Tag Archives: music

Music Music Music

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It’s a big day in America and I’d like to welcome you to it. As you make your way to the polls and anxiously await the anticipated announcement, I’d like to share an anticipated moment of my own.

My new album, “Nothing’s Forever,” is now available for your purchase and listening pleasure at these outlets

You’ve all been such loyal fans of my stories and photography, so I want to invite you to test out the music. It’s my first and most important passion, and the way I learned to express how I felt about my sense of place, love, life and moving on.

“Nothing’s Forever” is a compilation of 13 original songs, most written since I moved back to the ranch and started sharing what coming home feels like on this website. If you’re an avid follower, you might find familiar stories in this music.

I’m proud of this piece of work and the local musicians who helped me put it together. Listen and you will hear Pops’ voice and harmonica, the lonesome sound of of the steele guitar and dobro, and Adam’s bass backing stories about life in an oil town, the chill of winter, driving down red roads, love, and missing someone.

This is my third studio effort and one that has took a little growing, a little moving, and a soft and familiar place to land in order to create.

Thanks for listening.

I hope you love it.

I hope you share it with your friends.

Peace, love and music from the ranch.

Now, go VOTE!

CD Release and a video!

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I’m getting ready for the release party for my new album “Nothing’s Forever” on Friday in my hometown of Watford City. It’s a project that’s been in the works for a while, most songs written in the time I’ve been living back at the ranch. I’m nervous and excited and happy to be playing songs I wrote with some of the best talent around.

If you’re in the area, I hope you can make it.

Friday, October 26th
7:00 pm
Outlaws Bar & Grill
Watford City, ND
Click here for more information

If you’re in New Zealand or Minnesota or Oregon or something, I understand if you can’t make the trip. Maybe I’ll find my way to you someday 🙂

Either way, until then, take a look at this NEW sneak peek video for one of my favorite songs on the album, “Home”

To preorder your copy, send an email to jessieveedermusic@gmail.com.

“Nothing’s Forever” will also be available in local stores, iTunes and other online merchants in November!

I’ll keep you posted.

Read more about the music and the release party here at www.jessieveedermusic.com

He flies airplanes.

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This is Adam.

Adam plays the bass for me.

Long, low notes ring out from his fingers, finding a rhythm in the melodies I created between the comfort of the walls of the old farm house. Adam’s bass is something I didn’t know my music needed until it was there.

And now I don’t know if I ever want to hear my songs without it.

Adam also plays the guitar.


And the harmonica and the banjo and probably a hundred other instruments.

Adam grew up between the sidewalks of our little hometown. While his limbs stretched toward the sky Adam was listening…to his mother’s singing voice and the beat of his big brother’s guitar, the way the waves of Lake Sakakawea sound when they hit the rocky shore and the buzz of his dad’s airplanes as they took off from the runway and into the sky above his home.

Adam is my little sister’s age, five years younger than me. I can’t help but look at him and think of him as a little boy, though I was just a little girl myself in some of those memories.

Adam doesn’t say much, so I’ll tell you what I know:

Adam plays the bass and the guitar and the harmonica and the banjo and probably a thousand other instruments. Adam sings songs about the North Dakota badlands and that big lake where he’s caught a thousand fish. Adam plays music about big trucks and dirt roads and whiskey with friends around campfires, on front porches, in bars and on stages, anywhere there are ears to listen.

Adam climbs mountains and rides the snow down. Adam balances on rope strung between trees. Adam brings his own beer to the party in a little blue cooler. He wears a green jacket and is waiting for me to bring him some garden tomatoes so he can make salsa.

Adam makes salsa and plays the bass guitar for me.

Sometimes I listen to those notes and I think the things Adam loves are too big for our little town.

Adam flies airplanes in the sky above his lake,

above his badlands

and above the oak groves of this ranch.

He buzzes over the landscape that grew him tall and lean.

And because Adam doesn’t say much I’ll tell you what I think:

I think if you asked him Adam would make you a jar of salsa.

I think if you wanted he would take you fishing and play you a song on his banjo.

He might even play the bass in your band.

And I think he would take you flying. If you asked, I think he would.

I think Adam likes the way his world looks up there.

