Category Archives: Music

Music by Jessie Veeder

Tiny little miracles (and some other things)

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I went out yesterday morning to feed some babies. It was the first time the sun appeared after a few days of rain and it was fresh and crisp and lovely all around.

I had a major amount of work to do in the house. Like piles of notes and phone calls to make and stories to write. That’s the thing about working from home, when you’re home, that work waves to you all uppity like from that little nook of a desk that sits in the middle of your house. You can’t escape it, you know, unless you wander off.

So I wandered, me and big brown dog. (The pug? So glad you asked. He was snoring on the couch inside, avoiding mornings like the plague is his thing.)

Then I said  to myself: “Self, you’ve got time. This is why you live here. To feed the animals and spray the weeds and unload the dishwasher and avoid the laundry and ride some horses and wander. There might be something in there that says write and be productive and make a living, but I can’t be sure right now…oh and look, how convenient, I have my camera with me! How did that happen? I think I’ll just climb up this little knob and maybe I can find something to photograph seeing as things are all showered up and sparkly.”

So sparkly.

I like sparkly.

I wasn’t expecting anything but a couple bluebells, some horse poop, maybe a dried up crocus or two and a little time to clear my head, but as soon as I hit the top of the first butte, BAM!

It’s wildflower season.


I think we’ve been over my wildflower love affair before so you will have to forgive me as I revel in my obsession and breathe in the colors I’ve been waiting for all winter, the colors I could only find briefly in the sky that touched the white buttes on clear evenings.

I love that sky and I’ll see it again someday, but you’ll have to forgive the fact that all I desire is to put my nose to the ground for a few weeks, to poke around through the tall grass, kick the mushrooms, smell those soft petals and take them home for my kitchen table.

You’ll have to forgive all the photos of flowers that will be covering these pages during this very fleeting time in this very fussy climate. Because I am simply amazed, year after year, that as soon as the ground thaws out a garden that no human person planted just appears out of all of that clay and mud and poop and rocks.

Forgive me, yes. Forgive my amazement and overt enthusiasm for tiny little miracles like this…

and this…

and these…

Because who wouldn’t be excited about their own personal floral shop, a small offering given to us out here for enduring all of this snow and rain.

Gifts like the smell of sweet peas on your kitchen table that make a deadline a little more attainable, something that the dried up Glade plugin that has been sitting in my outlet for months has never fully achieved.

So thank you for taking this little wander with me. I tell ya there is a lot more where that came from, but I’ll try to restrain myself  to ensure that you get some of the other exciting news from the ranch. Important things like:

  • it’s wood-tick season
  • the pug currently still has all of his limbs in spite of his love for picking on things bigger and far more dangerous than him
  • Cowboy has been grilling the most delicious cuts of beef and venison, reminding me every day that I made the right choice in husband (even if he doesn’t do the dishes)
  • it has been too wet to get the cows home and
  • I am making to do lists for little sister to ignore when she comes to live at the ranch for the summer.

Oh, and I’m playing music with pops tomorrow evening in Medora at the Roughriders Hotel–Theodore’s Dining Room. I will also be on Prairie Public Radio today at 3:00 (CT) to talk about being a part of Dakota Air: The Radio Show  at the Burning Hills Amphitheater coming up on June 4th. Due to flooding in the Medora area, this show has been rescheduled for September 17th! But I’ll still be chatting on the radio, so catch it if you can online or on your dial. They’ll be playing some of my tunes and I’ll be talking about new music, old music and what’s to come.

More details on my upcoming appearances:

Thanks for all your support. Here, I picked these for you:

Hope to see you out west soon!

The Red Guitar

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I love guitars. I love the way they look sitting in the corner of a house, laid out on the bed, placed carefully in their cases or on display in a music store.

I love how they feel in my hands.  The new ones shiny with promise of the music that is to come, the stories it might help you tell, and the places it could take you. The old guitars worn from years of picking, dinged up from bar bands and campfires and teaching a child to play.

And I love how they sound, each one a little unique, a little brighter, a little lower,  a little cheaper, a little more rich and full. I love how they transport me, no matter if I am behind the sound or sitting in front of it swaying to the rhythm it creates, to a place so full of heart and passion and loneliness and fulfillment and family and home and leaving and heartache. A place I’ve always had in me.

