Where I’m From

Veeder homestead shack

Recently I visited our assisted living facility to conduct a writing project as part of our arts programming in the community. Armed with a questionnaire and a sort of “Mad Libs” format we received from the North Dakota Council on the Arts, we came into their common room that day asking the residents to help us make their memories into a poem.

Now, I’ve been making memories into poems most of my life, but I know that sort of expression is not something that comes easy to everyone. I’ve been around long enough to know that telling a room full of midwestern women to share their very important stories is going to be met with a smattering of humble responses to the effect of, “Well, I don’t know. It wasn’t that interesting.” It’s a sentiment I’ve heard before and one I have strongly disagreed with since I first started begging for childhood stories from my family members around the kitchen table and coffee counter.

I started early

Our favorite thing was to hear how our dad crashed his Trail 90 in the coulee with his brother, or how my mom once drove all the way home from town on Halloween with the back hatch of her car flung all the way open and she didn’t notice. And she was dressed as a witch. We like the one about the Charolais bulls getting dumped out of the back of the pickup-box trailer in the yard and any story about dad’s pony Bugger bucking him off and eating his hat and on and on, tell them again. 

Dad and his favorite dog

I don’t know if every kid is like this, but I’ve noticed it in my children as well. They linger around the adult section of the party a big longer when the stories are flowing, hanging on to every glimpse into a world they’ll never get to visit. I know I felt like that, and I still do. Hearing childhood stories from our neighbors and our family made me feel like the loose threads that tie generations together was pulling tighter.  

Lately our youngest daughter Rosie has been requesting stories from my husband and I at bedtime. She is very specific with her requests—they must be something that happened to us as a kid, and they can’t be shorter than ten minutes (not that she’s timing us or anything). Reaching back for childhood stories on command is challenging. These stories don’t just sit on the top of your mind waiting to be shared at a moment’s notice, rather, they’re there for your recollection if the conversation turns the right corner, or the coffee is flowing right, or someone else’s story reminds you of yours. 

Rosie always requests memories of our pets. I’m glad this photo exists because the outfit should be memorialized.

And that’s what we aimed to do with the writing exercise we brought to the residents that day. We came to chat and to be the ears that wanted to listen with an activity that asks you to list things like an everyday item from your home, family traditions and habits, things you were told as a child, the family mementos and where they were kept. These simple questions make you imagine yourself there again, in your childhood home, or the home in which you raised your own children. And it makes you remember little pieces of the life attached to your mom’s good dishes or the stairway in the house you once met your father coming down for work, you just getting home from being out all night, and the words not spoken between the two of you. 

Where are you from? What do you remember? What was it like?  

I want to know. I want to know to know you. I want to know to know myself.

I helped guide the residents through the exercise and then I did it myself. 

My grandma Edie

Where I’m From

I’m from guitars and a living room cable box
from a deep freezer and Schwann’s ice cream. 

I am from a double wide trailer with cedar siding and green shutters
brown living room carpet and a patterned linoleum kitchen floor
 a big leather couch and flea market coffee tables and a back deck.

Kitchen table homework, mom’s lamplight and the screen door letting the cool air in.

I am from the wild oak and ash trees 
that have grown along the banks of the creek for a hundred years
And mom’s potted geraniums 
and dad’s vegetable garden with too many weeds 
and the cedar trees he transplanted and made us water with buckets

I am from pancakes on Christmas Eve and a good ear for music

from Gene and Beth
the Veeders and Linseths
the Blacks and the Blains.

I’m from front yard basketball games
 long drives to town, the tape deck in the minivan
People magazine, coffee with neighbors and stories from the old days. 

I am from “Up and at ‘em Adam Ant,” 
and “You’re a good kid” 
and “Be-Bop-a Lula, She’s my Baby” 

I’m from skipping school on shipping day 
and Minnesota 4th of Julys

I’m from Watford City and Norway and Sweden 
and Dad’s shrinking hamburgers and mom’s surfer square bars. 