Because  from up there, the things Adam loves are just the right size…

Words and music and getting it down

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When I was ten years old Pops gave me a hard covered journal that he pulled out of the basement of his parent’s house. He retrieved it from a bookshelf and  handed it to his middle daughter, the one who would scribble poems about dogs and horses and big prairie skies on notebook paper. He flipped through the blank pages of the journal, inspecting it for forgotten words, and then handed it to me. And told me to write.

I imagine the book was something my Pops picked up at a gift shop or got for Christmas from a family member, an object that could have been tossed or used for grocery lists, but instead sat stored away in that basement for years waiting for me.

I have a memory of when he handed that book over to me, one I’m not certain I didn’t make up in a dream or something. It’s a memory that is full of inspiration and imagination and possibilities.  It was as if my father had handed me potential–blank pages that smelled of must and mothballs waiting for someone to write something brilliant and touching and moving.

Waiting for me to be brilliant.

I had those pages filled before my twelfth birthday with poems about the creek behind my house, rodeos, horses, wildflowers and not wanting to grow up. My handwriting was neat and loopy, slanting diagonally across the unlined pages, sentences about the colors in rainbows and wishes trailing right out of my adolescent head and down the center of the pages.

I didn’t know it at the time but that book is where my music career started. Those words I wrote turned to melodies when I picked up a guitar for the first time, practicing other people’s music, but spending most of my time creating my own. I would play with my words, ramble with the lines and phrasing for nobody’s ears but my own. And because I was the only one listening, I could say what I meant or make no sense at all.

It didn’t matter.

It was for me.


As I got older my dad convinced me to perform that music in public. And so I strummed my green guitar alongside him, a dorky, gangly girl in a Garth Brooks inspired western shirt baring her soul.

Besides my little sister who was sleeping with her door half-open across the hallway from my bedroom, my dad’s ears were always the first to hear my music.


I’m  thinking about this today because I am in the middle of recording a new album.  It’s an album of music I’ve been writing since I moved back to the place I grew up…back to the place where that ten-year-old tomboy scraped her knees and caught frogs and wrote it all down. I’ve done this studio thing before and I’ll tell you, it isn’t easy to introduce music that you’ve written on lazy Sundays, in the middle of the night or pulled over sitting in your car on the side of the road to a room full of musicians you respect and admire. Performing songs for the first time that only the walls and dogs have heard have been some of the most intimidating and emotional experiences in my life.

Because I believe in it. I know what I’m trying to say.

Or at least I think I do.

And when I make the decision to share it, to record it, to perform it, to get in the studio at long last,  I second guess that decision about seventy to eighty times before I make the trip down the interstate with my Pops and our guitars.


See in a project like this you could work through logistics all day long. You could share ideas and swap stories and talk about music you like, your vision and who’s on board until the sun goes down.

But it comes down to one thing in the end.

The songs.

And the songs are mine. Soul-baringly mine. So eventually I’ve got to play them. It’s kinda the whole point.

So I start by plucking my guitar, closing my eyes tight and leaning in against the microphone, wondering if it’s possible to hold my breath and sing at the same time. The first note rings out and then the first verse and it’s just me exposed waiting for my father to pick up his guitar and add a rhythm, my dear and talented friend to lean over his dobro and fill in with a haunting lick, the bass to kick in a long lonesome note…the drums to find the heart beat.

And soon my song becomes their song and the room is filled with it. The guys I’ve trusted with the notes have given it a pulse and the music I wrote on my living room floor lends itself to a harmonica part, a guitar breath…a long pause.

And sometimes it happens that I’m in that studio, two days into laying down tracks about the landscape, my home, my love and maybe even a quirky song about a dog, and things are going well. I think I’ve almost made it through the hard part, if only I could skip through the song that scares me the most.

Because it’s the one that is so personal I am certain no one is going to understand. It’s the one that makes me cry big sobs before I reach the end.

The one that they are telling me to try. Just try it out.

It’s ok.

And so I take a deep breath and work to come down off a bouncy song I wrote about being happy and living in the moment.