Because you know how everyone has a first memory? That moment you look back on where you were the youngest version of yourself you knew. Maybe it’s only a few moments in time, but it was so powerful that you hang onto it hard and forever, whether you want to or not.

That memory is a guitar to me…

…dancing in the basement of our old house while my dad played his red Guild and sang. I don’t remember the song, or maybe I do, it doesn’t matter. But I remember the brown shag carpet. I remember how he wore his hair a little long. I remember how his wide, leathery fingers eclipsed the strings at the neck of that guitar. I remember how he swayed back and forth and tapped his foot, just a little bit off of the rhythm of the song he was singing and picking—the same way he does to this day. And I remember wanting to play. Wanting him to let me pluck the strings on my own, wanting my hands to grow a little bigger so I could make the music come from that mysterious instrument. That beautiful, red guitar.

And the instrument, the guitar, still remains a mystery to me. Even though I have been playing in one form or another since I was twelve years old, it still perplexes me that six strings touched the right way can produce sounds that make you laugh and cry and tap your toes or sing words you didn’t even know you had in you out to the world. It’s amazing to me that the sounds that come out of the body made of wood and metal and shine can be so different depending on who is touching it, who is sitting behind the instrument.  I am in awe that a guitar can transform a campfire or a living room or a makeshift stage into a world where where love is lost and found, real cowboys still exist, babies fall asleep peacefully, summer always stays….

Yes, the guitar remains elusive to me even though every person in my family, as a sort of right of passage, owns their own version of the instrument and tucks it away in their basement or in their bedroom closet or props it up next to the piano or next to the living room couch. It is a necessity, whether or not you ever learn to play it, you need it there next to you in case you are ever so inclined—because the music is so unpredictable.


I have had in my possession a number of guitars in my short 27 years. All given to me by my dad based on his judgment on what would be the best fit for me. My first was a small guitar made for beginners that came in a box and wound up in my little sister’s room after I graduated to the next level: a cheap guitar with soft strings upon which I practiced strumming and singing “Amarillo by Morning” until my little fingers and voice were raw.

When I proved that I had an interest in the instrument that wasn’t going to waver anytime soon, I consulted with my dad and we agreed to trade my saxophone, the one I would pretend to play in band class, for a real guitar (because it was quite apparent that I lacked any Kenny G style skills and probably never would). And so I acquired the green Takamine and started writing songs, thinking maybe I could be a real musician behind this guitar. Maybe.

And I kept playing that Takamine in my bedroom. And then that guitar and I had our first real gig playing songs that I wrote and songs that I loved. Then we did it again and again until it was time to record them and time for a new guitar. Because I had outgrown the instrument in sound and purpose.

So another Takamine with a sunburst on its body took me on through high school and into my first year of university where I played in coffeehouses and bars around the small college town. And when the call came about traveling and working on another album I was set to go. I had my big girl guitar, it would work just fine.

I was excited and nervous and anxious about the whole thing….

Then one day after a few of my first on-the-road gigs, I came back home and my dad placed into my hands his Taylor, the guitar I had coveted and loved and snuck to the back room to play by the moonlight whenever I had a chance. He loved that guitar, and he placed it in my hands.

I took it with me.

And if there is ever anything I go back into a burning building for, it will be that guitar.

But if there is anything I love more than that Taylor it is that red Guild. And for a while I thought I would never see it again, you know, because a musician like my dad is known to trade guitars for amps and other guitars. And that red Guild was out of our lives for a while, during the time I was falling for the Taylor.

But damned if dad didn’t get it back in the last few years and pass it along through his hands again to my little sister when she went off to college.

And that red guitar is irreplaceable to her, allowing her to play and sing out loud the words to songs that mean something to her. And when she’s sitting behind that guitar so far away from the buttes of the ranch, maybe a little lost and frustrated some days with life and the pursuit of finding herself, she can close her eyes and strum and take a deep breath and hear the sounds of home.

And so l’ll tell you, all of the guitars I have ever possessed have given me something–confidence, my first song, a stronger voice. But  I watch my little sister behind that red Guild, the very same guitar that took my dad on the road in bar bands and coffeehouses, that let loose the music inside my heart when he played it for me so long ago, that brings two sisters together in song, voices blending, toes tapping, and I am overwhelmed with the spirt of that instrument.

And I realize that red guitar, the one that played the first chord I have ever heard, the one that found us again strumming the music of home, the one that I never even called mine, has been my greatest gift.