From my little sister and her pony Jerry who would try to roll her right off his back 
and her ringlets 
and the tear that was always streaking her face. 

Old black and white photos of our grandpas on horseback 
sit on the antique buffet where she keeps her good dishes 
and Indian beads and arrowheads in old jars on the back shelf
guitar picks and pocket change in little bowls on his night stand 
the same way I keep mine

My dad and sister and me in the old trailer

Red Barns and People Get Old

The Official Music Video for Red Barns and People Get Old has just been published. Please take a moment with this special and personal story about generational ranching and the hearts and land involved.

Thank you for listening and thank you for sharing with the people in your life who may see a familiar story in this song.

Red Barns and People Get Old: Written by Jessie Veeder
Starring: Cody Brown, Carol Mikkelson and Rosie Scofield
Special thanks to Patty Sax
Directed by: Nolan Johnson DoP Editor/Editor: Steven Dettling
Video by ‪@quantumdigital1404‬

Recorded at ‪@omnisoundstudios‬ ‬ Nashville, TN
Produced, Mixed and Mastered by Bill Warner, Engineered by Josh Emmons and Bill Warner

jessieveedermusic.com

Night worries

This morning I dreamed of the rain.

The window to our bedroom was open and in my dreams I smelled it and heard it falling on the oak leaves still clinging tight to the branches. In our bed, between my body and my husband’s, our youngest daughter slept. Sometime during the darkest hours of the night, she wedged herself there, as she usually does, on a sleepy hunt for her father.

She is still only six. Or, she’s almost seven! She should sleep through the night on her own by now! We go back and forth on where we land with this, but in the middle of the night when the child needs someone to hold on to, neither one of us feels the need to fight it too hard. She’ll be grown soon. The bed is big enough. She won’t need us like this forever. I pull back the covers and I let her in.

I woke this morning to my alarm singing. Last week at this time, the sky would have been pink with the sunrise. This morning it was black.

“It’s time to wake up,” I huffed into the dark as my bare feet searched for the floor.

“Did it rain? Or did I dream it?”

My husband rolled over to try to wake our daughter and told me it wasn’t a dream. I pressed my face to the window screen to smell it the way I smelled it in my dream.

Even with the rain falling, my sleep wasn’t restful. My mind woke my body to worry about bills and things I shouldn’t have said and the work I should have done by now. And then enter the state of the suffering in the world, then of people I know and love, and things I can’t possibly change. Not at 3 am. Not ever.

Why is the quietest part of the night the loudest in my head?

Last week I visited a tiny town in North Dakota to play some music for a special event. In my career as a touring musician, I’ve had the privilege of learning how so many rural communities choose to bring people together, on a blocked off Main Street, in a Legion Club steel building, in an old high school gym, in parks and on patios. I perch myself up behind a microphone to tell stories to people listening intently or to a room full of folks who just want to visit, my music the backdrop to their conversations about the weather, the hay crop, the football team, the latest local tragedy or scandal. I use the word privilege because I regard the opportunity that way, even when the night is long and it feels like no one is listening. I get a front row seat to watch it all play out, who’s refilling the punch bowl and swapping the casserole dishes. Who’s folding programs and is the only one who knows how to turn on the old sound system. Who makes her rounds to each table to say hello. Who sticks around after to put away the folding chairs. Who’s kid grabs the big broom when the room is all cleared out.

Usually, I’m sent down the road with an extra centerpiece or noodle salad or a bag full of sandwiches and plenty of kind words and “thanks for coming all this way,” sometimes apologetically, as if their community isn’t as deserving of a visit as any other community in this country. 

The air feels heavy as the weight of an election year makes big waves, moving through our conversations, across our kitchen tables, streaming through our speakers, screaming in the street. I lay awake last night and wondered, after all my life experience on the road and working in small towns, why it’s easier to holler enemy than try to understand one another. We’re making rivals out of our neighbors. It’s unsettling.

