Rosie’s Spring Song

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On this week’s podcast episode I have a short visit with Rosie before preschool about her new song and why spring is her favorite season. Listen here or wherever you get podcasts.


Rosie wrote a song about spring to sing at open mic at my mom’s coffee shop in town last week. Her first experience a few months ago singing her own song in front of a crowd gave her the confidence she needed to do it again. She’s only five, let me remind you, but no “Twinkle Twinkle Little Star” for her. She insisted I get out my pen and my guitar and help set her idea to music. “Spring is the best time of the year. It’s so happy and full of cheer.”

Yes girl, yes it is. The snow banks are melting and the creek is rising and the mud on our boots is sticky and tracking into the house and everything is dirty and a combination of brown and blue and gold. And so these suddenly become our favorite colors when white has been our existence for all of these long cold months.

“Easter comes by and it’s so fun. Because there are Easter egg hunts,” she sang, her little legs dangling off the chair, the microphone in both hands held up close to her mouth so we could all hear her words.

Rosie’s my hero. It’s possible I’ve said this before, but in case I haven’t, I am saying it again. She has been since I met her. Her very existence was improbable given the fact that I struggled for so long to keep a pregnancy. We had our first daughter and thought that might be it for us, but we tried again anyway thinking it could possibly take another ten years. But Rosie was ready to be born and so she didn’t make us wait. She came to us quick and easy at the height of one of the most difficult times my family has endured, my dad clinging to life in a hospital bed in Minnesota and his future so unsure. We gave his name to her, Rosalee Gene, because the belief that he would ever meet her was nothing but a faint light. She was a sweet distraction, a quiet force for hope that can come even in the most desperate and dark moments. She made no fuss about it. She just breathed and sucked and pooped and lived and as she grew my dad grew stronger and here we are with both of them at the ranch waiting for the snow to melt off and the baby calves to be born. Spring is hope and renewal and so it reminds me of my second daughter, singing so confidently this song about her favorite season.

“Outside the window spring is here. Bunnies and chicks and baby deer.”

The elk take a stroll through our horse pasture

Lately there has been so much tragedy exploding from the news feed, and our small communities here in western North Dakota have not been immune to it. Renewal and hope aren’t easy words to sit with when loss and uncertainty sit heavy in your guts. But time continues to change the season. Time continues to move, eventually bringing with it a thaw. The water breaks free under the ice and rushes the draws.

In a week or so we will have baby calves on the ground, still wet out of the womb. In a few more the bravest flowers and buds will start to emerge at the coaxing of a warm sun. The pair of geese will return to the stock dam outside our house. The wild plum blossoms will dot the brush with vivid green and we will climb to the top of a hill to find a dry spot and lay down in it, knowing well that it could storm again the next day, burying the ground and the new buds and babies in the chill of a white blanket. But it will be hard to imagine it then with the warm spring sun on our bare arms. If you’ve forgotten what hope is, nature can remind you.

“A big blue sky and bumblebees. Tweet-ely birds and green green trees,” Rosie sings into the microphone to a small crowd of community members gathering for coffee. They tap their feet and hum the tune on their drive home…

Darling we haven’t gone dancing…

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Listen to the podcast here, on Apple Podcasts, Spotify or wherever you get your content!

Last weekend, the girls decided that my husband and I needed a makeover. This happens occasionally. They take it upon themselves to fix our hair, put makeup on me, paint my nails, and dig in our closet to pick out our clothes.

I always like to see the outfits they come up with. Usually it’s a combination of whatever animal print I have within arm’s reach, a flowy skirt that twirls, a jacket, and some high heels. Nothing ever matches. Their dad doesn’t have many fancy options to choose from because once I thought it was a good idea to throw all of his neckties in the washing machine and, as you can imagine, none of them survived, so I always come out as the most overdressed of the two of us.

Anyway, once they get us all dolled up, the next step is, naturally, to clear out a spot in the living room so we can dance while they watch. They give us orders on how we should hold one another and how he should dip me, and this all lasts about three minutes before they run to their rooms and pull out their most frilly dresses and sparkly shoes so they can join the show.

So, once again, this was our Sunday morning routine, the same as it has gone multiple times before. We two-stepped across the crooked rug in my snakeskin booties and twirly skirt with my arm around the guy I’ve been dancing with since seventh-grade jitterbug lessons in gym class.

As we worked the rust off our best spider move, my oldest daughter came rushing up between us, hugging our legs, a smile from ear to ear, overcome with emotion. She was having the most wholesome, adorable, whole-hearted reaction to this moment she helped curate, and it caught me off guard in the most lovely way. To see her parents dancing, holding on to one another, laughing at our clumsy attempt at a dip, letting go a bit in the routine of dishes and schedules and work made her whole little being light up.

There’s an old Ian Tyson song that my dad sings with the band called “Own Hearts Delight.” The lyrics are full of nostalgia the way some of the best songs are.

The chorus goes: “Darling, we haven’t gone dancing, for such a long time now. It’s been so long since we’ve twirled around the dance floor, I’ve almost forgotten how. So gas up the pickup and I’ll get the babies, they can stay with the neighbors tonight. And if the band at the bar’s playing waltzes and shuffles, I’m gonna dance ‘til my own heart’s delight.”