The music

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32

Last Friday my dad and his band, along with a couple young talented guys from my hometown, got together to play music in one of the local bars. They do this from time to time when schedules allow, so I took the trip to town to tap my toes, listen and sing with them– one of my favorite things to do in the entire world.

Something I’ve been doing for years every time I get the chance.

And it reminded me of something I wrote this summer after driving home from a night playing music in town with the guys. We loaded up the equipment in the pouring rain and drove home to our beds and our families. That night I felt I needed to talk about the music, to really try to get to the bottom of what it means. So I wrote it down, I analyzed, I remembered and thought it out. And then I tucked it away as I went on with the day-to-day and found my feet on the ground I love.

And started writing music again.

So last Friday I dug it out of the archives and I wanted to post it today.

The music

I want to talk about the music. I want to really tell you about.

But I am not sure where to start, and if I do, how to end.

I want to tell you how it takes over, how it tortures, how it aches and thrills and brings me to the highest highs and the lowest lows. How I nurtured it and ignored it. How I whispered it in the night air and screamed it in the hilltops and took it with me on the road and opened the doors wide and let it out. How I shut it in tight. How it haunts me and swells and lulls and crescendos and de-crescendos through my life. I want to tell you how it holds me and throws me down and then picks me up and laughs it off.

I want to tell you all of these things. I want to make you understand this blessing and this curse.

I got home late last night in the middle of a thunderstorm. My dad, with a trailer full of speakers and mic stands and guitars and crumpled song lists, drove me home into the night after an evening of playing with his band at an event in our hometown. It is an eclectic group of men–the band. And I could describe them here for you, but that would be a novel.

That would be an epic tale of triumph and creativity and struggle and friendship all wound up in their very own reasons they get together in bar rooms, around campfires, in living rooms and on porches across the country to play–to show off their instruments, sing into the dark and the smoke the words from the pens of like-minded men and women–songs from their own pens.

They tap their feet and drink from bottles after a long day in the office, in the field, on the road, in the oil patch or at home, alone, and they let it go. They push through worn voices, lines like “come away from your working day,” or “you’re spook’n the horses,” or “long may you run”– each song hand-picked by each man for something–something that matters.

And they get requests. They get requests to sing “Pretty Woman” or anything Garth Brooks or Simon and Garfunkel or “something we can dance to!”

And sometimes they oblige. Sometimes they do. But mostly they sing what ever the hell they want. Because they’ve been here before. They’ve played those requests and sat through sets in bars where the dancers were falling into equipment and laughing and cussing heartily to each other, drowning out perfect guitar riffs and damn passionate vocals and a great steel lead. They’ve driven into the night to get to the next show for the paycheck and the idea this might lead to something bigger. One of them has played to crowds of thousands and slept in tour busses and traveled the world. One of them has spent most of his musical career picking in the living room, looking for the voice to sing it out loud. One went from picking and singing in a traveling band, to alone in coffeehouses and restaurants, to sitting alongside a young daughter as she nervously sang her little heart out in front of her first real audience. All have found a home with the band.

These are the voices that sang to me the music I grew up with. The John Prine, the Lyle Lovett, the Bruce Springsteen, the EmmyLou Harris and the Neil Young came through on weathered guitars and equally weathered voices. I listened. I followed along.

And I fell in love. I took those voices, and started searching for my own at a pretty young age. I could go along here and describe to you the linear, biography type write-up of how I moved into and out of a career focused on music. That is important for press releases and websites, but not so important to me. What I want to explain is that I was never looking for fame and fortune or a chance to wear really great outfits with the songs I was writing and singing.

I was looking for a way to tell myself something.

I would walk out in the hills behind our house and sing at the top of my lungs where nobody could hear me, just to let myself let it out. It didn’t matter how my voice sounded, but I wanted to create something. I wanted to create something as beautiful and heart wrenching and cynical as the world I saw spinning around me. So I flung it out there and with a little coaxing, I began singing with my dad in public, then playing my guitar, then the songs that I wrote. And pretty soon people wanted me as at their conferences, their summer festivals, as their side act, their opening act, and sometimes, their featured attraction. Then I found myself on the road a bit, performing at colleges and as a guest on the local radio and small TV stations. Pretty soon I found myself wanting it too–knocking on doors, making phone calls, asking to play, auditioning, entering in contests, recording my music.