If I’m being honest, I’ve written and re-written the next two paragraphs a dozen times. Because I’m not sure what to say next. Here’s what I chose: Maybe you too were up in the quiet hours of the night with a loud head and a heavy heart. Maybe you felt lonesome or helpless, even with someone lying right next to you. Maybe you stood up and walked to the kitchen to feed your body and look at the moon. Maybe you slept soundly and dreamed about rain. Maybe you didn’t sleep at all.
And maybe, in the midst of your insomnia, your daughter crawled in bed with you because she needs to be close. She needs to feel safe and loved. She needs something to hold on to.

And maybe, in the most tumultuous times, we could be brave enough to consider she’s all of us…

A Poem for Healing

In my life, I’ve never really felt like I belonged anywhere except these acres of land where I was raised. When I was a young kid it’s where I felt the most myself, and it didn’t change the way I thought it would change as I grew up and went out to see how I fit in a bigger world.

I think about that girl I was, the one who, at barely 19, grabbed her guitar and gassed up her Chevy Lumina to hit the highway with her North Dakota accent and songs about cowboys and prairie skies and small town tragedies. I think about how I could be that rooted yet so completely comfortable on those highways and interstates that stretched on for miles between gas station snacks and Super 8 Hotels. How could everything seem so possible and impossible at the same time? I had no reason, no context in which I could reach back and pull that confidence, I just said yes, even if I was terrified, and got in my car and drove.

I turned 38 last month. And while I have plenty I could write about how grateful I am to be here, I’m feeling compelled today to dig out what I haven’t been saying, in part to keep with my promise to share the hard stuff in case it might help someone else with the hard stuff, too. And maybe as a reminder that what looks fine on the outside, might not be the full story, no matter what you’re seeing on social media or in that quick grocery store chat, no matter the motivational speaking and the narrative that indeed you can have it all if you just washed your face and planned your meals and made a monthly date night and cut out carbs and scheduled a run and went to church more…

I want to scream. One size does not fit all! One size doesn’t always fit one person!

And also I want to go back two years before I got sick and had my chest cut open and could maybe believe that stuff. Before the pandemic weighed on our health and our communities and our relationships so heavily. Before this chronic pain consumed me and made me feel guilty for not living each day to the fullest, because, I am, in fact, a survivor who wants to desperately to do more than just survive.

And so there I was standing in my kitchen sobbing, finally, to my husband, that spending a year and a half of my life draped in a nagging pain that threatens every day to steal the joy in which I’ve drawn my ambition and my confidence has maybe, at last, accomplished its mission. It was getting to me. I’m tired. Yes. Me. I get weighed down, too. I feel heavy. I don’t feel like I belong in this broken body sometimes, and this broken world, and then it makes me so angry. Because I’m tired and all I can do is sob in my kitchen and ask my husband to please, don’t try to fix it…

And so he doesn’t. He just listens. And tells me I’m human. And when you’re human you can be all of the things at once, happy and scared, grateful and mad and tired and hopeful and desperate and worthy and worried….

And so I take to the hills of this place that has held me so close and, even in the driest year, has never let me down. And it all seems so impossible and possible at the same time.

Keep driving.

A poem for healing

Wherever you are. However you are hurting, or sighing, or rejoicing,

I hope you have loving arms to hold you tight, to wrap around you and move you…

if you are low….

or if you didn’t think you could possibly be higher.

I hope those arms lift you, if just a little bit…a little bit more.

But mostly for you I wish,

wherever you are,

however you are hurting, or sighing, or rejoicing…

you will know to look to the skyline,

reach to the trees,

run your hands through the grass,

let the creek flow over your boots,

sit under the sunset and breathe in the cooler air…let the earth feel with you.

Let the dirt absorb the impact of a life you can’t control, lay down in it and know that you belong.

You belong here.

Here where you sigh.

You sigh.