Long before I was married, I used to listen to him sing this song. Even as a kid, I understood the ache that sat within its lines.

I was raised by two people who worked two or three jobs each while raising kids and cattle. My dad was always the singer in the band, so I rarely caught them dancing, and never in the living room. But those quiet evenings at home in the winter while I sat on the floor doing my 4-H latch-hooking project, or at the kitchen table working on a math problem, I would see my mom swing her legs over my dad’s lap as they sat on the couch together, him reading the paper or a book and her surfing the channels, and I would feel safe.

Before our daughters were born, my husband and I used to spend our evenings both tucked together under a blanket in our oversized chair. Then my belly started to grow bigger, and then there were three of us, and then there were four of us, and our arms became busy, our nights occupied by crying babies, then kids with the sniffles and teeth brushing and “Just one more book before bed, please.” I’ve only just recently remembered that ritual of ours. We’ve long gotten rid of that big old armchair.

Lately, my daughters have become increasingly interested in marriage and coupling up. It’s a natural curiosity, I suppose, to try to understand what love is, what it might look like, what it might feel like, and if it might be something for them someday. There was a time when my oldest was around 2 or 3 when she thought dancing meant marriage. Marriage was dancing together. I didn’t hurry to correct her.

“Darling, we haven’t gone dancing, for such a long time now …” The words couldn’t echo more true for us these days. I guess we have our daughters to thank for the reminder.

Prairie People Hit the Beach

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Do you know what it takes to get out of the great white north in March?

Ask anyone who tried it the past couple weeks of spring break and they will tell you it was an act of God. Some of them never made it out.

Listen to the podcast here, or wherever you get your podcasts!

We were the lucky ones (cue dramatic music). Because for some reason our tactic of driving more north to Canada to catch a flight to Mexico actually worked. I mean, the flight was delayed ten hours, but the promise a 100 degree temperature change and unlimited access to tequila kept our spirits up. And also, not one soul left behind in North Dakota will tolerate any complaints about a March trip to Mexico in the middle of the blizzard, so I wouldn’t dare. Didn’t even want to send a picture of me blinding the country with my neon winter white ranch kid legs blazing in the sun. My plan was to just slip quietly away with my husband and my sunscreen and giant hat to pretend for a week that the only care we have in the world is how many more chips and guacamole we could possibly eat before it was time to eat an actual meal.

Traded our wool caps for vacation hats

I turn 40 this year. My husband had his turn in September. Mexico with friends was a gift we gave ourselves for making it this far. And now I’m scheming on what excuse I can come up with to do the same thing next year. Although maybe the only excuse a person needs to get away from it all is that, in the end, it makes you more tolerable to the people who have to live with you.

I will also take a moment here to plead my case for a week’s paid vacation in a tropical place for every person who has had to endure this forty-five month North Dakota winter. I don’t know who is going to pay for it, but I’m sure we can work it out in a bake sale or something…

So that’s where we’ve been, my husband and I. We left our kids behind with the in-laws to do things kids do with grandparents—bake cookies, eat cookies, bake cupcakes, eat cupcakes, snuggle, watch movies, swim in the big community pool and, apparently, partake in major shopping sprees. When they Facetimed us to model their new outfits, with a margarita in my hand and my feet in the pool it was hard to tell among us who was having more fun–and I threw my body down a 98 foot waterslide. In hindsight, the waterslide was a terrible idea, but I’ll never admit it, not to my kids anyway.

Oh, vacation life! Where nobody knows you except the yahoos you brought with you and so somehow you can convince yourself that you are the person who thinks 98-foot waterslides are fun and not just an un-prescribed enema/neti pot treatment.

In Mexico, it could not be clearer that the lot of us were northern folk. With one half of our crew of 14 residing in Canada and the other from North Dakota, our combined complexions lounging in the pool could likely be seen from space. And if that didn’t give it away, one of us puking on the 20-minute ferry ride to the island probably did. We are prairie people. The only waves we have up here are made of grain.

But in Mexico, we’re different. In Mexico, I scuba dive.

Yup. Just give me a 20-minute lesson on land and I’m expert enough to put my face underwater and not panic. And by not panicking I mean managing only to do the one thing required of me to not die while scuba diving and that is to breathe. Need me to actually swim, or push that button that releases air to send me up or down, or look at fish or pose for a picture or not float to the surface and need to be pulled back down? Can’t do it. Working on breathing here.

Oh, if just breathing were the only task. That’s the power of vacation mode.

If you need me I’m back home now, eating noodle soup, re-acclimating to my natural habitat and making plans for the bake sale.

When ranch kids hit the big town

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Rosie and Edie on the set of “Don’t let the pigeon ride the bus”

We’re back at the ranch after week in Mexico and I’m working on getting acclimated to my natural habitat. The shock of 85 degrees to -4 has yet to wear out, even though I’ve eaten knoephla soup for supper two days in a row. Oh, how quickly I can become a beach person.

Anyway, because of our hiatus, I’m a little behind on sharing the weekly column and podcast. Chad and I plan to sit down and record a bit tonight.

