Tag Archives: music

Lucky Unlucky Us

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I’m not sure if I’ve seen a July like this in Western North Dakota. It feels like we’re living in an entirely different climate, waking up every morning to new puddles on the gravel road and a bit of a mist in the air. Most days in July have been greeted with or ended with a thunderstorm or shower, it simply won’t stop raining.  And this is just fine news for us. The stock dams are full, the alfalfa is lush, and the grass is as green as can be. It makes timing getting the hay crops off the fields a little tricky, but I think any rancher up here will take the rain with the inconvenience.

The consistent threat of a storm has also made our North Dakota outdoor engagements a bit harrowing, although we persist of course because we only get like four full seconds of outdoor picnic weather up here. And so, we just swat the mosquitos and hold tight to our potato chips and paper plates so they don’t blow away and catch on the neighbor’s barbed wire fences. 

Last week, after a trip to the dentist to find out I might need a root canal, and a visit to the mechanics where I found out my car needs a few new $800 parts, I brought my dad and my daughters to play music on the shores of Lake Sakakawea at this cute little campground along a sandy beach called Little Egypt. Along the way I learned that Dad had also just found out about a few hefty bills for repair on misbehaving equipment that day and so we agreed that playing some music was going to soothe our broke and toothachey souls that night. 

It was a perfectly hot and muggy 80 degrees when we pulled in with our guitars, picnic supper and girls in the back seat of dad’s pickup. And while there were no chances of rain on our weather apps that day, the blackening sky told another story. “Looks like it’s going to head north,” we said to each other while we plugged into the system and sat down to perform to a crowd slowly gathering with lawn chairs and coolers in front of the stage. 

My daughters had taken off to check out the sand on the beach and we sang “Love at the Five and Dime” and a couple ranching songs and watched those clouds get darker and darker behind the growing gathering of people. I looked over at the beach to get an eye on my daughters and then back behind the crowd and clocked a flash of lightning. Still hoping for the “heading north of us” theory to materialize, I informed the crowd that we may have to take a break for the weather to pass and just as that statement left my lips, the stillness of the afternoon turned into a huge 60 MPH gust that swept across the campground and across our stage, blowing my set list, merch, hat and dust across that campground. “Ok then! That’s it!” I think I said into the mic, or maybe just in my head as I grabbed my guitar and headed to get my kids who suddenly found themselves in a furious sandstorm. I clocked the boom of a speaker blowing over, set my guitar in the backseat of the pickup and joined my dad and my soaking, sandy daughters in the front seat while dad moved the pickup away from the stage, you know, just in case it blew over. 

I had played an entire 20 minutes of my two-hour set. 

The sirens wailed. 

Rosie sniffled.  

The rain dumped harder and blew sideways. 

Then came the hail stones. 

“This should pass soon,” we said to one another as only true Midwesterners do. And it was logical, we could see the edge of the clouds opening to a clear sky, but we were still on the inside of it. And so, it hung on for another half-hour or so, just long enough to fill the guitar case I left under the stage with a half inch of water and soak the stage as well as anyone’s desire to carry on with the whole idea of outdoor entertainment that evening. We may be persistent, but our nerves can only handle so much. 

 When the storm finally dissipated, we helped clean up the stage and pick up the things that went flying. Luckily, I brought an extra set of clothes for the girls, and so they got dried off and as de-sanded as we could get them. 

“That was scary!” Rosie declared. “Yeah, we’ve sort of had a rough day,” I replied, “With the storm and the broken tooth and the broken cars and equipment. Glad it’s over!”

 “I shouldn’t have opened that umbrella in Alex’s house this morning,” Rosie chirped from the back seat.

“I guess superstition is hereditary,” my dad laughed as we headed toward home with my caseless guitar sitting on my lap in the front seat, chasing the rainstorm headed east to wreak a little more havoc on Friday night picnics and campfires, outdoor music and hay moving operations.

A rainbow appeared in front of us as the girls recounted their harrowing story so they could get it right for daddy when we got home. We stopped in New Town to gas up and take the girls for a bathroom break. As we were walking out the door, Dad stopped. “Ice Cream Drumstick?” he asked, a tradition we have kept on our way home from almost every outdoor summer concert we’ve done throughout my life. “Of course!” I replied. “Lucky us.”