I suppose living in the moment counts for hard stuff too, so I take my own advice…

play the notes on my guitar…and sing…

“I dreamed you on the prairie,
on mountain tops and oceans wide…”

I hear my voice waiver through my headphones but I’m ok. I decide I might get through it…until I hit the second breath and the sweet sound of my friend’s guitar part fills in the quiet spaces the exact way I have heard it in my head…if only I could play that way…

“I loved you before I met you…”

My voice cracks and it’s over before it started…but my band keeps playing, coming in with a low bass part and a quiet whisper of a drum.

So I keep singing and sniffling because the music’s just too beautiful to give in to an emotion I’ve pushed down so long that it became fed up.

I decide that if it’s time for this I might as well capture it. Isn’t this what music is about?

So the guitar lead pulls me into the chorus and I whimper the words behind the glass of my isolation booth. I wonder if the guys can see the  tears streaming down my face behind the shield of the microphone…

The sound coming out of their instruments makes me feel less alone though, which touches me so deeply that more tears roll and no words come out.

But the guys keep playing, taking me through the bridge of my song as I sing it like I’m collapsing in on myself.

I close my eyes and breathe in the rhythm they have found for me as I gather myself for the ending note, the note that I squeak out but they let hang subtly and quietly in the air of the studio.

I wipe my eyes and apologize as I put down my guitar to step out of the room only to find the two men who have been the background to my music my entire life: my father and the sweet talented dobro man, with eyes red and teary too.

Supporting me.

Feeling for me.

Playing my music like it is their own.

So I’ll tell you this today as I sit in the middle of this music project and reflect on the weekend I spent lost in the music. When I moved back to the ranch as a grown woman with plans to make plans I wasn’t prepared to run into my ten-year-old self again. I wasn’t prepared to fall in love like her, to get the same flush in my cheeks, to embrace loneliness, celebrate life and morn losses the way I used to when I was so young and vulnerable and completely honest.

I didn’t expect that she would grab my hand, take me on walks, sit with me on hilltops and quietly push me to fill up some blank pages again…and then sing those songs out loud to the prairie sky.

But she did. And I open her book today and find poetry and stories that are innocent and awful and embarrassing. But I’ll tell you if I had to save something in a fire it would be that book. It has sat on my nightstand next to my lamp for nearly twenty years, a reminder of the girl who chose to fill it up with the stories about her world and everything that was inside of her.

And the only way I can think to thank her is to keep doing what she has done…

Curious about the new music coming from the red dirt roads?
Listen to me  talk about life in oil country as I play my new song “Boomtown” live from my momma’s kitchen

Jessie Veeder’s Boomtown 

Follow the progress of my new album at www.jessieveedermusic.com 

Recording at Makoche Recording Company in downtown, Bismarck, ND

If I weren’t these things…

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I sit on the love seat in the back room of my parent’s house. It’s 9:30 on a Wednesday evening. I’ve finished my slice of pizza. My mother brought it home from town. I’ve had my glass of wine and we’ve had our visit about the weather and the traffic and the pizza and the fact that my little sister is back home tonight on her pursuit for a job here.

My little sister might be moving back home.

I close my eyes at the thought as her shoulder touches my shoulder. This love seat is small, so my other shoulder is not free either. It’s smashed up against my husband’s leg as he leans back, sprawled out on the arm of this overstuffed piece of furniture.

The three of us, we are a sandwich, and I am the lettuce, the cheese, the pickle, mayo and turkey. They are the bread and we are everything you need for a good bite.

We close our eyes and listen to Pops blow the air from his lungs through the harmonica he wears around his neck. We hear a lonesome sound, one that is familiar and sad and haunting and beautiful and home. We lean in closer…to one another. To him.

We taste his words…

I live back in the woods you see 
My woman and the kids and the dogs and me...

We don’t say it, but it seems those words might have been written for this man sitting in front of us, his hair more silver than it was yesterday, his fingers callused, his voice ringing with those pieces of gravel that dug their way in from years of playing songs like this in bar rooms.

I’ve got a shotgun a rifle 
and a four wheel drive…

It’s quiet tonight. The dogs are asleep and the trucks have taken a different route or maybe they finally called it quits for the day.

I know the stars are out.

And a country boy can survive 
Country folks can survive…

In the kitchen the warm scent of brownies my mother is frosting fresh from the oven drifts back to us smooshed together, the sandwich, on the love seat. I can’t see her from my position as the lettuce, the cheese, the pickle and mayo and turkey, but I know my mother is sipping wine and running her long fingers along the pages of a new magazine.