The weekend before we left on vacation we took the girls to the big town across the state to visit friends and take them to a theater production. I don’t know why I decided this was something we had to do, but it turned out it was something we had to do. Sometimes you just need to make plans to break out of the ordinary routine and give your kids some new experiences. Especially on the edge of an eternal winter.

Anyway, this column is a reflection on what it means to take our little ranch girls to the big town. Turns out it’s a lot of time on the escalator.

The dangers of taking the country kid to town

We spent last weekend in the big town. I decided to make a singing trip a family trip all the way across the state, which happened to be right on the heels of one major winter storm and at the helm of another because it’s March and that’s what March does up north. And the cows aren’t having calves yet, so we took the chance to get away.

Also, lately the girls have been asking when we can go to the beach, and the closest we can get right now is meeting friends at a hotel pool in Fargo where there was 47 feet of snow piling up outside and more promised for Sunday.

And they were thrilled about it. Truly. Isn’t that the best thing about kids? It takes such simple efforts to make them happy. A promise of ice cream. Pizza for supper. A quarter in the gumball machine. Going up and down the escalator 55 times.

Seriously. I think the level of excitement about the escalator is the reddest of flags when identifying a rural/country kid in the big town. We also rode the store’s Ferris Wheel, but the escalator won in popularity. Rosie rode it so many times that her big sister Edie started to be seriously concerned about the rules. Could she get kicked out for shenanigans like this? Are you allowed to go up and then immediately down? Is there a limit on escalator rides? Does she know she’s starting to get embarrassing?

So went all of Edie’s 7-year-old concerns about her little sister’s lack of decorum in public. It’s like the big sister took a trip to civilization and realized that, perhaps, her little sister wasn’t equipped for these types of outings considering she wasn’t yet civilized herself.

So we took them to the roller-skating rink. Because etiquette goes out the window when you’re fighting for your life with eight tiny wheels strapped to your feet. And in case you’re wondering, country kids don’t know how to roller-skate due to the lack of available paved surfaces.

My kids took to the wood floor with all the confidence and grace of baby zoo giraffes on a frozen lake while their professional Rollerblading town friend and my husband spent the majority of the two-hour rink time holding hands and elbows and dragging our daughters back up on their wobbly, wheeled feet.

Which reminded me of the only time I ever roller-skated in my life down at my cousins’ ranch on the South Dakota border. Between the four of us, we had one pair of real, leather roller-skates with the orange wheels. They were at least four sizes too big, but it didn’t matter. We would take turns, two at a time, gliding around in circles on one skate on the small slab of concrete outside of their garage, skinning our bare knees there as we developed confidence entirely too quickly for the make-shift sport.

Needless to say, I didn’t step foot in a roller-skate that day. At this age, I have to seriously consider the repercussions of breaking a hip.

But my girls? After two Slurpies, three pieces of pizza, and five games of skee ball on the way out the door, they deemed themselves experts and have decided they’d like to live in Fargo now. Where they have roller rinks.

And Target.

Oh, yeah, Edie decided she’d really just like to live in Target, and now I’m wondering how I’ve failed as a ranch mom, because surely now they’re going to leave me for the big cities with roller rinks and escalators, and I’m going to have to follow them and live in an RV in the local KOA to have a proper relationship with my grandkids.

Anyyywaaayyy …

My activity of choice for the weekend was less physical and more theater.

Edie’s been reading “The Pigeon Series” books by Mo Willems, and my cousin (the one with the roller-skates) just happened to be directing the play “Don’t Let the Pigeon Ride the Bus” that weekend. So we went, and it was adorable, and now Edie wants to live in Target and be an actress, and Rosie is so brave she goes down hotel pool waterslides backwards and headfirst even though Edie tells her it’s explicitly, most likely against the rules, and so now they’re both surely going to leave me for the warmer weather and waterslides in LA.

But first we had to get back to the ranch, which was completely impossible on Sunday because when you live in North Dakota, you shouldn’t go anywhere but Jamaica in March. And so we were forced to spend one more evening in the oasis of the hotel pool. As I drove us white-knuckled back west for five hours on icy and drifty roads, I wondered if maybe my girls were on to something. I mean, escalators are pretty fun.

But then, so are baby calves.

See you at the beach.

The dangerous life of a handyman’s wife

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On the podcast I pop in quick to give an update as we get ready to go on vacation!

I am the wife of a handyman.  Because of him we live by the mantra: “If you want something done and still want to be able to afford to buy Cheerios, we do it ourselves.” I came to terms with this concept early in our marriage when we were young and naïve and took on the complete strip-down of a shag carpet, hot-tub-in-the-living-room remodel that brought a 1974 Brady Bunch house up to the times of hardwood flooring and no hot tubs in the living room. Seven thousand hours of staining and varnishing and stripping and sheet rocking, a few dozen arguments and one head stuck in a ladder later I began to fully understand what it truly meant. Wife of a handyman=this is your life, forever and ever amen.

Here we are, ten years ago when the shell of our house arrived. So young. So naive.