Why we sing

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Rosie singing her solo at the Art in the Park Talent Contest

For the past few days, I’ve been helping my daughters practice songs for our local talent show. I’ve been sitting on the couch with my guitar while they face me, strumming through the chords while they work to hit the notes and the words in the right places. They’ve spent so much of their time singing along in the backseat of our car on our way to town and back and occasionally they have joined me on stage at local events to sing “You Are My Sunshine,” or chime in with me on a chorus. But they’re getting older now and they want to pick their songs and stand behind the mic on their own and I couldn’t be happier to be their accompanist. And the experience of playing their music with them is bringing me back to memories of where I started—beside the guitar in the basement singing Lyle Lovett songs with Dad.

My dad and me at the same Art in the Park a million years ago

As I get older and the responsibilities of life weigh a bit heavier, I wonder more often what I’m doing way out here in the middle of nowhere writing songs, papers spread across the floor, stealing away moments to follow a line or an idea between making supper or carting kids to theater camp. The older my daughters get, the more I feel I’m missing when I’m gone on a singing job. And I wonder if it’s worth it.  

Because being a small-town musician doesn’t make you a rich woman. Being a small-town musician sends you out the door in the evening to towns hours away and finds you behind headlights in the quietest hours of the early morning, the hours still considered part of the night. The hours that, even in oil country, find you to be the only headlights on the road.

I’ve known this about my career since I recorded my first album at age 16. You want to sing on stages? Then there will be many nights where you won’t be home for supper.

You want to pay back those album costs? Then your weekends are planned girl.

You want a husband? Then he has to be the kind of man who doesn’t need you to make him those suppers every night. He has to be the kind of man who’s ok with you leaving the house at 7 pm to practice with a room full of men behind instruments. He has to be ok with you coming home at 2 am on a Tuesday night.

You want to make some money? Then you better find another job flexible enough to get you through from gig to gig. You better get creative girl.

Because, like most jobs, it isn’t glamorous. But for me, if it was about the glamour, I would have stopped after my first nerve-filled meltdown on the bathroom floor as a young teenager. I would have stopped before I made the decision on my college circuit to leave after a show at 9 PM from Fargo and drive through the night to get to Chicago to play on a stage before noon.

I would have called it quits after the first time I had to get dressed in my car and do my “shower” in a public restroom.

I would have quit before I got lost in Green Bay and Minneapolis, slept on the side of the road in a blizzard, or in the cheapest, sketchiest motels I could afford. I would have quit before we got a flat tire on the most lonesome stretch of highway on my way across Montana.

And then I would have missed the best parts, the parts that keep me doing this, the characters in my songs and the characters who come when I call with their guitars and harmonies and ideas, putting life in the music. Making me forget that it’s midnight and I have a deadline in the morning.

That’s the thing about live music, whether in a big metropolitan stadium or on a flatbed trailer on Main Street America, if you keep singing it will keep giving new experiences, new people to love, new places to travel and new things to say you’ll never do again. At least that’s been my experience all these years spent behind the guitars and microphones.

It transforms us. The audience. The singers. The players. It cuts us loose. It turns ranchers into rock stars. Strangers into friends. It makes stoic cowboys tap their toes, maybe dance a little.

It makes my little sister cry.

And it makes kids hopeful and inspired and brave. I know because I was once one of them and I guess when it comes down to it, I still am.

I strum a G chord and nod to my youngest daughter, her sweet voice projecting back at me, singing out loud the answer.

This is why I still sing. This right here might have always been the reason.

Interview on Equestrian Legacy Radio’s Campfire Cafe

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I had the pleasure of visiting with Gary and Mary Kaye Holt on the EQUESTRIAN LEGACY RADIO NETWORK about music and songwriting and ranch life. I met Mary Kaye when I shared the stage with her at Art of the Cowgirl and have become a fan. Loved talking shop with her.

Very grateful for the visit.

Listen here:

Stage Stories, Home Stories

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This morning, I opened a manilla envelope I had stored in my backpack to take back from Nevada to my home in North Dakota.