We grow good ole tomatoes and homemade wine…


Everything I ever knew for certain is filling my lungs and my ears, touching my shoulders and swaying along to all of the things I am on the inside.

And a country boy can survive


I am his lungs and heart and pieces of his gravely voice.

I am her fingers and worries and holidays.

I am his goodnights and kisses. His battles and wishes.

I am her blood, her memories…her shoulder.

Country folks can survive…

We breathe in the air of this house, the air Pops uses to push through the next verse, and I think that if I were not these things,  I might not exist at all…

*Lyrics from “A Country Boy Can Survive” by Hank Williams Jr. 

Your story in a song…

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I have been focusing quite a bit of my energy on my music these past few months, getting new songs ready to hit the studio to record another album. I’m pretty excited about the leap I decided to take after realizing, out of the blue it seemed, that I might have enough music, enough stories I’m proud of to get this done.

It’s been six years since my last studio endeavor.

So much has happened since then. Six years ago I was on the road in my Chevy Lumina, Map Questing my way around the country, finding where I was going on the road, from small town to the occasional big city, all the while wishing in between that I could Map Quest the path my life was going to take.

Well, I imagine there’s a reason you don’t get a chance to see your future, to look into the horizon of your life and know what’s over that hill. Because I wouldn’t have believed what I saw.

I wouldn’t have believed that moving back to the ranch, to my childhood home in the middle of nowhere, with my husband and two mis-fit dogs would have put me smack dab in the middle of a world that provided me with the same inspiration it did when I was a little girl walking the hills.

I wouldn’t have guessed that traveling all over the country alone with my guitar, living in the mountains with my new husband, struggling through life lessons and “responsible adulthood” wouldn’t have been enough to inspire me those years in between. Not one decently honest song made it out of me during those years of wandering.

And then I wandered home and suddenly my pages filled up. All of the sudden I had stories to tell and things to show you and people to write.

And I was reminded that the writing was the best part. The writing is the discovery of myself and of the people walking about, living their own lives around me, minding their own business, that I wouldn’t have noticed until they nod their heads at me in the lyrics I’ve  jotted down in my disheveled notebook late at night while my world is sleeping.

I wouldn’t have believed it then, at 21 out on the road looking for a break, a place to stand with my guitar in my arms, an honest ear to listen, that seven years later at home, at the ranch, in the middle of the wild-west, I would find myself at the center of my music…and at the center of my world again.

So this morning as I pack up my fancy boots, a dress or two and my favorite scarf, getting ready to head out to play music for the weekend, I want to take a moment to explain to you why telling these stories is so important to me.

And why telling yours, or hearing it from someone else’s pen, might become important to you too.

Because a few months ago I was reminded. A few months ago I had unwrapped one of my songs after I was asked to play a piece of music to help tell the story of our booming community for one of the local news stations. So I told my story, standing on a busy Main Street as the camera was pointed in my direction, answering questions about changes and traffic and waiting in lines and what it means to have oil pumping from the earth in your backyard.

And what it means to have so many new faces in town.

I answered. And then I played my new song.  A song that hadn’t previously made it out of my tiny house in the buttes. A song about those faces, what they have given up to be here, where they came from, and how they found their way here, to a strange place or, back in a familiar place, back home, with nothing but hope at a chance for a better life.

I told you about it here.

I played my song, the segment aired, I went about my business building my own life out here in the middle of nowhere…in the middle of everything.

And then one quiet Thursday afternoon while I was sitting at my desk writing something or paying a bill, the phone rang.

“Hello”

“Yes, hello,” said a man on the other line with a kind voice tucked into a thick southern drawl. “I’m looking for the girl who sings that song ‘Boomtown'”

“That’s me,” I replied. “I wrote that.”

“Well, alright then. My wife heard you singing on the T.V. the other day and she recorded it for me so I could watch it when I got home. She said I had to hear it. She said I think this girl wrote this song about you.”

“Really?” I laughed, unsure of where this was going.