Fast-forward twelve years and here we are, proving that I was right. We’re still working on our house. Because just when it starts looking like it’s going to be finished, I come up with an idea for an addition or a remodel. I guess that’s what happens when your tool-belt-wearing man can make anything happen, you start to feel empowered with your vision.

Anyway, lately he’s been empowering me by requesting I help him put rocks on the new fireplace in our new living room, to which I say: it could be worse. I could be trembling on an eight-foot ladder on top of ten-foot high homemade scaffolding with my arms above my head because we decided that 20-foot ceilings were a good idea without considering that one of us is deathly afraid of heights.

Plummeting to a bone-crushing, bloody, mangled death is what I pictured every time I walked across that homemade scaffolding, boards creaking in my attempt to bring a nail-gun to my dearly beloved who thought positioning his ladder on the tippy-toe edge of the ledge, standing at the very top rung and then leaning out into the abyss of death that is now our living room was an acceptable risk to take in the name of homebuilding. The urge to scream “screw the board, save yourselves!” and run to lay on solid ground is a hereditary condition spawned from my prairie dwelling ancestors who passed up the terrifying mountains to come live in houses with one floor, low ceilings and basements.

My dad has the condition too, and so that’s why this memory of recruiting him to help install a wooden beam on our tall ceiling is etched in my brain. I suggested calling the National Guard, but my husband just told me to go get my dad. And the task I approached him with was one straight out of his nightmares: Stand on this tall ladder on this shaky scaffolding and hold this 15 foot beam up to the top of the 20 foot ceiling while my husband climbs and dangles and runs and jumps and back flips with nail-gun in hand to get the thing to hold.

My job? Same thing, only with trembling, holding my breath and throwing up a bit of my morning eggs.

And so there we stood, my dad and I, conjuring up worst-case scenarios as Ninja Bob Villa went from one near death position to the next. Dad told me not to watch as my husband stretched his ladder across the stairway and stood with nothing but a thin board between him and a fifteen-foot fall.

So I didn’t watch. And neither did Dad.

I remember us working hard to hold it together. The two of us only hollering “be careful up there!” and “don’t fall!” like fifty-five times during the course of fifteen minutes. But just as we thought we were out of the woods, everybody’s head in tact, my husband climbed down from the ladder and put his hands on his hips.

“Looks good,” he said.

“YES! IT DOES. GOOD WORK,” shrieked Dad and I.

“I just need to nail one more spot,” my husband said scratching his head. “I wonder how the hell I’m going to get to it?”

We followed his eyes to where they rested on a piece of the beam that towered past the edge of the scaffolding, too high for a regular ladder, un-reachable unless you had wings.

Dad used our best material to try and convince my husband that a nail in that particular location was not necessary. We suggested putting more nails in other places to make up for it. But my husband wouldn’t have it and before we knew it he had his ladder on the ledge of the scaffolding, his feet on the top rung, his back bent at a 90-degree angle out over the staircase with a nail gun in his hand reaching for the ceiling.

And that’s where we both lost it.

I whimpered and squeezed back tears as I white knuckled the ladder. And while I was saying fifty prayers to Jesus, Dad threw down his tools and grabbed on to his son-in-law’s belt buckle as my husband leaned further back over the abyss.

“Son, if you fall it would be sure death,” my dad declared.

“And if either of you tell anyone that I grabbed your belt, I’ll kill you both…”

So there’s that story. Now if you need me, I’ll be hiding from both my husband and my dad.

Stay handy!
Jessie

The Legend of Poker Jim

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Poker Jim Cemetery photo by Michelle Benson Brown

There’s a legendary story that has been passed around these badlands for several generations. Many North Dakotan’s who follow oral history or who are interested in the lore of the region may have heard it in one form or another, tales like these tend to linger. And this one has been told and retold since 1894 when a dead cowboy fell from the rafters of an old blacksmithing shop and into the middle of a poker game, sending cards and unsuspecting cowboys flying.

It’s the story of Poker Jim, a cowboy who worked for Pierre Wibaux’s large W-Bar outfit. Poker Jim’s real name has not been passed along in the retelling of the story, but his love for gambling and whiskey colors his character in the recounting of his untimely death in a blizzard on a 65 mile ride from the Hay Draw line camp along the north bank of the Little Missouri River to fetch supplies in Glendive, Mont. after provisions at the camp had run low.  When he didn’t make it back after several weeks, the men from the line camp found him near a large rock, frozen to death after what seemed like an attempt to build a fire. Because the ground was too frozen for a proper burial, the cowboys decided to store his body in the rafters of the blacksmithing shop until spring, but failed to tell the new crew in a personnel change. And so the new crew was unaware when they gathered for a poker game, lit a fire and started passing the bottle around, that Poker Jim’s body was above them, thawing out with each passing minute, waiting to make a grand entrance into the game.

The drama, theatrics and characters in this story have held in my gut as ripe for a song for years. It has everything a proper folk song needs—originating among the people of our region through generations and existing in several versions—all it needs now is a rhyme and a tune.