A few weeks ago I was standing on a variety of stages in Elko for the National Cowboy Poetry Gathering’s 40th Anniversary Celebration. I sang songs about ranch life and “You Are My Sunshine” at the top of my lungs to an auditorium of 900 elementary school students and then I did it all again the next hour. I sang my “Happy” song and charged those kids with writing a list or a poem of all the things that made them smile.

I stood in a bar with my dad and guitar player and pulled out all the toe-tapping songs we could think of while people hugged and cheered and danced and visited.

I told a story about my great-grandfather’s life and the yellow roses that still bloom in the barnyard on a small stage in front of an audience so still and attentive and close you could hear them sniffle.

I shared the stage with Carnegie Hall performers, Western folklorists, a Grammy award winner, viral music sensations and the yodeling cowboy from Montana who’s the voice of the “Yahoo” commercials.

Andy Hedges, Dom Flemmons, Dad, Seth and Katelyn (Buffalo Kin) and Mike
Watching Wylie and the Wild West from backstage
Adrian Brannon rehearses backstage before our set
Margo Cilker, her husband Forrest VanTuy and her band
Ed Peekeekoot shows us the head of his guitar he hand carved

I sat in the audience at an open mic session for kids where 50 or so aspiring performers recited, read or performed cowboy poetry or music that they wrote or memorized. I obliged when a 10-year-old cowgirl behind a guitar asked us to sing along to “Home on the Range” while she played.

Jessie Veeder listens to a young fan recite his cowboy poetry.

I met new people from all over the world curious about ranch life and eager to hear the stories. And then I swapped tales about ranch kids with fellow ranch moms and dads. I met unbelievably talented musicians and poets from across the country and reunited with those I’ve come to love over the years.

Clara Baker, Margo Cilker, Lara Manzanares

I ate, drank, told stories, shopped, talked, barely slept, and sang and sang and sang until it was time to point our car back north in a blizzard warning, slowly through Nevada, then Idaho and then Montana and then finally to our home state, where the wind sent the fresh snow skidding across the interstate.

I took the wheel in the last stretch of the trip so my dad could log into a bull sale and make his virtual bids while we drove toward the Badlands, rolling us back into our real life before we even parked the car. What a very modern-day-ranching thing to do after a week of talking about it.

Back home, my husband kept the cows, horses, kids, cats and dogs fed. He fixed a faulty furnace and wrapped up work on a big shop project. He practiced spelling words with our daughters, and when I caught him on Facetime during breaks in my schedule, he was snuggling our oldest on the chair watching YouTube videos on how to install fascia on steel buildings, and I thought, “Well, look at how much she loves him — little Edie enduring the drone of a how-to construction video just to be in the crook of her dad’s arm.”

When you’re home at the ranch the way we are in our everyday lives, you don’t think much about how most of the rest of the world is living — and that breaking ice on water tanks and rolling out hay bales in negative temperatures is Hollywood-esque to some who have never or will never live this way.

I dress up in my felt cowboy hat, pressed dark jeans and a bright pink satin blazer behind my guitar to tell the audience in Elko about the time, when I was a kid, I attempted to get the horses in by riding my sorrel mare bareback with baling twine for a bridle. They laugh at the part where I question my dad’s parenting instincts, recalling how he hollered “Bail off, Jess!” And I did, only to break my wrist and leave it dangling off my arm.

Back home, my husband is in Carhartts and a wool cap. He smells like diesel exhaust and his beard is scruffy. He packs snacks in backpacks and makes sure our daughters have snow gear for school, he takes out hamburger from our deep freeze stash for supper and stands by the stove smack dab in the middle of our decision to raise our kids out here alongside those horses, tucked into the hills while I’m a thousand miles away singing about it.

I pull the SUV into the drive and drag my suitcases and guitar inside. I flop down on the couch and lay my head on my husband’s lap. I’ve been gone a week, but there’s no big fuss about that. He gives me a kiss, then launches into the report on those spelling tests and on Edie baking cookies all on her own and Rosie’s newfound master of the stove. I notice a log burning for the first time in our new fireplace. I say a few things about the crowds and who I got to see.