And the earth sighs with you.

And you can cry. Scream to the sky.

I hope you know you can.

I hope you know something is listening, something can hear you and is echoing your pain, echoing the words “you will laugh again, you will, you will.”

And when you do, laugh loud.

Laugh at the hurt that tried to break you,

laugh because you know you can,

laugh because you never thought you would again.

Then reach for those arms, wherever you are, however you are hurting, or sighing or laughing…

reach for those arms, listen close and look to the sky…together.

September is National Suicide Prevention month. If you or someone you know is struggling, reach out. You are worthy. You are loved and you are needed here.

Ode to a Kitchen Table

One set of markers. And then another.
Some in their boxes, some without covers.
Two lined notebooks, spiral bound.

An orange water cup. A princess crown.
One egg carton for some creation,
Forgot now what sparked such imagination.
A small sticky puddle of chocolate ice cream.

Some glitter, some glue sticks, a five-year-old’s dream.
And somewhere in pencil is Rosie Gene’s scrawl.
There’s a splash of nail polish, a race car, a doll.

A pile of sweet tarts left stacked from Monday.
Ten-thousand hair bands. A unicorn. Clay.
And underneath, on the floor, I don’t want to look,
half a cookie, a puppy, squished Play Dough. A book.

When the supper bell rings, you’d think, if you’re able
You could serve your fried chicken at the kitchen table
But able we’re not, because, well, we have kids
and it seems that our table has turned into this.

A surface for projects and dreaming and snacks,
and paper for drawings, stacks upon stacks.
I’d clear it away, some days I insist,
then others I simply just let it exist.

As an ode to these times that quickly pass by.
Oh, the mess we can clean, but the clock won’t unwind.
I know it is true, I remember the time
when our table was set up simply to dine

and make up to-do lists, eat cinnamon toast
or romantic spaghetti or a Tuesday night roast.
I remember the quiet, the slow conversation
about long weekend plans, or gasp, a vacation.

But now if we’re lucky, two words pass between us
overtop of tall tales and loud songs and screeches.
And this table, it listens, it hears all these things,
the “Please sit on your butt” and “Listen to me!”

And the “What’s been your favorite part of the day?”
Or, “I love it when you make the hot dish this way.”
Oh, I can’t help but think it’d like to talk too,
to say maybe go easy on the paint and the glue.

Or to comment on how fast they want to grow up
from bottles to sippies to pink big girl cups.
To thank goodness for sponges and quality soaps
and for all of the prayers it heard as we spoke.

Because here among colors and the half-squeezed juice box,
the pipe-cleaner bracelets and collection of rocks,
if you sweep past the crumbs and the coffee cup rings
you’ll find a spot at the table, a front seat to our dreams.

Horses and Home

IMG_5428It’s a little familiar, a little bit wild
A big dream in the wandering eyes of a child
It’s all of the secrets wrapped up in the land
And all that we know about the pride of a man

IMG_5457

It’s letting it go then holding on tight
It’s what’s left to lose at the end of a fight
It’s saying a prayer before hitting the ground
And when you need to be gone, it’s where you can be found

IMG_5470

And that’s how it goes
With horses and home

IMG_5425

It’s dirt under nails and work left to do
It’s fist clenching, back breaking, things that can bruise
It’s broke bits and burs and get up again
And all of the reasons to call someone friend

IMG_5495

And that’s how it goes
With horses and home

IMG_5487

We put up fences to own this place
Tame all the wild beasts and give them names
But we cant’ be sure just who’s being saved
When we let go of the reigns…

IMG_5511

It’s wind through your long hair then on to the trees
Forgiveness and bravery on trembling knees
And then there’s the part where you think you might be
Stronger than most and a little more free

IMG_5515

And that’s how it goes
With horses and home

IMG_5483 That’s how it goes
With horses and home

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Swaying to the band at the bar on Friday night…