Anyway, maybe it’s the long winter or the recent gathering of cowboy poets that inspired me, but yesterday I sat down with a mission to make Poker Jim’s story into a song. I think he deserves it, after all these years of entertaining us around campfires and potluck suppers. I plan to record this in the spring and will likely share a sneak peek in a few places soon. But until then, enjoy it here in poem form or listen to the rough cut of the song, understanding that in the proper retelling of a story like this, there’s a certain amount of exaggeration and liberties taken while working to stay true to the heart of it.

On the podcast I sit down with my husband to talk about Poker Jim and other legendary tales from our community,  including the last lynching in North Dakota and a tale of a young woman who sacrificed her life to save her siblings from a winter storm. Listen here or where you get your podcasts  

The Legend of Poker Jim

Way down in the badlands
Before the land was tamed
Ran a band of cowboys
And the cowboys ran the game

In line camps and shacks
And old the blacksmithing shop
After long days on the trail
They’d gather up to take their shot

So sit down I’ll tell a story
A legendary one
‘Bout how a hard gambling cowboy
in death he had his fun

It’s true, you won’t believe it
But I tell you that it is
The way my grandpa told it
And his grandpa’s daddy did

They’d say the Dead Man’s Hand
Is the Dead Man’s Hand
Place your bet on the cowboy
But the dealer’s always the land

On the W Bar Ranch
He earned $25 a month
The rest he made on cards
Or lost drinking too damn much

You’d never dream a greener summer
Or a sun that beat as hot
It could make a man forget
Just what the winters brought

And what it brought was cold
And months of drifting snow
In the Hay Draw by the river
Supplies were running low

So Jim, he saddled up
And headed three days for the town
Stopping along the trail
To drink some whiskey down

They say the Dead Man’s Hand
Is the Dead Man’s Hand
Place your bet on the cowboy
But the dealer’s always the land

Just up from Smith Creek
They found him frozen to a rock
They took his body to the rafters
Of the old Blacksmithing shop

When the ground was warm
They planned to lay the man to rest
But failed to tell the crew
Coming new in from the west

And those boys they dealt the cards
Just like the boys before
They lit themselves a fire
Blind to what was in store

Because up above their heads
That stiff body took to thaw
And dropped heavy on the table
In the heat of Five-Card Draw

They say the Dead Man’s Hand
Is the Dead Man’s Hand
Place your bet on the cowboy
But the dealer’s always the land

Now way down in the badlands
These days the land is claimed
And up along the ridgeline
The rock it bears his name

But through the years it’s told
This part remains the same
Not even death could take
Poker Jim out of the game

A cemetery is named for Poker Jim in the badlands over looking the Little Missouri River, years after his death, friends of his moved part of the rock where he was found up to his grave to mark it.

If you want more details on this story or to hear a proper retelling from an elder from McKenzie County, click here. Read the story in Prairie Public’s online archive here. It was from there, and the retellings from community members, that I got the details for this piece.

The rock marking Poker Jim’s grave. Photo by Michelle Benson Brown

Is this middle age?

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On the podcast I contemplate how this phase of life feels like February and sit down with my husband to talk all things middle age. And Chad has A LOT to say about it. And also, did you know he has “work Crocs?” This episode goes long as we get into discussing my battle with chronic pain, my recent CT scan and why it’s so important to share our stories.

February can be the longest, shortest month. It drags with it a bit of hope that once we’re through it we’ll be standing in the months that could bring us warmer weather.

My husband’s been spending every spare minute working on the addition to the house that he started before the pandemic. The way the years fly now is different then when we were younger and making plans. But we’re deep in our plans now, and sometimes they suck the days right out of us. If I knew, when we were 27 and back at the ranch that we would be 40 and still under construction on the house we imagined, I wonder what I would have said?

Probably something like, “Sounds about right.”

Because under construction is a theme in our lives that just hangs on. As soon as we’re settled a bit, we find another project to get us back there. Does that say something about us? Something that we should sit with and evaluate?

Is part of middle age wondering how exactly you got here? Is it hearing a song you used to play on repeat in his Thunderbird, driving too fast on gravel roads and being transported back there for a moment, realizing you’ll never be that magically naïve again? Is it music on the Classic Rock station or that song re-imagined acoustically by a teenage TikTok star? Is that 40? Did I spell TikTok right? Does anyone even know how to spell anymore?

Seriously, that was an early morning discussion I had with my husband while ushering the kids out the door for school. How close are we to being out of touch?

The things we said we could do, would do, can we? Did we? Are we?

I’m thinking about this today because I feel like over the course of the last couple years we’ve hit a new phase in our life. Our daughters aren’t babies anymore. Maybe that’s why. I’m finding a minute for my thoughts because they can wash their own hair and dress themselves and ask Alexa to play “The Fart Song.” And just this year three of my good friends lost a parent. And some of the relationships we stood up for, sang for, bought wedding gifts for, have ended now. We’ve moved quietly into the generation that doesn’t understand the latest fashion trends (mom jeans and dad tennis shoes anyone?). And so that means we’re officially adults. I realize that. But are we equipped? To know the rules or change the rules? To take care of things?