We get up and take out elk for a stir-fried supper. Our youngest gets sick at bedtime and throws it all up on my husband lying next to her. Welcome home, here’s the flu.

This morning, I emptied my bag to find that manilla envelope. I thought it was going to be a big thank-you card with signatures from the kids in Elko, but it was better. Twenty or so pages from Mrs. Wine’s Southside class with handwritten reasons these kids are happy.

The big ‘ol auditorium full of elementary school kids

To: Jessie: I want to say hi to your daughters. I know one is from the name Rosey? But I want to say thank you for singing us the songs but I love how you and your dad and your friend sang it almost made me cry.

Dear Jessie, I like when I was dancing, only for 15 sec…Sunshine made me remember the old times.

Dear Jessie, what makes me happy is going and seeing my dogs and cats and my mom and dad and what I love is coming home and smelling supper.

Dear Jessie, my dogs make me happy because they make me laugh when ther licking me. My teacher is my first thing that makes me happy.

Dear Jessie, Songs make me happy Jessie. Things that make me happy are dogs, chicken, horses and cowboy poetry week…

And I think, same here kids. Same. Same. Way up here.

For more photos from The Gathering, click here

The miles, they sing

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Hi from the ranch! We back from the National Cowboy Poetry Gathering in Elko, NV after one big week away and two days of driving north under a blizzard warning. I have lots to say about the experience, which I’m drumming up for next week, but for now, here’s the column I wrote in the back seat of my SUV while my dad drove him, me and my guitar player, Mike, through Idaho.

Greetings from somewhere in the middle of Montana. As I write I’m on the second day of driving through this massive state on our way south to Elko, NV for the 40th anniversary of the National Cowboy Poetry Gathering. There’s no easy way to get to Elko from Western North Dakota. You can drive two hours to take three tiny airplanes and hope you don’t miss your one 11 pm connection from Salt Lake to Elko so you don’t have to take the additional three-hour van ride to finally get you there.

Or you can load up your car with guitars and pray the blizzards are at your back or already through as you wind through fifteen hours of desserts and big mountains.

That’s the current choice we’re in the middle of, seeing so much of this America out the windshield of the SUV I usually use to take the kids back and forth from school every day. The amount of ranch mud and snack wrappers I removed from the floors of this ride to get ready for this trip was alarming. But here we are, cruising at 65 MPH through a sagebrush sea with the mountains ahead of us and behind us and the next tiny town fifty miles away. To see North Dakota, Montana, Wyoming, Idaho, Nevada this up close and personal gives a sort of perspective that only comes on a long stretch of highway with only the promise of more and more highway to come. I’ve spent a good portion of my life behind the windshield traveling for music. When you head in the same directions you’re reminded of the past trips by little landmarks or gas stations or favorite restaurants you’ve frequented years before.

 If you haven’t done the miles this direction it would surprise you how desolate it is. And I use desolate not with a negative connotation but with a lack of a better word for lack of people. Lack of porch lights or streetlights. We’re following the highway parallel to the powerline. “Coyote,” dad just pointed out. About sixty miles back I was the first to spot a bald eagle landing on one of those power line poles. We saw some deer. Some cows. I’m traveling with dad and our musical friend Mike who has been playing dobro and guitar with me since I was just a kid. The fact that he continues to take these long trips with me year after year to stand on stages so I can tell ranching stories to rooms and theaters full of people who want to hear ranching stories is a testament to how much we regard one another and the music.

Inside all of these miles, between pointing out elk tracks and that one big feedlot we just passed, humming along to old tried and true favorites of ours and making them listen to my new favorite (I am every trips’ DJ and navigator and chooser of hotels and restaurants) Mike will come out with a thread of a memory from playing in bands for fifty or so years and dad and I become the audience for a story that never ends the way we thought it would when it started. And you would think after all these years traveling together (here I pause to calculate just how long it’s been? I’m forty-one. Been playing out with dad and him since I was fourteen or fifteen or younger. How long really? Could it be 27 years now? Aren’t I still sixteen?) you would think I would have heard every one of his recollections, that there would be repeat shenanigans I could tell back to him, but that’s not Mike. He has memories for as many miles as we have driven, so there’s always a new one.