“Yeah, so I listened to it. And well, my name’s Donny, I’ve got a truck, I just got married and I’m  from Arkansas…”

“Really?” I had no other words, because, those words he spoke were my words…and they were in my song…

“We listened to it over and over and finally my wife thought I should give you a call…because, well, I’m wondering, did you write this song about me?”

I laughed again in surprise as this man who I had never met waited on the other line for my answer. A man who no doubt had a story to tell me, a story that I was going to learn a little bit more about about after I came up with my reply.

“Well, no Donny, I just made that man up. I figured he was out there, and well, oh my goodness, he is! ”

He laughed too as we talked more about the similarities he found to his life in the song, about how his company transferred him from Arkansas to North Dakota in the last year because that’s where the work is. We talked about his wife and his daughters and the struggle to find a place to live in this booming place.

We talked about how he likes it here.

I thanked him for his call.

I was so glad he called.

I was so glad I wrote his song, a song I will never again sing without hearing his voice on the other end of the line.

Listen to “Boomtown” and hear Donny’s story below.

I’ll be singing this song at the Fargo Theatre tomorrow as part of the Celebration of Women and their Music show. And I’ll keep you updated on the latest in my studio session and new music. I can’t wait for you to hear the new music, because, well, maybe my stories, Donny’s stories, our stories out here are pieces of your stories too.

Peace, Love and Music from the Ranch.

See ya on the Radio

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Good Morning everyone. I come to you from my little sister’s apartment on the eastern part of the state where the land is a little flatter, the snow has stuck around, the bed head is massive and the pet cat is out of control.

I am here to do a little promotion for The Celebration of Women and their Music show here in Fargo next Saturday. It’s something I’m am excited to be a part of again because it’s a place where talented women from around the region come to showcase their music and raise money for scholarships for select high school music students.

To that I say, “Yay Girl Singers!”

If you’re in the area next Saturday be sure to check it out:
Celebration of Women and their Music
Saturday, February 18, 2012
6:30 PM
Historic Fargo Theatre in downtown Fargo, ND
Tickets:
Call 1- 800-514-3849
or visit Tickets330.com

If you have a minute today while you’re eating your noodle salad at lunch today,
catch me on the
Christopher Gabriel Program
12:35 Central
Listen here! www.wday.com/pages/AM970Radio 

And after that Little Sister and I will be doing what sisters do…eating lunch, having cocktails, shopping for shoes and purses, catching a movie, painting our toenails, taming her damn cat, redecorating her apartment, and, well, eating some more…

See ya out on the town!


How you spend your weekend…

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Weekends around the ranch, no matter how well intentioned and thought out, are usually pretty unpredictable. Where some families have a nice and lovely routine that includes pancakes in the morning, taking kids to practices, catching a movie and maybe going out to eat with the family on Sunday after church, around here we try to keep our plan simple so as to not disappoint:  wake up when the sun gets up and see if we can’t get something done between the hours of sunrise and sunset.

Sometimes we rock it. Sometimes we accomplish our goals of moving cows, mowing the lawn, fixing fence, taking down the little Christmas tree, taking a walk, nailing something to something else and feeding all the damn cats in time to cook supper together and kick back in our respective spots on our comfy furniture with our feet up before hitting the sack.

Other times our biggest accomplishment of the weekend is getting out of our sweatpants.

And usually those Saturdays come after the Friday that the band plays in town.

Uff. Da.

Because when the band plays in town we don’t roll back to the ranch until 2 am.

And, well, you know what I say about 2am? Well, usually nothing because usually I’m sleeping. But if I happen to see it, I scold it. Because nothing good happens after midnight…and nobody is beautiful at 2 am…especially not yours truly.

I’ve known this to be true even during my stint as a younger woman who may or may not have been the only one caught sleeping at the completely innocent and organized after prom party.

2 am and I never got along.

But making that drive to town to listen to the band play “Peaceful Easy Feeling” and “Can’t You See” and John Prine songs that make me think about dancing the two step is worth the inevitable next day spent shuffling around the house in sweatpants. Especially because one of my favorite things in the world is singing with these men, my pops, our neighbor, and two or sometimes three of the greatest musicians around.

Oh, and then there’s the talent that just might saunter through the back door sometimes, like the squeeze box player from New Orleans, the fiddle player from the badlands or the base player from the next town.