And then I had to explain myself.

“How do you write?” “How does it come to you?” “Did you take any formal classes?” “Who taught you to play guitar?” “Where do you want to go from here?”

And my favorite, “You should try out for American Idol.”

Pretty soon I was 23 and making a modest living off of rationalizing my worth as an artist, playing my music, proving myself and struggling to answer these questions.

But I don’t know how to answer them. I don’t know how to explain to anyone what I decide to write down, how the music comes out and the fact that most days I don’t think I’m much good anyhow. I don’t know how to explain how it got as far as it did, and then, how I stepped back a bit. I was given a wonderful opportunity to travel the mid-west and sing my songs and tell my stories and meet all kinds of wonderful people and see the United States from the inside of my Chevy Lumina. And it was a good gig for someone like me who had no idea what she was doing really.

But to be honest here I was a little lonely out there singing songs written about a place I loved, a place I kept packing up and leaving. And I could have gone on and on like this into my life, with small successes, telling my story, telling the world about what I love and not being there to love it. To live it.

Because to me the music was words and notes and callused fingers plucking the stories out of me and into that world that used to weigh on me, inspire me, scare me a little. To me the music was all of this. All of this and suddenly it was work too.

And so I felt I was being swallowed up a bit by the method of it all. I wanted the music, but I didn’t want to be launched, I didn’t want to be swallowed by it. I didn’t want it to take everything with it as we flew down the road to the next town.

So I backed off for a bit to remember exactly what it meant to me in the first place. To find that little girl singing in the trees again. And I tried to explain. Because some people can’t imagine being given a voice and a passion and not taking it to the bank for every thing it’s worth.

But that’s just it. What is it worth to me? What is it worth to the small town band playing their hearts out on a Saturday night to a bar crowd?

I remember when I was younger getting ready to go sing at an event during a warm summer weekend. I sat in the back seat of my parent’s car as they drove to the destination and I remember my secret struggle with this situation in which I found myself. I was thankful for the gift. I was thankful for my voice and my love for the music, but I thought to myself, at that moment, when I imagined my friends at the pool or hanging out together at the lake, free of the jitters, free of the nervous stomach before the performance, that they had it pretty good. For one moment, I thought maybe I didn’t want this responsibility.

But last night, as I was strumming alongside some of the most talented and rugged and honest men I know, I whispered a quiet “thank you” to God.  Because whatever the music can be, whatever expectations and struggles and disappointments and goals I have and have not achieved with this voice, I am grateful simply for what it is:

Sanity and creativity and holding on and sitting side by side with the people you love and singing into the night songs about traveling and the places you’ve been, songs about learning and death and standing up for a friend.

The connections, the mixing of voices, the harmony of two best friends, a mentor, a legend, a daughter, and a father swaying to the beat of their hearts in time to the music flying out of smiling lips and eyes squeezed shut with pure joy.

It is respect and trust enough to let it take you to a good place, a strong place where your soul speaks and all of the people you’ve loved and lost, those who lifted you up come to life for the moment.

It is finding the sound, taking a breath in unison, inviting strangers to sing along until they are no longer strangers.

It is packing up and driving into the thunderstorm at 1:30 am, rehashing the night, and the notes and the characters beside you. And making plans to sing again.

So I’d like to tell you about the music. I would. But I am sure to disappoint someone here, because what it means to me might not be what it means to you.

Because to me, it means everything.

Right back where I started from…

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21

Have you ever found yourself in a moment, deep in it, smiling, laughing, crying soulful tears and suddenly everything around you slows down. The people are illuminated in theater-like lighting, the objects at your hands and feet seem to be placed there to create a scene, the conversation is flowing, witty and real, the atmosphere is filled with air the perfect temperature and scents that remind you a place you have been before, or a place you have always wanted to be.

So you pause to take a breath from the laughter or the tears of joy to really look around , to notice that your heart is completely full and you find yourself asking, “Could this really be my life?”

I have had a few moments like these. I have found my feet on stages singing to the best crowds and on hilltops on the back of the best horse and deep in the snow covered mountains, stars above soaking my life-weary body in a hot spring

And in all of these situations I have been struck to find that for a few minutes, this world was indeed, picture perfect.


It happens sometimes.

It happened to me this weekend.