“These school busses have a long ways to go between houses,” dad remarks as we bend and weave on ID Hwy 33. It makes the ranch seem downright urban.

We’ll be in Elko before it’s dark. And tomorrow we’ll be on stages telling North Dakota stories in my now foreign accent. And all these miles we’ve driven between here and there, the mountains, the high desserts, the small blips of towns and ranch houses and barbed wire and wide open, their poets and musicians who live and work and call it home will gather to tell its story.

It’s the wide open. It’s the vastness of it all. Miles and miles of it. If you didn’t know any better, desolate could sound lonesome. But in Elko, it sings.

50,000 people singing….

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I turned forty-one walking along the streets of Minneapolis. It was midnight and we were laughing, all five of us women, about something I can’t remember, something that probably wouldn’t have hit us this hard if we hadn’t just left a stadium where we sat shoulder to shoulder with 50,000 people singing along, at the top of our lungs, to our favorite songs. 

50,000 people in one place who knew all the words to the same songs.

Five women who made space in lives that overwhelm us with ways in which we might be doing it all wrong. And, if we don’t pay attention the proper amount, take or don’t take the vitamins, wear or don’t wear the thing, vote or don’t vote this way, drink or don’t drink the milk, eat or don’t eat the meal, we risk screwing it all up. The parenting. The marriage. The job. The country. The earth. It’s a heavy weight to carry and it’s hard not to sprinkle it with a little dose of guilt when you decide to spend too much money on concert tickets, leave the kids at home, throw your cutest outfit in your suitcase, take the car seats out of the minivan and drive away for a weekend spent with four women who have done their version of the same to put some space between themselves and the notion that we might not all be ok.

It’s a heavy time in the news cycle, which just happens to coincide with the time in our lives where we’ve charged ourselves with raising the future. In the early mornings when I drive that future to school, I ask each daughter and niece to pick a song. This week “Jeramiah Was a Bullfrog” has been on heavy rotation. “Joy to the world, all the boys and girls…” we sing along as we drive, 65 MPH to 45 MPH to 25 MPH on roads they keep constructing. I park in front of the door to school and tell them I love them and tell them to be kind. They run into another day of childhood in middle America where we feel pretty lucky and pretty worried (I pause to wonder here if there are better words I could choose to describe it…)

Back at the stadium a young man behind me stands during the opening act, lifts his drink up in the air with one hand and puts his other arm around the girl he came with. Throughout the entire night, he sings almost every lyric with the vulnerability of a young child. But he’s not a young child, he is a man in middle America singing the lyrics of songs that describe what it feels like to lose someone, songs about addiction and fear, uncertainty and family and hope, tender things wrapped up safely in the sound of the fiddle and guitar and drums keeping time, coming from a man who looks like the guys in his hometown who maybe don’t talk about those things.

And maybe tomorrow, back at home, back at work, he won’t again. But he is here. Here he is, exposed, singing along.

I suppose if we admit that moments like this could save us, we must also admit that it could also be dangerous—50,000 people singing the same words…

I walked out of that stadium holding hands with the women I came with into a night bright with city lights. I turned 41 while the crowd of teenagers and twenty-somethings, mothers and dads with their daughters and sons, filtered out into that same night, sort of sweaty and tired and drunk with beer or feelings. 

Back home my daughters stayed up too late in the big bed together while my husband fell asleep. The next day I drove that minivan back west to pick corn with the neighbors, eat pot-luck after a rodeo, sit in bleachers to cheer on the volleyball team, take an art class, sing with my dad on the deck, make a fish supper for my family, take a ride with my husband to check on a bull, brush my daughters’ hair, pack backpacks and give rides…

“Joy to the fishies in the deep blue sea, joy to you and me…” my daughters stop singing to open the car door and run to school…

Blisters heal, if you get a chance, dance away…

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Last week I danced until two puffy little blisters formed on the pads at the bottom of my feet. It was 1,000 degrees and 100% humidity. It was at least five hours past my bedtime and half-way through singing along to “Don’t Stop Believing” with the after-concert bar band before I realized that it was 1,000 degrees, 100% humidity, five hours past my bedtime and I had two puffy little blisters on the bottom of my feet.