The music is always good.

And the next day after I have pulled off my boots and washed the smoke out of my hair, no matter the hour we arrived home to our bed, I am always a little rejuvenated, despite that my blood-shot eyes might indicate otherwise.

See, when I was younger and looking over the edge of the nest, waiting to take that inevitable leap, I have to tell you, I think I was realistic about how much I really knew about life. And that’s why I was scared to death. But the few things I did know, like what it felt like to be loved, which direction my car needed to be facing to get me home, how to make a killer bowl of ramen noodles and the fact that leaving this place was inevitable were a good basis for what I now know will be a lifetime spent learning how I might exist here with purpose.

Which brings me to my point. I have one, I think. See, when I left home ten years ago I don’t remember being too delusional about life, although I am sure it snuck its way in there at times as I imagined myself singing on big stages, selling at least enough CDs to pay the bills or writing a best-selling novel. No, I didn’t see myself as a CEO of a company or a big PR Executive even though that might have been the direction my professors were leading me. I didn’t dream of climbing to the top of big mountains, but I would have taken you up on your offer. And I didn’t picture myself with 4.5 children, a white picket fence and a casserole in the oven, although I was open to it if it happened to turn out that way

Casseroles weren’t something I dreamed of then.

But when the clock would hit that magical 11:11 at night, something that I always found so thrilling to catch, do you know what I wished for every time?

A happy life.

Yes. Even though I had no idea what that meant, what my version of a happy life was, I wished for it.

And so here we are a good nine days into the new year and I’m not going to lie, it’s been a tough nine days around here. Because it turns out even my safe-haven, even the rolling hills of the ranch and dreams coming true can’t protect us from pain and uncertainties that can come speeding down the pink road. But it has put this question on my mind as I roll out of bed, trying to move through the fleeting thoughts that come with knowing there are things I may never have and people in my life who may never have the happy life I speak of.

And as I talk to friends and family who might be hurting or reaching for something that they are continually denied or failing to see themselves, to really see themselves, I tell them: try every day to live honestly…and be true.

And so I tell myself.

But what does that mean? Really? What am I saying?

Ok, well, let me bring it back around to those men who play guitar and sing while closing their eyes tight on Saturday nights at the bar in their hometown. Or the woman who gets up in the morning before her children, before her husband, just as the sun is peeking over the horizon to lace up her running shoes and spend an hour propelling her body over the earth, sucking the morning air into her middle-aged lungs. Or the father who sits patiently with his teenage son to teach him the art of wood-turning, the artist who sees the sunrise as a painting, sees a face in the clouds or the single man who finds himself committed to conquering fears and the adrenaline rush that comes with skiing down the face of a snow packed mountain.

What do they have in common? It’s not the result of the painting, the physique that comes with the run, the money made on the piece of art or the applause after the song is over.

No.

It’s the beauty of the wood discovered underneath the bark and the conversation with his son that he might not have had otherwise. It’s giving herself the chance at a morning quiet enough to hear her own heart beat out in the open space she loves, it’s taking notice that the world is the masterpiece and the understanding that the end result can’t possibly give her as much joy as the process of creating it.

It’s singing out loud next to your father and his best friends for the sake of singing. For the sake of committing to doing something that you love with people you care about.

Because in order to live honestly you must know yourself and the tools you need to cope in a world that can be downright unpredictable and overwhelming and sometimes unbelievably sad.

It’s knowing there are things inside you that need to be nourished, things that need to be shared with others, created,  or kept safely next to you on your bedside table. And it’s trying your damnedest to find out what those things are and doing them, even if it means staying up until 2 am.

And so it’s worth it  sometimes (if you have at least one pair of clean underwear left) to let the laundry wait until you get back from your walk, finish that painting, go to your yoga class, visit a friend…

Because the secret to living honestly, staying true and living a happy life, just might be how you spend your weekend….

Boomtown

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Good morning all. I just wanted to pop in for a quick hello and to let you know that after completing my call out to winter last night and shouting it to the world, all hell has indeed broke loose this A.M.

It is snowing.

Hard.

So winter has indeed arrived as I type this sitting at a computer in my hometown after  braving the thirty miles of ice with my neighbor trailing behind me creeping at 45 mph on the slick roads.  It has begun, our battle with the winter.