See, every Saturday for the month of December I have been scheduled to bring myself and my guitar (and my pops if he wants) to sing my songs in a lovely restaurant in the small tourist town of Medora, in the middle of the beautiful North Dakota Badlands.

This is a gig I have had before. In fact, if I remember correctly, this was one of my first gigs ever as a singer/songwriter at around 13 or 14 years old. Before the debut of my guitar and the songs I penned on my own, I had been singing alongside my father at fairs and festivals around the state for a few years. I was the melody to his harmony, a voice to the lyrics of other people’s songs, a little girl in wranglers, hat and a shirt buttoned up to the very top. A very serious, nervous, unwavering steadfast, not quite cute, more like nerdy, young, folk singer.

Cue photo montage for evidence…

I came by it honestly...

...being groomed with performances at family holiday gatherings...

...and at church, where I learned that the higher the hair, the closer you are to God. A motto I continue to live by...

...and in the summer festival sun. You can tell it's summer by the fruit on my shirt. I like to dress for the seasons...

...yes, my wardrobe tells so much about me, like "I like horses, and vests, 'cause I have horses on my vest"...

And between my performances I was in my room writing bad poetry and teaching myself to play the guitar–because I had a vision of myself as a songwriter. And I was serious about it. Yeah, I was goofy  and free in other parts of my life, (like my dance performances, love for pet reptiles and wardrobe choices) but when it came to songwriting I was steadfast.

I kept my songs on a shelf in my room and the voice that was singing them between the four walls. I made sure the chords that I strummed from my guitar did not leave the doors of our little house in the countryside. I was determined to keep everything I created wrapped up tight until…well I didn’t know when. I wasn’t sure. I guess until I was ready…but I was unsure I would ever be ready.

Until one day my pops came into my room while I was strumming and singing my heart out to no one but myself, safe from the judgment of a world that existed down the pink road and at the end of the blacktop.  He came into my room and told me we had a gig.

In Medora.

Oh this was big time for me. Because Medora was my humble state’s big tourist destination. They boast a music and dance production in a big outdoor amphitheater in the badlands every summer night. People visited Medora to have a taste of the western North Dakota ranching life, to learn about Teddy Roosevelt, to hike the hills and buy cowboy hats and eat hamburgers and, most of all, be entertained.

And they wanted us.

Yup. We had a gig.

In Medora.

And pops thought it was time for me to play my own guitar.

And sing my own songs.

Oh Lord.

Because here’s the thing. If you’ve ever been a writer, or have ever written a love letter or a poem or paper for a class. If you have ever taken something from your head and heart that you have thought out, suffered over it, and proceeded to put down on paper, making it a permanent fixture in this world. Something that has the potential to expose the inner most workings of you and your philosophies and then thrust it out there in a world that is so full of cruelty and scrutiny, you can understand why, in the basement of the very restaurant in which I played last weekend, in the middle of a tourist town in the heart of the badlands, I, at 13 or 14 years old, I had a complete and utter mental breakdown.

A complete and utter breakdown regarding the reasons my mother allowed me to dress in leotards and tights until I was six years old, and why I had to be born with curly hair, and why I was the middle child and why my parents lied to me about my pet lizard’s death when I was away at bible camp and why God invented zits and why I ever sang my first notes in the first place.

And why had I agreed to this gig, because I was surely going to die out there.

But not before they all laugh at me.

And my outfit.

...convinced I still looked like this...

But the show must go on, so I wiped away tears, walked up the steps and out into the front of a quiet little restaurant lit with candles and filled with the scents of garlic and the fireplace and the dull roar of conversations of people ready to enjoy a lovely evening with this awkward adolescent with frizzy hair, a guitar and her dad.

I picked up my new green guitar, stood nervously by the man who told me I had a voice and sang the first line of the first song I ever wrote…

“I ride wild ponies through pastures I have walked before, every day of my life….”

I thought I might throw up. I thought my legs might just collapse from underneath my body and send me flying into the plate of prime rib and mashed potatoes in the table in front of me. I wished for the roof to open up and aliens to choose me to abduct and use for their experiments.

My voice wavered as I sang the second line….

“Today I feel stronger on the sleek white back of fire, why won’t my ponies ever tire…”

Knives were scraping against plates, people were laughing amongst themselves, glasses were clinking, the aroma of the soup of the evening filled my nostrils…

..the chorus…

“Do they talk when I’m away? I must know so I must stay…”

The laughing quieted down, a few heads turned toward me, chewing slowed.