This is the part of the fairytale that got skipped. They never let us in on what happens after the kiss at the wedding. But we were kids, so we wouldn’t have listened anyway, about what “Happily Ever After” really looks like: 401Ks and attorneys, debt and funeral arrangements, hospital bills, annual exams and scans and therapy and broken furnaces and dishwashers that need to be replaced and school drop-off and soccer practices and elementary schoolers and teenagers under one roof and what to make for supper night after night after night.

We didn’t see this part when we were kissing in that Thunderbird. If we did, we would have sworn it all would be different for us anyway.

But it isn’t. That’s the big promise we all get. Time catches us.

But lately, when that song comes on, it makes me contemplate the romance of this phase. Disney shouldn’t have ended there, because this is the most interesting part I think. So much more at stake. So heartbreaking.

Thhe most human part is right here, in the middle of it, trying to teach our children right from wrong and good from bad when we’re all so tragically and beautifully flawed ourselves. Showing them the love thing, when maybe, some of us, weren’t really shown ourselves. Saying goodbye to the most important people in our lives. Starting over. Or hanging on and loving one another through it. Despite it. Because of it.

Learning to take care despite the assortment of roadblocks or rules put in place for us before we were old enough to understand.

But we’re old enough now. We are. We’re old enough to understand that in that Thunderbird driving too fast with the windows down, we didn’t truly know yet what love was. Or commitment. Or sacrifice. Or loss. And that all of those things come with it. But we’re in the meat of it now. The heart of it. And it’s messy. And complicated and dramatic and the longest, shortest time, like February, sitting with a hope of a thaw, a kitchen dance party, a night out, a newly tiled bathroom and a bigger closet, a morning kiss goodbye or our favorite meal to help us through. 

Little moments to be brave

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Hear Rosie’s perspective on this week’s podcast where I interview her and she sings her song. Listen here or on Spotify, Apple Podcasts.

For as long as my youngest, Rosie, could talk, she’s been asking me when she can have her own band and perform on the stage. My answer at first was to offer to accompany her, but Rosie wants her own band. And she wants to play her own guitar. And she wants to write her own music. And just this morning she informed me she wants to play drums too. So now I tell her she has to practice.

I’ve been working on writing some new songs these past few months as I prepare for a new album I’ll record this spring. This means the girls have been wandering in and out of my practice and writing sessions quite a bit lately. A few weeks ago I heard their four little feet march up the stairs and fling the door open and suddenly my lonesome little love song turned into a collaborative writing session with Rosie, who was determined to live out the promise I made to let her sing at open mic night at Gramma’s coffee shop in a few weeks.

She recently (as in, right that second) decided her song needed to be an original. Now I could skip over this part, but I don’t want you to get the impression that this was any kind of made-for-Hallmark movie-moment. Rosie’s first attempt at writing a song ended with six harmonica solo breaks, a speech about how this song is not just about her being a cowgirl, but about families working together and a stomp-off because, when her big sister wanted to try her own song, she was stealing all Rosie’s words. My husband called it their first “intellectual property dispute.” I call it the first of many dramas in the family band.

That’s where we left it, a little song unfinished on a scrap piece of paper and we all went outside to play (drama comes and goes quickly around here). Fast forward to my arrival home from my week away in Elko after taking the 17 hour drive in one shot, where I was greeted by hugs and a reminder about open mic.

Tomorrow.

She had been telling everyone at preschool, including her teachers. And they were coming to cheer her on. This was serious. I can sleep when I’m dead.

So the next morning, we finished her song and practiced it all day (I mean, are you really a rock star if you don’t cut it close?) and headed to the coffee shop to make her debut. But as the big moment grew closer, Rosie started to experience nerves, something her little five-year-old body wasn’t expecting. Her eyes were watering as she thought about not getting it right in front of a crowd. In the car, her big sister tried encouraging her and I followed with some pep talk, so completely aware of exactly how her little heart was beating. We walked in the back and practiced the song again before it was her turn. They called her name and I knelt down beside her with my guitar in the front of that tiny coffee shop filled with our smiling friends and family. It was her turn. Rosie buried her face in my arm as her cousins and big sister came up to offer hand-holding, sing-alongs, hugs, cookies or whatever it was going to take to make her brave. I whispered in her ear “come on now, you can do it!”

But little Rosie couldn’t do it. Not right then. It was all too overwhelming I think, the idea that in her head, she was a professional singer, but in real life she was still only five and she’d never done this before. Oh, I could relate. Just a few days before, getting ready to walk out to a theater full of hundreds of people so far away from home, I wondered if I truly belonged. If I was good enough. If I could pull it off. My stomach was in my throat, the same way my daughter’s was in our hometown that night. I so badly wanted her to do the thing she wanted to do, but I didn’t read the chapter in the parenting book on this.

So I told her we’d try again.

We went to the back and gathered ourselves. I wiped her little tears and told her she was brave. We practiced the song again, three or four more times. She said she wanted to try again in a little bit. So out we went to listen to the other performers and get a hug from her teachers, who promised her a pizza party if she gave it another go. Bless those two lovely women because that did it, the promise of pizza. I think that would probably do it for me too.

Her cousins and big sister at her side again, Rosie looked down, got a little teary, got it together, took a deep breath and sang.