Ahh, yes, I like to talk about the weather here, it’s in my nature, it’s non-controversial and I think it’s something that we all have in common. But besides that this morning I would also like to share a little piece of what’s happening out here in my hometown. Our Little Boomtown.

The impacts of the oil industry and activity in Western North Dakota has recently made headlines throughout the country. If you’re not from around here, you’ve undoubtedly caught wind of it. If you’re a former resident it’s captivated you. If you live among it you know it has the power to consume you.  Regardless, we can all agree that it is indeed a story, this town of 1,200 expanding  to over 6,000 + residents and growing. It is indeed a spectacle to see the oil semis and service trucks roll on the ribbons of highway that used to carry only school children and quiet rural commuters on their way to work at the banks and stores in town. Now, because of what we have discovered below the surface 10,000 feet, something we have known was there for 60 years and we can now get to, we have something amazing to offer here on the edge of the badlands to those who are up for a challenge,  adventure, willing to work hard and sacrifice a life they knew.

Jobs.

Jobs and opportunity and challenges in what I have come to refer to as the “Wild Wild West.”

And love it our hate it it’s happening. We can have that discussion later. But all I know is that in a time in our country where people have lost their homes, their jobs and pieces of their lives that provided them comfort and security, it is out here on the prairie that people are looking for their hope.

And hope is the reason I am back here with husband. Hope that we can keep the family ranch in the family, hope that we can have a family of our own one day, hope that we can have a good life with good friends and the freedom for a little bit of adventure.

So as we count the out-of-state license plates or the headlights that pass us on our way out-of-town, as I answer the phone calls from people looking for employment and describe to them the type of winter that is settling in around here,  I like to think about all those stories, all the memories, all the struggles and triumphs and roads that brought these people here, to the edge of the buttes so far from what they know, to live in apartments or hotel rooms, to build a new house or rough it out in a camper on the edge of town. It’s hard to imagine what they have sacrificed to find their place, to find their future, to find a better life…

So yes, my little hometown has become a boomtown, but it’s not scared. It’s been there before. And yes, I have to wait in line at the gas station and the post office, something that we are not used to. We are having growing pains and there are challenges here, so we must be on our best behavior. We must be a little more aware, we must ask a few more questions, listen more carefully, take a little more time to understand what is going on around us so we can make this place the best that it can be…

We must be patient and find in us our compassion.

Please visit the link below to hear our story on Bismarck’s KXMB news channel and get a sneak peek of my new song “Boomtown.”

Scofield sings about “Boomtown” Watford City.


Catch me and Pops singing this tune and many others this Sunday at the Missouri-Yellowstone Confluence Interpretive Center
2-5:oo pm
Fort Buford State Historic Site

Visit the Jessie Veeder Music Link for more performance dates.

And then we sang Red River Valley…

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Sometimes in the middle of a life in the middle of America, you are handed a couple of days, or moments, where you are graciously reminded of what is so good and wholesome about a community that exists on the end of a two lane highway with no stoplight, no Walmart, no mall and no place else you’d rather be on a Friday afternoon.

And so I had a weekend filled with small town, mid-west, rural, main street, wholesomeness that began with the execution of an event I helped to plan on Main Street Watford City, ND–my hometown’s Best of the West Ribfest–where I manned the entertainment stage while community members milled around the vendor booths, ate lunch on picnic tables outside Main Street stores, breathed in the scents of barbecues warming and turning their rib suppers and enjoyed games, music and other entertainment on the big stage…

entertainment that included watching me attempt to help call bingo by turning on the bingo blower machine thingy and launching the numbered balls all over the damn street.

Lord, I just wasn’t meant for some things.

Anyway, husband, along with seventeen other businesses, vendors and crazy grillers, participated in the rib cooking contest. And at 5:30, after the judging was done, Bingo was mercifully over, my big sister’s dancers showed us their Michael Jackson Thriller moves, the kids were all settled in for the rest of the evening on those crazy, sweaty, inflatable jumper things, and Lonesome Willy and I sang for our supper, it was time to eat already.