I took another breath and finished my first song.

And the diners put down their forks and clapped.

They actually clapped for this girl, scared shitless behind her green guitar singing words about her ponies.  They clapped and smiled and laughed and talked amongst themselves.

So I sang another song, and then another and when it was I was all out of music and my fingers were sore, they asked me when I was playing again and where they could get my songs and when I would be back.

So I came back. I came back to sing on patios, and in the amphitheater on the stage in front of big names, in the community center to belt out Christmas songs in my belt buckle and cowboy pants pulled up to my chin.

Cue another photo montage:

I came back again and again to sing in front of people who had heard me sing the words I wrote for the very first time.

Yes, I came back and with each summer I had a few more songs, I grew a little taller, a little more confident, my voice a little stronger, until one day I packed up my guitar and my books filled with words and moved on to college and to new venues in new cities that made my heart pound and had me questioning my wardrobe choice and song selection over and over again…

…and wondering why I ever sang my first note, wrote my first word…and why my mother let me wear leotards and tights until I was six…

Why? Wwwwhhhhhyyyyy?

I meandered, taking singing jobs all over the country, recording my music, selling my music, changing my words to fit my life, my clothes to fit in, and taking it on the road. And it was exciting and nerve wracking and challenging. And I took it just far enough to be exhausted at the thought of it all….

And then last weekend I found myself behind my guitar, in my favorite boots, beside my father in his hat and harmonica holder, singing the melody to his harmony, singing words about cowboys and horses and sleeping under the stars—songs about Christmas and a life I lead as a woman who is not so scared of herself anymore to a crowd in a small restaurant, in a small town, in the middle of a landscape that has held me close and gave me something to sing about.

And through the familiar sound of glasses clinking and knives cutting steaks, the small crowd clapped and moved their heads with the beat of our guitars as the heat of the fireplace made the air between their conversations warmer. They laughed as I told stories about getting the pickup stuck and falling off of the backs of horses and crashing sleds down the hills at the ranch.  They nodded their heads as I told of the lessons I learned growing up on the ranch about feeding the animals first on Christmastime, before any gifts were open, before breakfast was served.

They sipped their wine and tasted their chowder as I sang, with my dad,  “Silent Night” the same way we have always sung it, to the crowd, to the stars, to the Christmas fireworks making sparks in the winter sky, to our family, to each other and out the door and off of the snowy buttes, the way our music was meant.

And the world spun a little slower, our guitars sounded a little sweeter, our voices more pure as we strummed into the night, our music absorbed by the walls of the historic building, our voices getting through to the people who came there that evening from small towns, from ranches deep in the hills, from cities and from down the street to hear a girl and her dad play music, not for the money, not for their supper, not for a record label or to win fans from all over the world, but to play for the sake of playing. To sing because there is nowhere else they’d rather be.

Nothing else we’d rather be doing.

Nowhere else we’d rather be.

Right in the middle of my pretty damn good life.

Right back where I started from.

Thanks Medora!
See ya again this weekend.

A cup of coffee and a change of weather.

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18

Ok, ok. I had my little hissy fit yesterday, you know, about summer leaving. I have always be proud of the fact that I accept change, welcome it with open arms, persuade it to occur really more often than I should…but I admit, I always have a hard time letting go of the sunshine season.

But let’s move on. Because (after the snow melted) it is truly spectacular out here. Maybe I have a super hero nose (it is rather large), but I think each season has its own distinct scent…I swear I can smell the fall coming in the musty, damp waft of leaves falling to the earth and turning to dirt. When I step outside today, even after a raging, uncharacteristic thunderstorm this early morning, I breathe in the crisp air and it is like this world that surrounds me has cleaned up and started over once again.  I suck in and feel the cool wind on my face and I am taken back to the first day of school, football games in town in my new jacket, chasing cattle to the reservation line and spitting plum pits at my little sister as she kicks her pony along.

What is it about us North Dakotans and our obsession with the weather? I ask this all the time. I walked into the local Cenex in town yesterday, the one that used to be a little diner called the “Chuckwagon” when I was growing up, and there sat my Great Uncle sipping coffee with his boys, talking about the crops and the cattle and kids these days and, of course, the weather.