“Daddy feeds the horses, sister cuts the twine, me and mom chase cattle, the dogs come for a ride…”

The small coffee shop crowd cheered and Rosie was so proud. She even got a tip, which she can’t get over. She didn’t know she was that good! But to everyone in that room that night, it was less about being good and so much more about being brave. That’s where it starts, at little open mics, little rodeos, little gymnastics meets, little dance recitals, little talent shows, little opportunities that we create in our little communities to help each other grow wings. I’m so thankful for the efforts of those who make things like this happen.

Anyway, if you’re wondering, Rosie’s big sister got wind of the tip and is working out her own song for next month as I type. So if you like drama, stay tuned for the saga of the sister band.

Notes from the road and the top of the hill

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Well, I made it home for Elko on Sunday after a 17 hour straight drive. Turns out it takes a couple days to recover your sleep equilibrium after a trip like that. It also takes a few days to come back around to the real world after an experience like the National Cowboy Poetry Gathering. It was such an honor to be a part of it.

Click here to read an interview with myself and poets Yvonne Hollenbeck and Patricia Frolander about opening up the festival with our “Welcome to Elko Town” Show in the Elko Daily News.

This week’s podcast I sit down with my husband and rehash all the highlights of the trip while he patiently listens, covered in sheet rock dust from holding down the home construction project and keeping the kids alive while I was away. I am lucky to be able to be gone, and even more lucky to have place like this, and people like him, to come home to.

So that’s what the column is about. Finding refuge and grounding in my walks through the hills, where I’m most inspired. Most lonesome. Most nostalgic. Most myself.

Photo by Sweet Light Photography, Charlie Ekburg

From the top of the hill
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Listen to this week’s column here or on Spotify, Google or Apple Podcasts

Sometimes, when the day is coming to a slow close and my head is spinning — with worry and lists, schedules and as the dishes sit waiting on the table, the kids playing in the yard, desperately needing a bath — I slip on my boots and head out the door.

I’m usually not gone long, and my husband has grown accustomed to this behavior, understanding it’s not a storm out, or a give up, or a frustrated stomp, but a ritual that I need to put a flush in my cheeks and make sure I’m still alive out here where the trucks kick up dust on the pink road and the barn cats quietly wait in the rafters of the old buildings for a mouse to scatter by.

I tell him I need to go walking and he knows which trail I’ll take, down through the barnyard, past the water tank and up the face of the gumbo hill, the one that lets you look back at the corrals where the yard light glows, the one that gives you the perfect view of the barn’s silhouette, tall and dark against a sky that is putting on its last show of the night as it runs out of light.

It’s a ritual that needs timing, because that sun, once it decides, goes quickly to the other side of the world.

Sometimes if I get out early enough, I head a little further east to check out how the light hits the buttes in my favorite pasture, making the hills look gold, purple and so far away. Sometimes I just keep walking until dark. Sometimes the evening finds me sitting on a rock or pacing in the middle of the ancient teepee rings that still leave their mark on the flat spot on the hill. I like to stand there and imagine a world with no buildings and no lights on the horizon. I examine the fire ring, close my eyes and think about sleeping under the leather of a teepee, covered in the skins of the animals, under a sky that promised rain and wind and snow and a sunrise every morning.

The same sky that promises me these things, but cannot promise anything else.

I think of these people, the ones who arranged these rocks, hunted these coulees, and watched the horizons and I am humbled by the mystery of the ticking thing we call time.

And I wonder what they called it.

Because I take to those hills and look back at my home — the sections of our fences that have been washed away by the melting snow, the old barn that needs to be torn down, the threshing machine looking ancient and ominous in the shade of the hill — I’m reminded that time takes its toll on this land the same way it puts lines around the corners of my eyes, and there is not one thing man can make to stop it.

This understanding is neither comforting nor nostalgic. It just is. Time builds roads and oil wells, new houses and fences and bigger power lines stretching across a landscape. Time grows the trees, erodes the creek banks, crumbles the hills with the weight of the snow, puts blooms on the flowers and withers them away just the same.

I climb that hill, look back at that farmstead and remember those kids we used to be, running through the haystacks and searching the barn for lost kittens. I climb to that hill and I remember my grandmother in her shorts and tank top, exposing her brown skin while she worked in the garden. I remember my first ride on a horse by myself, getting bucked off near the old shop, hunting for Easter eggs with the neighbor girls in the gumbo hills behind my grandmother’s house, branding cattle in the round pen.

From the top of the hill, I could still be ten years old and my grandmother could be digging up potatoes. From the top of the hill, my cousins could be hiding in the hay bales and my dad could be waiting on the side of the barn to jump out and scare them, sending them running and laughing and screaming. From the top of the hill, the neighbor girls could be pulling up in their dad’s pickup, dressed in pastels and rain boots, ready to hunt for eggs. From the top of the hill, you don’t notice all the work that needs to be done on the fences, the water tanks, roof of the shop and the crumbling barn.

From the top of the hill, that yard light is still glowing the same color it was when I would come in from an evening chasing cattle with my dad or catching frogs with my cousins to a yard filled with the smell of my grandmother’s cooking.

From the top of the hill, the only thing certain to change is the sky and everything else is forever.