And it might be time to go home.

Have you ever had one of those nights where time doesn’t really mean anything? Where you’re standing in a crowd of people singing along to your favorite songs coming from your favorite band and you know all the words and you’re sweating through your clothes, but it doesn’t matter? It doesn’t matter because tomorrow you can be the responsible human, tomorrow you can be the other side of your personality that makes the sandwiches and keeps up with the laundry, but tonight your husband has the kids for a cousin sleep-over so you only have to worry about the business of eating, drinking and dancing along to good music.

My little sister and I, we had one of those nights. The Turnpike Troubadours were in the big town for the state fair and so I got dressed and then re-dressed and then I dressed her in the outfit I was going to wear (before I changed my mind) and we left our daughters home with a “Sleepover To-Do List” that included a “Chad Makeover” and “Mario Karts” and a “Movie Night” and for some reason, “Bird Watching.”

I’m not sure they got to the bird watching portion of the evening but judging by the way my closet looked when I returned, they definitely got to the makeover part of the program. (Also, there is photographic evidence of my husband wearing my floral skirt and a shawl with his feet crammed into my pink wedge heels that I will cherish for the rest of my life, indicating that maybe they all had one of those nights too…)

Anyway, my little sister and I, we didn’t plan on staying out all night. It’s very possible that we could have taken to the grandstands, sipped our drinks and tapped our toes, clapped at the encore and called it a night. But maybe the fact that we could pick the restaurant and not have to order a kids’ meal made us feel a little more free. That and the fact that we ran into some friends who called us down a bit closer to the stage to sing along and pretty soon the music moved us right into the front, standing up against the rails and chanting “One more song!” along with the hundreds of people behind us.

Who did we think we were? 22?

Apparently. Because after that one more song, we didn’t go home. Nope. We found another place to listen to music. And then another place to dance. And then, well, that’s about where the blisters started shouting “Hello up there,” and we decided to call it a night, but only after a quick stop at the corn dog stand. I had to trade shoes with my little sister to make the walk back to our ride, like Cinderella, I had run out of time…

But isn’t that what little sisters are for? To lend you their shoes in desperate times. To borrow your shorts and new shirt and belt. To obsess over a band together. To dance like dummies. To share a hotel room and get home too late and laugh off embarrassing moments and to really listen to the lyrics of the new song you love on the drive home. Like silently listen through the whole thing to understand why it means something to you. 

Anyway, I’m recounting all of this to remind you of that person you have in your life. You likely don’t need to be reminded; you likely talk every day. But maybe it’s been a while. Maybe you need to schedule a supper. Or a concert. And also, I want to  tell you that you can have nights like this. Maybe the late night-hot-and-humid-blister-feet version doesn’t appeal to you, but there is a version out there waiting for you to forget the bills and the broken air conditioner. There’s a version that you’ve been putting off because you don’t think you can be that person anymore. Or maybe it’s too much of a hassle. There’s a version that allows you the space to leave the kids with someone you trust and go be the version of yourself you used to so freely be, before you found all the reasons not to be her…

Even if it’s 1000 degrees and 100% humidity. Even if you stay up five hours past your bedtime.

And blisters? Well, they heal.

Yellow Roses

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Listen to the podcast where we discuss our connection to heritage and changing times.

In 1915 my great grandpa Eddie staked his claim on this ranch where we’re now living. He got married and headed off to war. When he arrived back in Bear Den Township he proved up his claim, planting some trees, flax and wheat, building a barn and putting up fences.

Cornelia and Eddie’s Children

Over the course of his lifetime he would watch his crops grow, his wife die too young and his children make their own mark on the land he laid claim to. He would meet a couple grandchildren and serve them his famous buns, tell them jokes and scruff their hair before leaving them all behind in death to do what they would with the place he worked so hard to keep. The red barn, his old threshing machine and dozens of other little relics of his existence are scattered sparsely about the place now to remind us that 110 years ago is not long enough to rust the old equipment to dust, but it might as well be forever.