You are a hammer, you are nails
spare change piled up on the nightstand
I am half drunk water glasses on the coffee table top

You are snap shirts over t-shirts
long hair tucked under your felt hat
I am stories scratched on napkins and all the things that I forgot

All the things that I forgot

I am seventeen and leaving
Twenty-one and almost gone
You are eighteen with a ring just waiting for the time

To be together on the backroads
Together at the movies
Together buying groceries in the supermarket line

In the supermarket line

For all the things here that aren’t worth taking chances
For all we lost that wasn’t worth the fight
You are strong arms wrapped around my shoulders
And we are swaying to the band at the bar on Friday night
We are swaying to the band at the bar on Friday night

You are six eggs over easy
coffee black and keep it coming
I am wild plums in a bucket in the heat of August air

You are that green Chevy
that we bought when we had nothing
I am all the windows rolled down tangling up my hair

You’re tangling up my hair

And you are generations of people leaving town
I am horses and hay crops in the field
You were not supposed to be the one to stick around
Then again I never really meant to leave here

Then again I never really meant to leave here

For all the things that aren’t worth taking chances
For all we lost that wasn’t worth the fight
You are strong arms wrapped around my shoulders
And we are swaying to the band at the bar on Friday night
We are swaying to the band at the bar on Friday night

You’re two fingers of whiskey. I am a glass of cheap red wine
and we are standing with our bottles in the supermarket line

Let loose…

The world’s full of mustangs
and stray cats
and untamed
men lighting smokes and making promises to you

You show them the fences
the spots that need mending
and the holes in the trees
in case you need to break through

Let loose.

Let loose.

You’re tangled and unbraided
just like the mane
of that pony who taught you
about getting up again

And bones they might break
but words have a way of
screaming out secrets
only that pony ever knew

Let loose.

Let loose.

Let loose the horses girl
Let go of the reigns
It’s no use being lost this way
though I know you love to roam…
Let that horse bring you home

You forgot
All those things you said you’d do
When you’re lost
and no one’s coming for you…

Let loose.

Let loose.

Let loose the horses girl
Let go of the reigns
It’s no use being lost this way
though I know you love to roam…

Let that horse bring you home.

The living room sessions

Maybe
Jessie Veeder Living Room Session
Listen Here:

Maybe we’re supposed to be brave
I don’t know what we are but we’re not made that way
We’re meant to be broken, put together, then saved
Maybe we’re supposed to be brave

Maybe we’re supposed to hold on
when it’s hard to admit it’s gone when it’s gone
In the bright light of morning we’ll be glad we were strong
Maybe we’re supposed to hold on

If love’s not for sinners who is it for?
If luck’s not for hard times who’s keeping score?
I used to know better, I don’t anymore
These mountains we’re climbing lead to the shore

Maybe we’re not supposed to know
every leaf on the tree
every last flake of snow
Because we’re just like the wind, how we come and we go
Maybe we’re not supposed to know

Our hearts can be broken our lives can be saved
In bodies too heavy to just fly away
There’s things that I know and things that I should
Maybe we’re just supposed to be good

Maybe what we have is enough
stop fixing and fighting to own all this stuff
We were meant to be brave, to hold on and give up
For sinners like us, what we have is enough

The world is full…

This world is full of wild and thirsty things

skin and bones and muscles
feathers on black wingssoft petals on pink flowers
and stem and branch and leafwaiting on the cool rain
waiting for the greenThis world is full of a sneaking kind of goldyou can find it on horizons
can’t be bought or held or sold and only in the morning
or at the perfect time of night
welcoming a new day
setting up the lightThis world is filled with the most peculiar sounds croaks and sighs and wails
and squeaks coming from the ground and up above a whistle
and from the hills a lonesome cry and I wonder if the calling
is hellos or sad goodbyes This world is full of wonder and moments to be brave and moments to remember
why we’re here and why we came and moments to be thirsty and moments to beholdand moments just to listen to all the life outside our door