I had a great view from the stage and watched as people emerged from their businesses, ready for the weekend, and began filling the street, up and down, waiting for the smokey, spicy, barbecue tastes of the grilled ribs. The street flooded with neighbors, tourists, new comers, children and pets.


And from my post it became apparent that this was the most people I’ve ever seen on Main Street Watford City at one time. I was proud of our town as I rested my blistered feet that were shoved in my fancy boots for the day and listened to some of the best local musicians around pick a banjo, a dobro, an acoustic guitar, and sing songs about their North Dakota home.

And the music filled the street, the ribs sold out, I announced the world’s longest chicken dance, signed an autograph for a couple of confused guys who thought I was a famous D.J. and then wondered who the hell’s name was on the back of their shirt as they walked away, the big band showed up, the full moon rose, I found myself a beer and watched my community laugh, relax, dance, shake hands, meet one another and enjoy themselves in the middle of the street, in the middle of America, in the middle of an oil boom, in the middle of a season that passes all too quickly around here.

It was necessary. It was appreciated. It was hometown as hometown needs to be…

I loaded up in husband’s pickup and he drove me home, pulled off my red boots, poked at my blisters and then I got up to do it all over again the next day. Because as wholesome as Friday night was, I got another dose as I put on a dress and headed back to town to sing at a wedding at our hometown church and then pointed my car north to meet the guys out at a farmstead near Hazen, ND.

Because we were scheduled to play a community barn dance and, so, when you’re at a barn dance you need the proper footwear. I did a quick outfit change, squeezed on my fancy boots again and followed the highway out of oil country, down a gravel road and into a perfectly mowed, perfectly beautiful, perfectly placed farmyard on the edge of Lake Sakakawea.

And in the middle of the yard stood a white and green barn that reached up the prairie sky and was spilling out people and children laughing and chatting and singing in cowboy hats and boots. The smell of burgers on the grill greeted me as lugged my guitar towards the band milling around outside, waiting for 8:00 to get behind their guitars, behind their microphones and behind their music.

We climbed the steps to the hay loft where the festivities took place and instantly I was transported to another place, another time, where the world still had barn dances, where the table cloths were still checkered red and white, where people danced the two step and sang along with old time country music, where they still wore cowboy boots.

I was on a movie set, you know, like the one where Sandra Bullock wears a beat up hat and jeans and takes photos and drives around a classic old pickup. The one where the small town band sounds straight out of Nashville. The one where she falls in love at the end after Harry Connick Jr. swings her around the wood floor of the barn as the lead singer taps his foot to Peaceful Easy Feeling and the crowd sings along.

Seriously.

But I wasn’t Sandra Bullock. Sandra Bullock was that beautiful blond in the black hat dancing with her boyfriend. No, I was the band.

And the guys playing next to me, some of the best musicians around, picked all the right songs and played all the right beats. Their grins spread wide as the family crowd requested songs the guys knew and then danced and cheered when they played them. The lead part drifted out through the hay loft window behind me and on over the prairie and to the lake as I sang harmony to my dad’s chorus and then a song I wrote and then Red River Valley and oh my, there they were, singing along.

So we all sang together. That family, that community. We sang Red River Valley and then Home on the Range and stomped our feet and clapped our hands as our voices joined together…

“May the circle, be unbroken, by and by Lord by and by…there’s a better home awaiting in the sky Lord in the sky…”

We sang it again…

and again…

and so did they, the crowd, our hosts for the evening. They sang with us too as they bounced their sleepy children, swung around their grandma, slapped their cousin and uncles on the shoulders, and just genuinely enjoyed themselves.

Genuinely.

I headed home into the dark sky, the guys with the band trailer pushing through the early hours of the morning in front of me, with a renewed hope that the world maybe hasn’t changed much.

That maybe in the hustle and bustle of progress, politics, and technology even the fancy cell phones that can tell you what road your on when you’re on it still can’t tell you where you really might be headed…

to a place where people still wear cowboy boots, where time has been preserved in the wood floors of a nearly hundred year old barn, where the only agenda is to laugh and dance with one another for goodness sake…

where the music really matters and so do the friendships.

A place on the end of a paved street with no stoplight, a place on the edge of a wheat field under the moon under the roof of a green and white barn that the GPS would never find…

but that we should never forget still exists…