Great Grandpa Eddie standing in the doorway of his homestead shack

I didn’t know my Great Grandpa Eddie, but I think of him often and wonder what parts of his blood flow through mine. I think it might be the holding on part, just like those yellow roses his wife planted in her garden all those years ago before she died suddenly and only 36 years old, leaving her children, her husband and those roses behind to bloom without her. 

One day I want to write his story with the parts I know and then the way I imagined it could have been. But today I thought I’d share his story in the lyrics of the song I wrote about him. I’m honed in that sort of storytelling, so I started there…

Hear it wherever you get your music or head to www.jessieveedermusic.com to order the album. 

Yellow Roses

14 and 80 acres
A couple horses and two hands
Grind the gears and swing the hammer
Turn a boy into a man
His daddy was near blind then
His brother just 13
His mom, she swept the floors though dirt like that just don’t come clean

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

He built corrals and fences
And the family’s homestead up in time
Rode the river in the big draws
With the cowboys for a dime
But there’s something bout the work here
Made him want something of his own
Signed papers on a tar paper shack and called the land his home

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Right there we could have left it
His dreams sprouting from the ground
But if man can make a fortress
Only man can knock it down

But when the war was over
He found himself a bride
Yellow roses in the garden
And their children were her pride
Lost money on the cattle
Lost some on the grains
Lost her when she went to sleep and did not wake again

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Now a man cannot give up there
This man didn’t have the mind
He made biscuits in the morning
Taught all the babes to ride

When the neighbors fell on hard times
He lent a hand or bought them out
And watered yellow roses in the heat of summer droughts

Only North Dakota
Would make promises like this
Bring with you all your hope here
See what she can do with it

Only North Dakota
Where the ground turns white to green
The rain, the snow the storms they blow in
like you’ve never seen

Now I stand here with my children
One on my hip, one holds my hands
Another generation breathing life into this land
We count pennies and our blessings
And to the memories we cling
And down in the barnyard yellow roses bloom here every spring.

Dakota Cowboy Interview

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Recently, on a rainy day in April, I had a chance to visit with Tisa Peek for the Dakota Cowboy show on Bek TV. We sat horseback in her arena and talked plans and inspiration, arts and music and community building. This show is dedicated to telling the story of rural North Dakota and the people who are doing good work here, was an honor to be included.

Give it a watch here or click the image below:

If you’re interested in where I’m playing this summer, or to get me on your event calendar, visit www.jessieveedermusic.com/shows

“Nothing’s Forever” a Podcast Interview

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Heya! Happy Friday! I’m celebrating the weekend by watching the snow fall, practicing my set for a couple concerts across the state next week (see you in Moorhead, MN?) and catching a rodeo in town on Saturday night. I heard there is going to be a trick rider and Rosie is PUMPED. (Because, according to her announcement at her pre-school graduation, that is her career aspiration.)

Recently I had the chance to sit down and talk to the brilliant and resilient Jackie M. Stebbins. I met her at a women’s writing event and in the short time we had together we could just tell we were cut from the same cloth. Jackie is a former accomplished attorney who operated her own law firm until her life was sidetracked by autoimmune encephalitis. Autoimmune encephalitis is a rare and can be fatal brain illness that is caused by a person’s immune system mistakenly attacking healthy brain cells. Jackie is now a writer and motivational speaker. She uses her high energy personality, positive attitude, and story to spread awareness about autoimmune encephalitis and to share her inspirational resilience.

Throughout my life as a writer and performer I am consistently reminded of the importance of sharing our stories, not just of hope and success, but of struggle. Jackie is honest about both and is using her struggle to help others feel seen and heard.

It’s hard for me to listen back to hear myself talk on these programs. But with Jackie, I was given space to really open up about how health struggles affect every aspect of your life, and the lives of those around you. She gave me that space and does so with others as well. I am proud of this conversation about music, motherhood, cancer and pushing through. Thank you Jackie. We could have talked for hours.

Listen to the podcast below and pick up Jackie’s book here: “Unwillable: A Journey to Reclaim my Brain” or on Amazon or Barnes and Noble.

Listen Here

Hope to see you in Moorhead on March 28.

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