Wardrobe dilemmas come with the gig

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Greetings from Elko! I”m on my fourth day here at the National Cowboy Poetry Gathering in Nevada, where I’ve helped kick off the event with fellow North Dakota Cowboy Poet Jonathan Odermann by visiting area elementary schools. It has been a treat sharing a little North Dakota culture with the kids, reading them Prairie Princess and singing some tunes.

Monday night I shared the stage with two wonderful cowgirl poets from my neck of the woods, Yvonne Hollenbeck, a ranch woman, master quilter, poet and author from South Dakota and Patricia Frolander, an award winning poet and Wyoming’s fifth Poet Laureate.

To share the stage with these women was an honor. I was crying in the first three minutes of the show (imagine that) and had to pull myself together to share play my songs. They shared heartfelt and humorous poems about motherhood and aging, marriage and ranch work, every word so relatable that I felt like they were plucking them from the lump in my throat.

With Patricia Frolander

This morning I’m getting ready to share Prairie Princess at the local library. Dad is picking up guitar player Mike and they are driving down for our concerts starting tomorrow night. It will be fun to have them here. Really, the most fun thing about this event is visiting with people from all over the country, sharing stories and playing on these beautiful stages to audiences here who really tune their ears into the words we’re writing. It’s a writer’s dream.

So no podcast this week as I take in this event that is only just getting started, but I can’t wait to visit all about it next week and thought I’d catch you all up so far.

This week’s column is all about the role my wardrobe has played in my performing career. You’ll be proud of me, I packed everything I needed for six days of performances in one suitcase and it came in one pound under 50, so I hit my goal and didn’t have do the dreaded unpack and rearrange move at the airport. It’s the little things I tell ya.

Thanks for following along!

Tough wardrobe decisions come with the gig

The amount of times I’ve changed clothes, put on my makeup, done my hair and generally tried to make myself presentable in my car or a car that is driving me down the road is in the thousands.

I know this isn’t normal for most people. Most people don’t live 30 miles from town and most people don’t travel thousands of miles a year to perform in some of the most rural parts of the country. And I don’t know if this is an interesting thing about me or not, but it is something that I think about almost every week: what should I wear for the three or more hour drive and what should I wear behind the microphone where people are going to be looking at me as I ramble and sing and try my best to entertain. For some people this could be one of the most fun parts of the gig, but for me picking the proper outfit sometimes feels like another annoying decision I need to make in a day full to the brim with decisions.

When I was a kid just getting started performing, I used to have complete melt-downs on the bathroom and dressing room floors (or, probably mostly in the car) about my outfit choices for the stage (or flatbed trailer or corner of the venue). Looking back on it now, I understand it was nerves that I blamed on jeans that didn’t fit right or hair that fluffed too much or the wrong color shirt. In those moments, I felt like I could handle the singing and playing my songs in public, but not if I wasn’t wearing the right thing. And my poor mother got the brunt of it, coaxing me so sweetly, always, to get it together, while my dad set up the sound and set list, clueless of the angst happening behind the scenes.

And now that I have daughters of my own, both with clear-cut and strong outfit opinions, I would like to take this moment to publicly apologize to my mother. I am, indeed, getting pay back.

Last week I took the three-hour drive to the big town to perform for a banker’s convention. So naturally, I chose a pink, suede fringe jacket and boot cut jeans. The drive was long and the pants were high waisted, so, in the privacy of the cab of my car, I undid my floral belt buckle and the top button of my jeans. (Because carbs and January and a girl’s gotta breathe). I made a mental note to make sure to fasten up before I got out of the car, which I only remembered when I was fully out of the car, in the venue and in the bathroom to check my outfit. Luckily, I don’t think I encountered a soul along the way (at least not close up) but that was a wardrobe close call. I got myself together and eventually stepped up to the microphone to do the job I was hired for and looked out at a sea of gray and navy blue suits and slacks, fully realizing that, in my pink suede jacket and turquoise accents, my brain and their brains were not the same. 

I looked like words that rhyme and the dirtiest car in the parking lot. They looked like numbers that add up and clutter-free desktops.

Oh, it’s easy to make assumptions about a person based on their outfit or their day job. I know better, I mean, my dad used to work in a bank and also he broke horses and played in a bar band at night—with the exception of cowboy boots (always cowboy boots) there was a diverse set of outfits on a guy who is more than just one thing. And aren’t we all?

But put a cowboy like that in shorts and sandals and you’re not fooling anyone.

My husband, in his beach wear

Anyway, I’m thinking about clothes and appearances as I pack for seven days of performances in Elko, NV for the National Cowboy Poetry Gathering.

Between getting the kids’ schedules lined out in my absence, creating set lists, learning a few new songs and coordinating travel, my biggest conundrum is how I’m going to fit two cowboy hats, three pairs of boots, makeup, jewelry and outfits for seven days into one suitcase situation that I can handle alone in an airport with my guitar.

I’ll be miles and miles away from the familiarity of the North Dakota plains, introducing myself for the first time to so many people. And I think I can handle the music, if I have the right outfits. Just send some prayers up for no more wardrobe close calls.

Peace, love and buckle up,

Jessie