Cue another flashback and ode to old times: because there he was, my Great Uncle, a few years older, with less mud on his boots from having moved into town years ago. He was sitting in the same building with the same group of men with whom, at well past 70, he has had coffee with nearly all his adult life.  And as he talks crops and takes a dip of Copenhagen and laughs, just as he always has, while offering me a pinch, around him the world is changing.

His once regular table where he would order the pie of the day is now a “Hot Stuff Pizza.” And instead of sitting down next to him for my own slice  (or chocolate ice cream with chocolate sprinkles,) like I would have done 20 years ago when I came to town with my gramma, I said a quick hello, gave them a smile and ordered my coffee on the run.

coffee

And outside the window in this once sleepy town the high-school kids are driving up and down main street, just like they always have, but this time with fast, flashy cars and cell phones, weaving in and out of the constant wave of truck traffic that has swept in with the second coming of oil to this area. An industry my uncle has watched boom and bust and boom again outside this very same window.

Across the street, he has seen his favorite hardware store change hands, close down, open up again and get a face-lift. He has enjoyed his last movie for a nickel and then waited years and years until he could see one again on Main Street…for $6.99.

He’s watched as the storeowners have wrapped gifts for his wife in dozens of different boutiques, in the same three buildings, and has purchased new-to-him pickups to take him to and from his farmstead thirty miles away. He has watched his children play sports and move out and have children of their own, who he has watched sing in the school concert, ride horses, get their first big buck, and their first job and move on and out and back to this once sleepy town.

And he takes that pickup to coffee every morning.

Old Truck

Yes, this is dramatic stuff, this cycle of life. Watching my uncle smile the same smile behind modern glasses in his remodeled and repurposed coffee joint, I think I am beginning to understand what it is about the weather…

…Imagine your lives here, in the middle of the mid-west, where one day it is sunny and the crops are thriving and the next day a hail storm wipes your heart and work out in a blink as you stand helplessly looking out your back screen door, powerless to change the outcome. Imagine standing in water up to your waist, carrying calves through a flash flood to dry ground, giving all of your energy and passion to save your animals. Or, after a severe spring storm, taking a newborn calf into your basement and warming it by the fire to save the fragile life. Imagine the most beautifully, unexpected spring day where you skip work to go fishing. Imagine losing someone you love on the road in the grip of an ice storm. Imagine waiting for the rain to stop to get your crop out before the snow flies…and the rain just turns to flurries…

And all the while, with each coming fall, your children are one year older, one year away from starting a new life…and with each drop of a leaf, gust of wind, and change of season, one more laugh line appears, one more year of work and sacrifice and special movie dates in town is gone.

So weather–this is how we talk about life here. This is how we talk about the hard stuff, the new stuff, the stuff that makes us crazy and lonesome and completely and utterly blissful. The stuff that puts the gray in our hair and the wedding dress on our daughters and the grandchildren in our arms. The stuff that makes us lose and gain and lose again…

Because nothing stays the same, nothing is for sure here, nothing is certain….nothing…

Except a good cup of coffee and a change of weather…

Summer Leaves

Winter Branches

Listen to Heroes Proved, a song I wrote about change in the rural lifestyle.

The pink road

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There is a pink road that leads me to our house in the hills. I guess I always call it pink, but for those of you who are picky about color choices, you could refer to it as a salmon or a coral I suppose. Anyway, this pink road, or red road, or coral road is surfaced with a rock the locals call scoria. Scoria, or what the smarty pants geologists label clinker, is a form of natural brick formed in the landscape by strips of once burning lignite coal. (And that’s probably the only scientific fact you will hear from this woman for a long time, thank you very much Google).

Anyway, I always thought it was stunning–the vibrant road that winds its way through a landscape that changes from green, to yellow, to gold, to brown, to gray, to white and then back again.  And just like the landscape changes, so does the road it seems. In the spring it is at its best, perhaps because we missed it so much, buried under all of that snow for months. It slowly appears a vibrant, soaked deep maroon color digging its way out of the banks, emerging from under ice and puddles of mud. I splash around in it and, with windows rolled down, I zoom out of the yard and over the hills and off somewhere. As the sun warms up the world and the season changes to summer, the once soaked and cold road becomes hot under the rays and turns from deep red to a hazy pink as the rocks break up under the weight of our tires and our feet and the hooves of wild beasts. I drive slowly out of the yard, trying not to disturb it as a tail of dust stretches out behind me.

