days I miss me, you know?

Please tell me you know.

My kids are getting older and soon there will be a bit more time freed up for things like walks.  Soon they may want to join me (I hope they’ll want to join me).

Nothing’s forever…

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It’s a phrase that haunts me and comforts me every day in a way I never anticipated when I wrote it in a song all those years ago.

So this week, for my newspaper column, I went back to the archives to republish a piece of writing that was shared all over the world. It’s a piece that simply takes us all off the beaten path, to look closer, to take more time to be part of the extraordinary parts of this world, and it seemed to resonate with many people at the time.

Who knew ten years later it would work to inspire me again too.

The extraordinary ones.

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There are secrets out here in these prairies and Badlands that not many have explored.

Not far off the beaten path, these secrets are quiet and hidden and full of magic that only a watchful eye can detect. And the ones who do, the ones who look for it, these are the special ones.

The special ones listen. They stand deathly still at the side of the road and hold their breath to hear through the wind and the traffic and the barking dogs. They lift a hand to shield their eyes and carefully take a step off the gravel — one step into the world. And then the brave ones take another and another…

Because they think they can hear something calling to them, saying, “Hello up there,” under the tangle of grasses and cactuses, along the base of trees, where the roots peek out from under the damp earth.

So the curious ones, the ones who listen, move their eyes from the horizon and follow the call from the ground. Their feet moving them from the top of the hills in open prairie to the mysterious, damp, dark and prickly gullies of the surrounding coulees and creek beds.

They take in the panoramic view of cattails springing up like furry corn dogs bouncing and bending on frail sticks in the breeze, calling the special ones to take a step a little closer where the smell of the marsh fills their nostrils as the once-solid ground gives way to the dark mud under the reeds. And the water seeps into the brave one’s shoes as they wobble and slosh their way, deeper in.

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And with each step, the voices get a bit louder, coaxing them to look down to the moss spreading on the bark of the bur oak. The brave ones bend down to run their fingers along it, to feel to look underneath the caps of the mushrooms, making sure the stories of the fairies and the elves aren’t true, a little disappointed to find, when they look, there is nothing there but a couple gnats…

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And the curious ones notice a soft rippling on the surface of the creek as the water bugs zip and glide and row and skim across the water. The brave ones feel the urge to jump in and splash with them, but don’t want to disturb the bugs. Because, if not the fairies or the elves, maybe they are the ones who have called them here…

And when the voices (whoever they are) are drowned out by the buzzing of the mosquitoes and the air gets cooler and damper as the brush thickens up again along the path, even the brave ones can’t take it — they want to see the sky again, to see how the time has passed and how far they’ve gone.

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So they claw their way up the steep banks of the creek. They want to run, but something slows them and they crouch to see how the tall grass looks against the overcast sky.

Then they stand up and stretch their limbs and reach to grab a taste of the ripe plums growing at the very tips of the thorny branches. The curious ones bend down low to skim the brush for red raspberries or wild strawberries underneath the mangle of green and they tiptoe along the juniper spreading up through the rocks and watch for the poison ivy that has, until the voices called out, kept them from coming here.

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With mouths puckered from sucking on plum pits and foreheads wrinkled from seeing the small things, they are all surprised that the road has found them again, somehow. Turning their heads back over their shoulder, they take a look of it all from far away. The trees put their arms around each other, the wind blows through the reeds, the grass stands up straight, the wild sunflowers smile and everything seems to wave at the brave and curious and special ones making their way home.

And the extraordinary people say a quiet word of thanks to the voices whispering their secrets, because the small world they thought they knew, the one they thought had belonged only to them, has suddenly become bigger.

And after all that magic, it never, ever looks the same to them again.

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Jessie Veeder is a musician and writer living with her husband and daughters on a ranch near Watford City, N.D. She blogs at https://veederranch.com. Readers can reach her at jessieveeder@gmail.com.

Come rain or shine or rain or wind or heat or hail…

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Summer fun, rain or shine
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I’m telling you when it comes to getting the most out of summer, rain or shine, North Dakotans don’t mess around.

As a musician who has been singing at these outdoor events most of my life, I’ve sang “Home on the Range” when the skies were most definitely cloudy all day. And blazing down temperatures of 105 degrees, burning my skin and making a nice sweat puddle down my back and behind my guitar.

Or, like last week, pouring down monsoon-style sideways rain for hours on the Wells County Fairgrounds while the audience sat under a canvas tent in puddles upon puddles of muddy water with the strings of their hoods tied around their chins, nothing but blankets, raincoats and trash bags shielding their soggy bodies as they tapped their toes and swayed along to the music.

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When it rains on a summer day in rural North Dakota, we tend to get a little punchy about cussing it. Most sane people would just go ahead and let 3 inches of relentless, pelting rain ruin their outdoor celebrations, but that type of person likely doesn’t endure 17 months of winter. But we do. And when summer finally does come, it’s a glorious reward for those long winters, and we refuse to waste a moment.

So in North Dakota, we say things like, “Well, we need the rain, it’s been so dry,” and then the show goes on. Or the rodeo. Or the 4-H goat show. Or the parade…

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Even when, in the first 45 minutes of our three-hour trek across the state to stand on that soggy stage, the windshield wiper on the driver’s side of my dad’s pickup flung clean off into the abyss of the monsoon. I guess it was exhausted. And I laughed, maybe a little too hard, because, well, of course that happened.

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But Dad wasn’t laughing. I guess he didn’t think standing in a downpour for 20 minutes trying to make the repair so we could make it to Fessenden on time was very funny. Thank you, New Town Napa guy, for saving us so we were able to get back on that rainy road and arrive at 5 o’clock on the dot, right at showtime, running from the rain to plug in, mic check and do what we came there to do. Rain or shine.

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And I loved it. I loved that that die-hard audience of all ages with their jackets zipped up to the top reinforced all my ideas that we are here to live and love and clap along and say “I think it’s going to let up” in all kinds of weather. Rain or shine.

And so I smiled and closed my eyes and sang my love song to the rain, while outside that tent it was clear that no crops were to be planted that day, but we were going to be together regardless, swaying and singing and laughing and soaking wet…

Because we’re North Dakotans, and when it comes to summer fun, we don’t mess around.

All the things to love

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All the the things to love
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Last night, as we were driving back to the ranch late from a performance in a bigger town, my dad said he wishes he could live a whole other lifetime so he would have time to fit in all of the things he wants to do.

He said it sort of casually to our friend sitting in the passenger’s seat, the man who has played guitar next to me during most of my music career and stood on stages with my dad in their younger lives. I sat in the back seat listening to them talk about the getting old stuff they are facing now — retirement and bad shoulders, travel and finances and grown children.

But I couldn’t shake what my dad said about the other lifetime, because it’s the same thing that has come out of my mouth time and time again, but it was the first time I’d heard it come out of his.

I wish there were another couple hours to linger a bit on the most important, or the sweetest, or the warmest, or the most fun things. To sit on the back of this horse a little longer, or with my arms around my sleeping child, or climb another hill, or make a trip to see my friends, or help or host or work on the ideas that tumble and toss in my head — the ones that need nothing but a little work and the extra time, time that we cannot, no matter how we try, create.

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And it’s funny that he said it then, after we wrapped up a night of music in a beautiful park in the middle of a growing town. That evening I stepped away before we went on the stage to have a look around. I watched daddies strolling babies, grandparents taking walks, a woman playing fetch with her dog, kids screeching down the slide, and I thought, ‘Well, I could live here.’

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And then for a few moments I allowed myself to imagine it. It’s the same way I imagine myself being a part of the families riding their bikes down a charming city sidewalk in a quiet neighborhood in an unfamiliar town. I wonder what it looks like in their houses and then I recognize that there wasn’t ever just one way to be me.

This spot out here on the ranch, where the cattle poop in my driveway and eat my freshly potted plants, might have remained the quiet little pile of abandoned cars and farm machinery if I would have followed through with my idea when I was 22 years old to move to the big city and sing.

What if he never asked me to marry him? What if he bought that motorcycle he talked about and headed farther west while I headed east, uncompromising in the vision I had for myself at that moment as someone who shouldn’t go home again?

There’s nothing there for me. They told me so. Would I have bought a house in a quiet neighborhood in a suburb in the Midwest or traveled to Nashville like they all told me I should do?

Would I have broken his heart and met someone new? Would I have children now with different colored eyes and unfamiliar names and would we ride our bikes and play fetch in a park like this listening to another woman singing about a life I could only imagine?

And in these imaginary scenarios, I like to think that I am happy and content, that whatever choices I made would find me just fine. And if I’m being honest, a part of me wishes that there was some way I could find out what would have become of me in Minneapolis or in Nashville or on a ship on the Mediterranean. What would my new favorite places become?

Because as much as there are things in this world that terrify me, those don’t weigh as heavy as the weight of all the things there are out there to love, if only we had another lifetime.

“Oh, I hate this getting old stuff,” our friend said to my father and then they both got quiet, staring ahead at a dark and familiar road, the headlights lighting up the night.

Night Sky

A song for strong women

On International Women’s Day I think it’s appropriate to share this video of my song “Work,” inspired by my Norwegian immigrant Great Grandmother Gundrun, and all the women who have built (and are currently building) their muscles out here in this cold, rough, beautiful landscape. 

“Strong women
may we know them
may we be them
may we raise them.”

Veeder Ranch to be featured on Born to Explore

Born to Explore

Last summer, Richard, from Born to Explore, a travel show on PBS, came to North Dakota. They stopped by the ranch for a little music, a ride, and an attempt at a dinner conversation with us and our two babies.

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My our collection of grills, unfinished house projects, chaotic kitchen and my North Dakota accent make an appearance, but so does the beautiful landscape, our babies, cows and some music on the porch with dad 🙂 It’s a great snapshot of North Dakota and all the reasons this place means so much to us.

Also, I don’t usually wear dangly earrings when we chase cows…but, you know, TV.

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The episode, North Dakota: Where Legends are Born will premiere on PBS stations on Feb. 23 and have multiple repeat broadcasts throughout the year. Check out the preview here and tune in!

Born to Explore #208(P)/North Dakota: Where Legends are Born preview from Born to Explore on Vimeo.

Thanks Richard and crew for a great visit!

Born to Explore 2

 

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