And then a summer storm passes through, and it looks like God took his favorite, sharp red crayon and drew a nice thin line right down the middle of the neon green grass and dark blue, rolling thunderheads off in the distance. Down through the cool draws and up on top of clover covered hilltops it bends and straightens, leaps and lands and stretches its arms, like the land is the road’s personal dance floor.

And I am the charter member of its fan club.

Because you may pass by it on your way to town, or to the lake, or to your relative’s farm, and not even glance at the subtle invitation to take a little trip with it. But I have will never refuse it again.

When I was really young, like four or five, I lived with my family in Grand Forks, ND. On my favorite weekends I would be lifted into my dad’s pickup by my little armpits and I would sit proudly alongside him as we made our way across the piece of pavement that stretched a good five or six hours across the great state and out to my grandparent’s ranch–our ranch. At four or five everything seems bigger and every travel adventure seems further and longer than it is in reality. When I was certain we had been in the pickup at least fifty-six hours, it was then I would start looking for the pink road that signified our arrival. With my nose smooshed to the window, I would watch for the white line to break and open itself up to the approach that welcomed me like an old friend.

“Are we there  yet?”

“How much longer?”

“When are we going to be there?”

And when we arrived on that stream of road, even at four or five I could breathe a sigh of relief, because even then, the road meant home to me.

But it also meant so much more. It meant comfort and adventure and family and my grandmother’s arms wrapped tight in a hug.

When we moved out here permanently as a family when I was in second grade, there was no more waiting and looking and asking when were we going to get there.

We had arrived.

And the road held my hand like an old friend as I wobbled on my first ten speed bike and followed it up the hill to my best friend’s house. It soaked up the blood from skinned knees and tears from lost dogs and hurt feelings. It created space between hurtful words exchanged among three very different and very frustrated sisters. It eaves dropped on my quiet, made up songs, scuffed my new shoes and laughed as the bottle calf chased us home from the barn after a feeding. It smiled sweetly as it lead me back to my mother after a couple short stints of running away. It welcomed me off of the school bus and happily took the brunt of my skid marks as I learned to drive.

And then slowly, the road began to change, taking on an entirely different meaning as I grew from a young girl to a teenager. Without me really noticing, it began to mean more to me going out than coming in. It meant escape, freedom, independence, civilization, relief and a chance at love. It didn’t recognize me anymore as I came and went in the mist of the early morning and the shadows of late nights. I didn’t frolic as much, but instead began to sneak and sulk and stomp.  I brought strangers home and they littered its ditches and the grass grew around my bicycle as I stepped on the gas to my new life and wasn’t so quiet about kicking up its dust.

But when the time came to leave, to really leave this place for a good long time, I closed the door to my bedroom, hugged my parents goodbye,  filled my trunk with memories and followed my old friend out into the world.

From the corner of my rearview mirror, I smiled a bit as the road waved at me from the hill top, always the last to say to say goodbye.

And the first to welcome me back.

So I am thinking about the road today because I think I owe it an apology. Because I feel a bit like an old friend who hasn’t picked up the phone to say hello for ages and then suddenly stops in for dinner, without warning. I want to bring it a casserole in Lutheran Lady fashion in an attempt to make amends and let it know that I am older now. That I understand.

Because I realize, in this moment, that I have learned something from this road after all of those years of watching it dance. See, the road never cut through a hill or plowed down the trees. It moved with the curve of the land and under the rhythm of our feet and trusted that it would meet up in the right way with something–a fork, a bend, an endless horizon–in the end.

The road trusted so much in the path it was taking that it changed color and texture to blend and bend and take the heat of our tires and our words and our plans to leave. It understood that just like the landscape changes, so do the seasons of the human spirit. And even as I spit on and kicked its stones and turned my wheel off of its path, my entire life the road was just trying to tell me to follow my feet.

So I am thankful today. Thankful for the road. Because after changing my shoes a few dozen times, knocking down doors, banging my head against the wall, digging holes in the dirt, speeding lazily along the interstate and sticking out like a water tower on the horizon, in all of my despair and frustration I closed my eyes tight and saw the road, waving like it did so many years ago.

And I finally stopped stomping and looked down to find my feet dancing on pink stones.

Listen to “This Road”-Jessie Veeder Live at Outlaws

This Road


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